Radicals And Visionaries A History Of Dissent In New Jersey

Editions for 1954 and 1967 by O. Handlin and others.

Civil War aficionados and historians will welcome Jackson's analysis of the participation of New Jersey African Americans on the home front and in the military - an important, and much-needed, part of the book."--BOOK JACKET.

The Labor History Reader celebrates the first quarter century of the premier journal in its field and provides the richest available source of contemporary thought on American labor history. The result is not only a revealing look at the history of American labor but also a better understanding of our changing attitudes toward that history.''The list of authors in The Labor History Reader reads like an honor roll of the most distinguished labor historians in the United States. The volume itself is excellent in chronological scope, wide-ranging in subjects treated, and representative of the main currents of thought which stimulate the writing of American working class history today.'' -- Maurice F. Neufeld, professor of labor and industrial relations, Cornell University

Challenging the conventional wisdom that the 1930s were dominated by literary and photographic realism, Sensational Modernism uncovers a rich vein of experimental work by politically progressive artists. Examining images by photographers such as Weegee and Aaron Siskind and fiction by writers such as William Carlos Williams, Richard Wright, Tillie Olsen, and Pietro di Donato, Joseph Entin argues that these artists drew attention to the country's most vulnerable residents by using what he calls an "aesthetic of astonishment," focused on startling, graphic images of pain, injury, and prejudice. Traditional portrayals of the poor depicted stoic, passive figures of sentimental suffering or degraded but potentially threatening figures in need of supervision. Sensational modernists sought to shock middle-class audiences into new ways of seeing the nation's impoverished and outcast populations. The striking images these artists created, often taking the form of contorted or disfigured bodies drawn from the realm of the tabloids, pulp magazines, and cinema, represented a bold, experimental form of social aesthetics. Entin argues that these artists created a willfully unorthodox brand of vernacular modernism in which formal avant-garde innovations were used to delineate the conditions, contradictions, and pressures of life on the nation's fringes.

Robert Justin Goldstein's Political Repression in Modern America provides the only comprehensive narrative account ever published of significant civil liberties violations concerning political dissidents since the rise of the post-Civil War modern American industrial state. A history of the dark side of the "land of the free," Goldstein's book covers both famous and little-known examples of governmental repression, including reactions to the early labor movement, the Haymarket affair, "little red scares" in 1908, 1935, and 1938-41, the repression of opposition to World War I, the 1919 "great red scare," the McCarthy period, and post-World War II abuses of the intelligence agencies. Enhanced with a new introduction and an updated bibliography, Political Repression in Modern America remains an essential record of the relentless intolerance that suppresses radical dissent in the United States.

Immigrants to Freedom is not a volume of past circumstances; it details the continuing quest of the Jewish people to find a more perfect union with lands and peoples of expanding freedom. from the Preface by Moshe Davis An almost unknown chapter in the story of U.S. immigration and social history opened in 1882 with the creation Southern New Jersey of Alliance, the first rural Jewish settlement in the New World. Escaping from the pogroms of Eastern Europe, disillusioned with the poverty-ridden slums of the big cities, and inspired by popular leaders such as Michael Bakal and Moshe Herder who taught the dignity of manual labor, four hundred Jews chose to become American farmers. Thousands more followed, to settle within the triangular district bounded by Vineland, Millville, and Bridgeton, all searching for individual transformation as well as group transplantation, all seeking to disprove the stereotype of the Jew as small trader and middleman. Their successes, failures, conflicts with the urban Jews of nearby New York and Philadelphia these are the fascinating subjects of this intimately written history. These organized agricultural communities were not primarily Zionist, unlike the pioneering settlements of the same period in Eretz Yisrael. Originally conceived as privately subsidized social experiments, free of socialist or nationalist ringes, these groups sought to overcome anti-Semitism while striving for a more creative life and almost at once, true to their basic Jewish sense of family and self-help, the experiments in farming became programs for saving lives, first from the sanctioned savagery of Alexander III, later from the holocaust of Nazi Germany. These colonizing experiments, says Dr. Brandes, were both a kaleidoscope and a mirror of the major forces in modern Jewish life. Agrarianism, Americanism, Zionism, a testing traditional values all were to be found here in microcosm. [They are]a significant chapter in the history of a people straining from oppression to freedom.