Rapunzel

The classic story of Rapunzel gets a fresh twist in this vibrant Indian spin on the beloved fairy tale! Once upon a time, there was a girl with long, long hair, who lived in a tall, tall tower... The classic tale of Rapunzel gets a fresh twist in this third book of a brand-new board book series, Once Upon a World. With India as the backdrop, and vibrant artwork from illustrator Archana Sreenivasan, Rapunzel is still the same girl who lets down her beautiful hair—but she’s totally reimagined. Once Upon a World offers a multicultural take on the fairy tales we all know and love. Because these tales are for everyone, everywhere.

Introduces Rapunzel, a girl who has been locked in a tower her entire life, who escapes with the help of adventurer Flynn Rider on a visit to the kingdom. On board pages.

A retelling of the traditional tale in which a beautiful girl with long golden hair is imprisoned in a lonely tower by a witch.

At head of title: Disney Tangled the series.

A witty twist on a favourite fairy tale, this bold and funny story removes the handsome prince altogether, making Rapunzel the mistress of her own destiny. Golden-haired princess Rapunzel is kept trapped in her lofty tower by a wicked witch, who lops off locks of her beautiful hair and sells them for her own profit. Can Rapunzel ever figure out a way to escape? From the creator of Little Red, a New York Times Best Illustrated Children's Book, Bethan Woollvin's unique and striking art, printed with stunning pantone inks, and her drily comic voice make this the perfect gift for fairy tale fans of all ages.

Meet Rapunzel, the girl with the beautiful long hair, who lives in a tall tower without doors, and find out how she got there. Will the prince, who fell in love with her voice, be able to rescue her? Or will the witch get on to them? Get to know the world-famous fairy tale, originally published by the Brothers Grimm, beautifully illustrated and retold to the needs of small children.

This volume presents an exploration of the role of embodied cognition in creating personal, imaginative renditions of hair, that also distally relate to the symbolic significance of the fairytale character Rapunzel’s hair (in terms of physical life, romantic life, spiritual life, and psychic life, respectively). Integral to this relation, is the author’s idea of “fancifold”, which is a quality or state of the imagination that can produce unique neuropsychological elements of enchantment and disenchantment entwined. This book will be of interest to scholars and other researchers concerned with how cognition (including psychology and the brain, psychology and literature, psychology and art, philosophy of mind, and metaphor) might relate specifically to understanding the subjective experience of hair.