Rachmaninoff S Complete Songs

Sergei Rachmaninoff—the last great Russian romantic and arguably the finest pianist of the late 19th and early 20th centuries—wrote 83 songs, which are performed and beloved throughout the world. Like German Lieder and French mélodies, the songs were composed for one singer, accompanied by a piano. In this complete collection, Richard D. Sylvester provides English translations of the songs, along with accurate transliterations of the original texts and detailed commentary. Since Rachmaninoff viewed these "romances" primarily as performances and painstakingly annotated the scores, this volume will be especially valuable for students, scholars, and practitioners of voice and piano.

Sergei Rachmaninoff--the last great Russian romantic and arguably the finest pianist of the late 19th and early 20th centuries--wrote 83 songs, which are performed and beloved throughout the world. Like German Lieder and French mélodies, the songs were composed for one singer, accompanied by a piano. In this complete collection, Richard D. Sylvester provides English translations of the songs, along with accurate transliterations of the original texts and detailed commentary. Since Rachmaninoff viewed these ""romances"" primarily as performances and painstakingly annotated the scores, this v.

As in the Tchaikovsky edition, this volume includes the Russian texts to the complete 82 songs of Sergei Vasilyevich Rachmaninov, including IPA transcriptions with literal and idiomatic English translations. Professor Richter views the publication of these books not only as the fulfillment of an ambition of many years, but also as the filling of a genuine need. Current standards of Russian diction among Western singers leave much to be desired, which is attributable in part to the inconsistent transliterations traditionally used in the publication of Russian vocal music, providing at best a crude approximation of Russian speech sounds. A correct, exact transcription for representing sung Russian to non-Russian singers has long been sorely needed. - Publisher.

Throughout his career as composer, conductor, and pianist, Sergei Rachmaninoff (1873-1943) was an intensely private individual. When Bertensson and Leyda’s 1956 biography appeared, it lifted the veil of secrecy from several areas of Rachmaninoff’s life, especially concerning the genesis of his compositions and how their critical reception affected him. The authors consulted a number of people who knew Rachmaninoff, who worked with him, and who corresponded with him. Even with the availability of such sources and full access to the Rachmaninoff Archive at the Library of Congress, Bertensson and Leyda were tireless in their pursuit of privately held documents, particularly correspondence. The wonderfully engaging product of their labors masterfully incorporates primary materials into the narrative. Almost half a century after it first appeared, this volume remains essential reading. Sergei Bertensson, who knew Rachmaninoff, published other works on music and film, often with a documentary emphasis.

Titles include the famous '18th Variation on a Theme of Paganini,' along with selected transcriptions ('The Bumble-Bee,' 'Minuet' from L'Arlesienne Suite, and 'Liebeslied'). Etude-Tableau, Moment Musicals, Preludes, other individual pieces, and the complete 'Variations on a Theme of Chopin' round out this unique collection that is not available from any other publisher. This publication contains 29 pieces.

This study is the first to consider all three of Rachmaninoff's careers in detail. After surveying his place in Russian musical history and his creative activity, the author examines, with musical examples, each working chronological order against the background of the composer's life. Among the the many subjects upon which new light is shed are the operas, the songs, and the religious music. Rachmaninoff's remarkable career as a pianist, his style of playing and repertoire are analysed along with his historically important contribution to the gramophone and his work for the reproducing piano. The book includes a survey of his activity as a conductor. There are extensive references to Russian sources and the first appearance of a complete Rachmaninoff disconography is included. This book is the only comprehensive study in any language of the three aspects of Rachmaninoff's musical career and is a stimulating read for music lovers everywhere.

The complete songs of Rachmaninoff rendered into IPA and word-for-word English translations.