Raphael S Prophetic Almanac

This volume comprises a curated conversation between members of the Material Culture Section of University College London Anthropology. In laying out the state of play in the field, it challenges how the anthropology of material culture is being done and argues for new directions of enquiry and new methods of investigation. The contributors consider the ramifications of specific research methods and explore new methodological frameworks to address areas of human experience that require a new analytical approach. The case studies draw from a range of contexts, including digital objects, infrastructure, data, extraterrestriality, ethnographic curation, and medical materiality. They include timely reappraisals of now-classical analytical models that have shaped the way we understand the object, the discipline, knowledge formation, and the artefact.

A Budget of Paradoxes, originally published in 1915, is mathematician Augustus De Morgan's most accessible and entertaining work. Well-known for his wit, De Morgan takes aim at those people he calls "paradoxers," which in modern terms would most closely resemble crackpots. Paradoxers, however, are not crazy, necessarily-rather, they hold views wildly outside the accepted sphere. If you believed the world was round when everyone else knew that it was flat, you would be a paradoxer. In this book, De Morgan reviews a number of books from his own library written by such "crackpots" who claim to have solved a great many of the puzzles of mathematics and science, including squaring a circle, creating perpetual motion, and overcoming gravity. Each is thoroughly put in his place in ways both entertaining and informative to readers. Skeptics, students of science, and anyone who likes pondering a puzzle will find this book a delightful read. British mathematician AUGUSTUS DE MORGAN (1806-1871) invented the term mathematical induction. Among his many published works is Trigonometry and Double Algebra (1849).

Volumes for 1898-1968 include a directory of publishers.