R Crumb S Dream Diary

For more than 40 years, legendary American artist Robert Crumb has documented his nightly dreams in a meticulously kept private journal. This material has stood as a guarded secret in a career defined by an impish compulsion to publically self-disclose. All of the artist's well-documented preoccupations are present and accounted for--rampant egomania, insatiable lust, profound self-disgust, the sad beauty of old America, the moral bankruptcy of new America and the fool's errand quest for spiritual enlightenment--but here they are entirely untamed, springing forth from forces beyond even his control. Published for the first time, the complete Dream Diaries offer readers a deep, dark look under the hood of one of America's most aggressively dynamic comedic voices.

Aline Kominsky Crumb, one of the earliest female cartoonists, presents a collection of her own highly inventive and daring artwork over the last four decades, along with unusual photographs and memorabilia.

This is the definitive - and hugely entertaining - history of Weirdo magazine, the legendary Robert Crumb humour comics anthology from the 1980s. Weirdo took risks, broke barriers, and seriously offended the faint hearted. Ground-breaking and iconoclastic, it was an antidote to the times, a cult favourite show case for the counterculture.

The early work of the pioneering feminist cartoonist plus her acclaimed new story “Dream House" Aline Kominsky-Crumb immediately made her mark in the Bay Area’s underground comix scene with unabashedly raw, dirty, unfiltered comics chronicling the thoughts and desires of a woman coming of age in the 1960s. Kominsky-Crumb didn’t worry about self-flattery. In fact, her darkest secrets and deepest insecurities were all the more fodder for groundbreaking stories. Her exaggerated comix alter ego, Bunch, is self-destructive and grotesque but crackles with the self-deprecating humor and honesty of a cartoonist confident in the story she wants to tell. Collecting comics from the 1970s through today, Love That Bunch is shockingly prescient while still being an authentic story of its era. Kominsky-Crumb was ahead of her time in juxtaposing the contradictory nature of female sexuality with a proud, complicated feminism. Most important, she does so without apology. One of the most famous and idiosyncratic cartoonists of our time, Kominsky-Crumb traces her steps from a Beatles-loving fangirl, an East Village groupie, an adult grappling with her childhood, and a 1980s housewife and mother, to a new thirty-page story, “Dream House,” that looks back on her childhood forty years later. Love That Bunch will be Kominsky-Crumb’s only solo-authored book in print. Originally published as a book in 1990, this new expanded edition follows her to the present, including an afterword penned by the noted comics scholar Hillary Chute.

R. Crumb’s obsessions—from sex to the Bible, music, politics, and the vicissitudes and obscenities of daily life—are chronicled in this comprehensive book of work by the illustrious American comic artist. Instrumental in the formation of the underground comics scene in San Francisco during the 1960s and 1970s, Crumb has ruptured and expanded the boundaries of the graphic arts, redefining comics and cartoons as countercultural art forms. Presenting a slice of Crumb’s unique universe, this book features a wide array of printed matter culled from the artist’s five-decade career—tear sheets of drawings and comics taken directly from the publications where the works first appeared, comic book covers, broadsides from the 1960s and 1970s, and tabloids from Haight-Ashbury, Oakland, the Lower East Side, and other counterculture enclaves, as well as exhibition ephemera. Complementing this volume are historical works from the eighteenth and nineteenth centuries that have inspired Crumb and pages from his rarely seen sketchbooks from the 1970s and 1980s that reveal his exemplary skill as a draftsman. Documenting the critically acclaimed exhibition Drawing for Print: Mind Fucks, Kultur Klashes, Pulp Fiction & Pulp Fact by the Illustrious R. Crumb at David Zwirner, New York, in 2019, curated by Robert Storr, this publication offers an opportunity to immerse oneself in Crumb’s singular mind. In the accompanying text, Storr explores the challenging nature of some of Crumb’s work and the importance of artists who take on the status quo.

Call Out: Words of wisdom from R. Crumb hisself ("sic"): All my life I've loved women and hated 'em at the same time, often at the exact same moment! ~I realized I was a geek and I wasn't going to make it with the girls. I felt so painfully isolated that I vowed I would get revenge on the world by becoming a famous cartoonist. ~The only burning passion I'm sure I have, is the passion for sex. ~My personal obsession for big women interferes with some people's enjoyment of my work. I knew it was weird and disturbing and even offensive to a lot of people, particularly women. But I couldn't keep it out of the comics. I would always try to give it some sort of metaphorical sense because I derived such masturbatory pleasure out of drawing these women in bizarre situations with these little guys doing stuff to them.

A motley crew of saboteurs wreaks havoc on the corporations destroying America’s Western wilderness in this “wildly funny, infinitely wise” classic (The Houston Chronicle). When George Washington Hayduke III returns home from war in the jungles of Southeast Asia, he finds the unspoiled West he once knew has been transformed. The pristine lands and waterways are being strip mined, dammed up, and paved over by greedy government hacks and their corrupt corporate coconspirators. And the manic, beer-guzzling, rabidly antisocial ex-Green Beret isn’t just getting mad. Hayduke plans to get even. Together with a radical feminist from the Bronx; a wealthy, billboard-torching libertarian MD; and a disgraced Mormon polygamist, Hayduke’s ready to stick it to the Man in the most creative ways imaginable. By the time they’re done, there won’t be a bridge left standing, a dam unblown, or a bulldozer unmolested from Arizona to Utah. Edward Abbey’s most popular novel, The Monkey Wrench Gang is an outrageous romp with ultra-serious undertones that is as relevant today as it was in the early days of the environmental movement. The author who Larry McMurtry (Lonesome Dove) once dubbed “The Thoreau of the American West” has written a true comedic classic with brains, heart, and soul that more than justifies the call from the Los Angeles Times Book Review that we should all “praise the earth for Edward Abbey!” “Mixes comedy and chaos with enough chase sequences to leave you hungering for more.”—The San Francisco Chronicle

Presents a collection of 129 never-before-published comics about the 1960s by 169 writers and artists, including Renâe Goscinny, Jack Kirby, Harvey Kurtzman, Art Spiegelman, and Gahan Wilson.