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Nation-building imperatives compel citizens to focus on what makes them similar and what binds them together, forgetting what makes them different. Democratic institution building, on the other hand, requires fostering opposition through conducting multiparty elections and encouraging debate. Leaders of democratic factions, like parties or interest groups, can consolidate their power by emphasizing difference. But when held in tension, these two impulses—toward remembering difference and forgetting it, between focusing on unity and encouraging division—are mutually constitutive of sustainable democracy. ?Based on ethnographic and interview-based fieldwork conducted in 2012–13, The Black and White Rainbow: Reconciliation, Opposition, and Nation-Building in Democratic South Africa explores various themes of nation- and democracy-building, including the emotional and banal content of symbols of the post-apartheid state, the ways that gender and race condition nascent nationalism, the public performance of nationalism and other group-based identities, integration and sharing of space, language diversity, and the role of democratic functioning including party politics and modes of opposition. Each of these thematic chapters aims to explicate a feature of the multifaceted nature of identity-building, and link the South African case to broader literatures on both nationalism and democracy.

When Nelson Mandela emerged from decades in jail to preach reconciliation, South Africans truly appeared a people reborn as the Rainbow Nation. Yet, a quarter of a century later, the country sank into bitter recriminations and rampant corruption under Jacob Zuma. Why did this happen, and how was hope betrayed? President Cyril Ramaphosa, who is seeking to heal these wounds, is due to lead the African National Congress into an election by May 2019. The ANC is hoping to claw back support lost to the opposition in the Zuma era. This book will shed light on voters' choices and analyze the election outcome as the results emerge. With chapters on all the major issues at stake--from education to land redistribution-- Understanding South Africa offers insights into Africa's largest and most diversified economy, closely tied to its neighbors' fortunes.

If I were given five minutes with my younger self—that little girl who cried every time we had to leave for another country—I would hold her tight and not say a word. I would just be still and have her feel my beating heart, a thud to echo her own—a silent message that, no matter the outcome, she would survive and be stronger and happier than she might think as she stood at the threshold of each new home. Sisonke Msimang was born in exile, the daughter of South African freedom fighters. Always Another Country is the story of a young girl’s path to womanhood—a journey that took her from Africa to America and back again, then on to a new home in Australia. Frank, fierce and insightful, she reflects candidly on the abuse she suffered as a child, the naive, heady euphoria of returning at last to her parents’ homeland—and her disillusionment with present-day South Africa and its new elites. Sisonke Msimang is a bold new voice on feminism, race and politics—in her beloved South Africa, in Australia, and around the world. Sisonke Msimang was born in exile to South African parents—a freedom fighter and an accountant—and raised in Zambia, Kenya and Canada before studying in the US as an undergraduate. Her family returned to South Africa after apartheid was abolished in the early 1990s. Sisonke has held fellowships at Yale University, the Aspen Institute and the University of the Witwatersrand in Johannesburg, and is a regular contributor to the Guardian, Daily Maverick and New York Times. She now lives in Perth, Australia, where she is head of oral storytelling at the Centre for Stories. ‘Few of us have felt the grinding force of history as consciously or as constantly as Sisonke Msimang. Her story is a timely insight into a life in which the gap between the great world and the private realm is vanishingly narrow and it bears hard lessons about how fragile our hopes and dreams can be.' Tim Winton ‘Brutally and uncompromisingly honest, Sisonke’s beautifully crafted storytelling enriches the already extraordinary pool of young African women writers of our time.’ Graça Machel, Minister for Education and Culture of Mozambique ‘Msimang is a talented and passionate writer, one possessed of an acerbic intelligence...This memoir is also full of warmth and humour.’ Saturday Paper ‘Sisonke Msimang kindles a new fire in our store of memoir, a fire that will warm and singe and sear for a long, long while.’ Njabulo S. Ndebele, author The Cry of Winnie Mandela 'An excellent blend of both the personal and political...a bold memoir...a tale that will sustain itself for generations.’ Books & Publishing ‘Msimang pours herself into these pages with a voice that is molten steel; her radiant warmth and humour sit alongside her fearlessness in naming and refusing injustice. Msimang is a masterful memoirist, a gifted writer, and she comes bearing a message that is as urgent and timely as it is eternal.’ Sarah Krasnostein ‘It is rare to hear from such a voice as Sisonke’s—powerful, accomplished, unabashed and brave. This is a gripping and important memoir that is also self-aware and funny, revealing the depths of a country we’ve mostly only seen through a colonial perspective.’ Alice Pung ‘It is not possible to do this book justice in so few words...Always Another Country is eloquent and powerful. Msimang’s explication of what it means to be from – but not of – a place is profoundly moving. Msimang deserves to be widely read and fans of Roxane Gay and Maxine Beneba Clarke, in particular, will not be disappointed.’ Readings ‘[An] eloquent memoir of home, belonging and race politics.’ Big Issue ‘Msimang’s graceful memoir is one of those rare books that managed to make me less cynical about the state of literature...It’s a coming-of-age story for those children for whom home is marked by more than a single physical location.’ New York Times

Apartheid isn't over—so Malaika Wa Azania boldly argues in Memoirs of a Born Free, her account of growing up black in modern-day South Africa. Malaika was born in late 1991, as the white minority government was on its way out, making her a "Born Free"—the name given to the generation born after the end of apartheid. But Malaika's experience with institutionalized racism offers a view of South Africa that contradicts the implied racial liberation of the so-called Rainbow Nation. Recounting her upbringing in a black township racked by poverty and disease, the death of a beloved uncle at the hands of white police, and her alienation at multiracial schools, she evokes a country still held in thrall by de facto apartheid. She takes us through her anger and disillusionment with the myth of black liberation to the birth and development of her dedication to the black consciousness movement, which continues to be a guiding force in her life. A trenchant, audacious, and ultimately hopeful narrative, Memoirs of a Born Free introduces an important new voice in South African—and, indeed, global—activism.

There is a newfound interest in architectural drawing. Some of the most forward-looking architects worldwide are reinventing it to discover the radical possibilities of contemporary architecture as a rich mix of the virtual and the actual. Architectural drawing is adapting to compensate for these new changes to the discipline, and is being used to speculate on new paradigms of space and representation. This AD seeks to showcase the architects who are pushing the envelope of drawing in extraordinary ways, and their insights into architecture’s future spatial dexterity. The issue is built around an international group of architects involved in an ongoing KU Leuven Faculty of Architecture international drawing research project, who are creating new drawing methodologies in new and exciting realms. Their projects are written about from the perspective of architectural representation by critics and commentators from across the globe, illustrating a cornucopia of graphic verve and talent in this highly contemporary and thought-provoking issue. Contributors: Aaron Betsky, Penelope Haralambidou, Ulrika Karlsson, Michael McGarry, Nicholas de Monchaux, Ricardo de Ostos, Alberto Pérez-Gómez, Peter Salter, Chris L Smith, Wolfgang Tschapeller, Sarah de Villiers, Robin Wilson, and Jason Young. Drawings by: Bryan Cantley, Nat Chard, Peter Cook, Riet Eeckhout, CJ Lim, Perry Kulper, Metis (Mark Dorrian and Adrian Hawker), Shaun Murray, Smout Allen, Neil Spiller, Nada Subotincic, Michael Webb, Mark West, and Michael Young.

A deeply researched, fully updated edition of The National Security Constitution that explores the growing imbalance of institutional powers in American foreign affairs and national security policy Since the beginning of the American Republic, a package of norms has evolved in the U.S. Constitution to protect the operation of checks and balances in national security policy. This “National Security Constitution” promotes shared powers and balanced institutional participation in foreign policymaking. Today it is under attack from a competing claim of executive unilateralism generated by recurrent patterns of presidential activism, congressional passivity, and judicial tolerance. This dynamic has pushed presidents of both parties to press the limits of law in foreign affairs. In his award-winning National Security Constitution (1990), Harold Hongju Koh traced the evolution of this constitutional struggle across America’s history. This new book, based on the earlier volume but with roughly 70 percent new material, brings the story to the present, placing recent events into constitutional perspective. Reviewing the presidencies of the twenty-first century, he explains why modern national security threats have given presidents of both parties incentives to monopolize foreign policy decision-making, Congress incentives to defer, and the courts reasons to rubber-stamp. Koh suggests both a workable strategy and crucial prescriptions to restore the balance of our constitutional order in addressing modern global crises.

Nominated for a 34th annual Lambda Literary Award • An essential and revelatory coming-of-age novel from a thrilling new voice, Rainbow Milk follows nineteen-year-old Jesse McCarthy as he grapples with his racial and sexual identities against the backdrop of his Jehovah's Witness upbringing. In the 1950s, ex-boxer Norman Alonso has immigrated to Britain from Jamaica with his wife and children in order to secure a brighter future. Blighted with unexpected illness and racism, Norman and his family are resilient but are all too aware that their family will need more than just hope to survive in their new country. At the turn of the millennium, Jesse seeks a fresh start in London, escaping a broken immediate family, a repressive religious community, and his depressed hometown in the industrial Black Country. But once he arrives he finds himself at a loss for a new center of gravity and turns to sex work, music, and art to create his own notions of love, masculinity, and spirituality. A wholly original novel as tender as it is visceral, Rainbow Milk is a bold reckoning with race, class, sexuality, freedom, and religion across generations, time, and cultures.