Radical Sacrifice

A trenchant analysis of sacrifice as the foundation of the modern, as well as the ancient, social order The modern conception of sacrifice is at once cast as a victory of self-discipline over desire and condescended to as destructive and archaic abnegation. But even in the Old Testament, the dual natures of sacrifice, embodying both ritual slaughter and moral rectitude, were at odds. In this analysis, Terry Eagleton makes a compelling argument that the idea of sacrifice has long been misunderstood. Pursuing the complex lineage of sacrifice in a lyrical discourse, Eagleton focuses on the Old and New Testaments, offering a virtuosic analysis of the crucifixion, while drawing together a host of philosophers, theologians, and texts--from Hegel, Nietzsche, and Derrida to the Aeneid and The Wings of the Dove. Brilliant meditations on death and eros, Shakespeare and St. Paul, irony and hybridity explore the meaning of sacrifice in modernity, casting off misperceptions of barbarity to reconnect the radical idea to politics and revolution.

A trenchant analysis of sacrifice as the foundation of the modern, as well as the ancient, social order The modern conception of sacrifice is at once cast as a victory of self-discipline over desire and condescended to as destructive and archaic abnegation. But even in the Old Testament, the dual natures of sacrifice, embodying both ritual slaughter and moral rectitude, were at odds. In this analysis, Terry Eagleton makes a compelling argument that the idea of sacrifice has long been misunderstood. Pursuing the complex lineage of sacrifice in a lyrical discourse, Eagleton focuses on the Old and New Testaments, offering a virtuosic analysis of the crucifixion, while drawing together a host of philosophers, theologians, and texts—from Hegel, Nietzsche, and Derrida to the Aeneid and The Wings of the Dove. Brilliant meditations on death and eros, Shakespeare and St. Paul, irony and hybridity explore the meaning of sacrifice in modernity, casting off misperceptions of barbarity to reconnect the radical idea to politics and revolution.

Born into a distinguished military family, Fitz John Porter (1822-1901) was educated at West Point and breveted for bravery in the war with Mexico. Already a well-respected officer at the outset of the Civil War, as a general in the Union army he became a favorite of George B. McClellan, who chose him to command the Fifth Corps of the Army of the Potomac. Porter and his troops fought heroically and well at Gaines's Mill and Malvern Hill. His devotion to the Union cause seemed unquestionable until fellow Union generals John Pope and Irvin McDowell blamed him for their own battlefield failures at Second Bull Run. As a confidant of the Democrat and limited-war proponent McClellan, Porter found himself targeted by Radical Republicans intent on turning the conflict to the cause of emancipation. He made the perfect scapegoat, and a court-martial packed with compliant officers dismissed him for disobedience of orders and misconduct before the enemy. Porter tenaciously pursued vindication after the war, and in 1879 an army commission finally reviewed his case, completely exonerating him. Obstinately partisan resistance from old Republican enemies still denied him even nominal reinstatement for six more years. This revealing new biography by William Marvel cuts through received wisdom to show Fitz John Porter as he was: a respected commander whose distinguished career was ruined by political machinations within Lincoln's administration. Marvel lifts the cloud that shadowed Porter over the last four decades of his life, exposing the spiteful Radical Republicans who refused to restore his rank long after his exoneration and never restored his benefits. Reexamining the relevant primary evidence from the full arc of Porter's life and career, Marvel offers significant insights into the intersections of politics, war, and memory.

"A Radical Sacrifice" brings back into the readers' lives Josh and Mindy Taylor- Nicholson from "Strategy Murders". Events unfold that lead to Mindy and her intended maid of honor, Kendi Karson who was her sorority sister in college, are shot. DNA found at recent crime scenes in Fredericksburg, Virginia involving three young blacks belongs to Kendi's twin brother, a man who was murdered six months ago. Mindy is shot in the shoulder and cannot remember anything, not even Kendi. Kendi was shot in the head and is being cared for in a secluded facility as she lies in a coma. Josh suspects the Ku Klux Klan may be involved, but until Mindy can remember or Kendi wakes up from her coma, Josh is in the dark on how to proceed or how to keep his finance' and Kendi alive!

Expanded Edition with Photos In Radical Courage, retired Marine Staff Sergeant Eric Alva shares his powerful story of coming out as a gay man in the armed forces, as well as his ardent advocacy for diversity and inclusion in the workplace.

In the generations after emancipation, hundreds of thousands of African-descended working-class men and women left their homes in the British Caribbean to seek opportunity abroad: in the goldfields of Venezuela and the cane fields of Cuba, the canal construction in Panama, and the bustling city streets of Brooklyn. But in the 1920s and 1930s, racist nativism and a brutal cascade of antiblack immigration laws swept the hemisphere. Facing borders and barriers as never before, Afro-Caribbean migrants rethought allegiances of race, class, and empire. In Radical Moves, Lara Putnam takes readers from tin-roof tropical dancehalls to the elegant black-owned ballrooms of Jazz Age Harlem to trace the roots of the black-internationalist and anticolonial movements that would remake the twentieth century. From Trinidad to 136th Street, these were years of great dreams and righteous demands. Praying or "jazzing," writing letters to the editor or letters home, Caribbean men and women tried on new ideas about the collective. The popular culture of black internationalism they created--from Marcus Garvey's UNIA to "regge" dances, Rastafarianism, and Joe Louis's worldwide fandom--still echoes in the present.

In this fascinating volume, acclaimed theatre historian Erika Fischer-Lichte reflects on the role and meaning accorded to the theme of sacrifice in Western cultures as mirrored in particular fusions of theatre and ritual. Theatre, Sacrifice, Ritual presents a radical re-definition of ritual theatre through analysis of performances as diverse as: Max Reinhardt's new people's theatre the mass spectacles of post-revolutionary Russia American Zionist pageants the Olympic Games. In offering both a performative and a semiotic analysis of such performances, Fischer-Lichte expertly demonstrates how theatre and ritual are fused in order to tackle the problem of community-building in societies characterised by loss of solidarity and disintegration, and exposes the provocative connection between the utopian visions of community they suggest, and the notion of sacrifice. This innovative study of twentieth-century performative culture boldly examines the complexities of political theatre, propaganda and manipulation of the masses, and offers a revolutionary approach to the study of theatre and performance history.

A philosophical exploration of the ethics and politics of sacrifice.