Rage Against The Night

The poetry of Dylan Thomas has long been heralded as amongst the greatest of the Modern period, and along with his play, Under Milk Wood, his books are amongst the best-loved works in the literary canon. This new selection of his poetry contains all of his best-loved verse - including 'I See the Boys of Summer', 'And Death Shall Have No Dominion', 'The Hand that Signed the Paper' and, of course, 'Do Not Go Gentle into that Good Night' - as well as some of his lesser-known lyrical pieces, and aims to show the great poet in a new light. '[Then] the greatest living poet in the English language.' (Observer) 'He is unique, for he distils an exquisite mysterious moving quality which defies analysis.' (Sunday Times)

The most complete and current edition of Dylan Thomas' collected poetry in a beautiful gift edition celebrating the centenary of his birth The reputation of Dylan Thomas (1914-1953) as one of the greatest poets of the twentieth century has not waned in the fifty years since his death. A Welshman with a passion for the English language, Thomas’s singular poetic voice has been admired and imitated, but never matched. This exciting, newly edited annotated edition offers a more complete and representative collection of Dylan Thomas’s poetic works than any previous edition. Edited by leading Dylan Thomas scholar John Goodby from the University of Swansea, The Poems of Dylan Thomas contains all the poems that appeared in Collected Poems 1934-1952, edited by Dylan Thomas himself, as well as poems from the 1930-1934 notebooks and poems from letters, amatory verses, occasional poems, the verse film script for “Our Country,” and poems that appear in his “radio play for voices,” Under Milk Wood. Showing the broad range of Dylan Thomas’s oeuvre as never before, this new edition places Thomas in the twenty-first century, with an up-to-date introduction by Goodby whose notes and annotations take a pluralistic approach.

"Thanatopsis" is a renowned poem written by William Cullen Bryant, an American poet and editor of the 19th century. First published in 1817 when Bryant was just 17 years old, the poem is considered one of the early masterpieces of American literature. In "Thanatopsis," Bryant explores themes related to death and nature, contemplating the idea of mortality and the interconnectedness of life and death. The title, derived from the Greek words "thanatos" (death) and "opsis" (view), suggests a meditation on the contemplation of death. The poem begins with an invocation to nature, portraying it as a grand and eternal force. Bryant expresses the idea that death is a natural part of the cycle of life, and all living things ultimately return to the earth. He emphasizes the consoling and unifying aspects of death, encouraging readers to view it as a peaceful and harmonious process. "Thanatopsis" reflects the Romantic literary movement's appreciation for nature and its role in shaping human perspectives. Bryant's eloquent language and profound reflections on mortality contribute to the enduring appeal of the poem.

Under the onslaught of supernatural evil, the acts of good people can seem insignificant, but a courageous few stand apart. These brave men and women stand up to the darkness, stare it right in the eye, and give it the finger. These are the stories of those who rage against the night, stories of triumph, sacrifice, and bravery in the face of overwhelming evil. Rage Against the Night features the megastars of dark fantasy and horror-including Stephen King, Ramsey Campbell, Peter Straub, Chelsea Quinn Yarbro, F. Paul Wilson, Jonathan Maberry, Scott Nicholson, Nancy Holder, Sarah Langan, and many, many more. All proceeds will be donated to Rocky Wood, author and President of the Horror Writers Association, who is battling motor neurone disease.

“Howerton writes unflinchingly about what it means to be raising children in today’s world and how to liberate ourselves from the myth of perfect motherhood.”—Glennon Doyle, author of Untamed and Love Warrior, founder of Together Rising In this smart and subversively funny memoir, Kristen Howerton navigates the emotional and sometimes messy waters of motherhood and challenges the idea that there’s a “right” way to raise kids. Recounting her successes, trials, mishaps, and hard-won wisdom, this mother of four advocates for letting go of the expectations, the guilt, and the endless race to be the perfect parent to the perfect child in the perfect family. This book is for ● the parent who loves their kids like crazy but feels like parenting is making them crazy, too ● the parent who said “I will never . . .” and now they have ● the parent who looks like they have it all together but feels like a hot mess on the inside ● the parent who looks like a hot mess on the outside, too ● the parent who asks Am I good enough? Doing enough? Doing it right? What’s wrong with me? What’s wrong with these children? Are they eighteen yet? With her signature blend of vulnerability, sarcasm, and insight, Howerton shares her unexpected journey from infertility to adoption to pregnancy to divorce to dealing with the shock and awe of raising teens. As a mom of a multiracial family and as a marriage and family therapist, she tackles the thorny issues parents face today, like hard conversations about racism, disciplining other people’s kids, the reality of Dad Privilege, and (never) attaining that elusive work/life balance. Rage Against the Minivan is a permission slip to let it go and allow yourself to be a “good enough” parent, focused on raising happy, kind, loving humans.

LONGLISTED FOR THE PEN/HEMINGWAY AWARD FOR DEBUT NOVEL NAMED A BEST BOOK OF THE YEAR BY AV CLUB, VULTURE, ESQUIRE AND LITERARY HUB One day, the mother was a mother, but then one night, she was quite suddenly something else... In this blazingly smart and voracious debut, an artist turned stay-at-home mom becomes convinced she's turning into a dog. An ambitious mother puts her art career on hold to stay at home with her newborn son, but the experience does not match her imagination. Two years later, she steps into the bathroom for a break from her toddler's demands, only to discover a dense patch of hair on the back of her neck. In the mirror, her canines suddenly look sharper than she remembers. Her husband, who travels for work five days a week, casually dismisses her fears from faraway hotel rooms. As the mother's symptoms intensify, and her temptation to give into her new dog impulses peak, she struggles to keep her alter-canine-identity secret. Seeking a cure at the library, she discovers the mysterious academic tome which becomes her bible, "A Field Guide to Magical Women: A Mythical Ethnography," and meets a group of mommies involved in a multi-level-marketing scheme who may also be more than what they seem. An outrageously original novel of ideas about art, power and womanhood wrapped in a satirical fairy tale, Nightbitch will make you want to howl in laughter and recognition. And you should. You should howl as much as you want.

Partly autobiographical, partly historical, "The Rage Against God," written by the brother of prominent atheist Christopher Hitchens, assails several of the favorite arguments of the anti-God battalions and makes the case against fashionable atheism.

Rage Against The LightPlace: Sydney CBD. Or a city anywhere. Time: Mostly daytime yet feels like night.Era: Early 21st century. Mood: Dark but hopeful.Light: Dramatic. Sydney is a city in the midst of a development boom. Skyscrapers. Cranes. Man-made environment. Concrete. Few trees. Mirrored surfaces. Windows magnifying light. Consumer advertising expressing people's desires. Impersonal at heart.There are signs of life amid the cold abstractions of architecture. People scurry about being literally exposed by light. They are struck by shafts between buildings like insects coming out for food. Solitary male figures appear as different identities. A man in a suit, dragging on a cigarette is lost in thought.Street photography is a genre with a long history (Garry Winogrand, Daido Moriyama, Trent Parke). The CBD is a favorite haunt. Some photographers seek out people or emphasize a sense of isolation in the crowd. Others evoke a haunting mood empty of human presence. Markus Andersen does both, loving the tradition of black and white (high contrast), square format and abstraction. With very deliberate cropping and enterprising juxtapositions he reveals his skill for graphic design. He aligns the elements of people and place to make a wryly humourous visual haiku. The Leunig of photography.Markus Andersen's photographs describe an experience familiar to us. It is exciting and full of promise to go to the CBD and yet it can leave us feeling empty. We go home only temporarily satiated. This essay is rich with worldly wisdom. There is satisfaction in the vision shared. It celebrates the humanity of the self and its endless creative ability to interpret. This is the role of the artist. It casts light on our experience by speaking from the heart. Markus Anderson sheds light on our love of life and our love of light.