Re Membering The Body

This volume celebrates the ministry and theological contribution of Dr. Ruth Gouldbourne, one of the foremost Baptist and Free Church women ministers and scholars in Britain and Europe. Following studies at St Andrews University, and King’s College London, and ministerial training at Spurgeon’s College, she served at Bloomsbury Central Baptist Church, the Free Church Bunyan Meeting, Bedford, and had been a Tutor, after which she returned to the local pastorate at Bloomsbury then Grove Lane Baptist Church, Cheadle. Her doctorate explores gender and theology in the writings of the radical reformer, Caspar Schwenckfeld, and she has recently earned her MA in Shakespearean Studies. She has served the Baptist Union on the Baptist Women in Ministry and Training group, the Covenant 2000 Committee, the Working Groups on Membership, and Superintendency, as well as the Baptist Historical Society. Internationally, she chaired the Academic Board of the International Baptist Theological Seminary (IBTSC), and its the Board of Trustees, and her ecumenical commitment has included sitting on the World Council of Churches’ Faith and Order Commission, and serving Churches Together in Britain and Ireland. An Associate Fellow of Spurgeon’s College, she is also Senior Research Fellow of IBTSC Amsterdam, and a Research Fellow of Bristol Baptist College.

For centuries, Baptists have regarded the Eucharist, or Lord's Supper, as "merely symbolic" rather than as sacramental. Historically speaking, Baptists have also participated in the practice of the Supper less frequently than other Christian groups, all the while lodging complaints about a lack of ecclesial unity. In response to these trends, this book argues for a sacramental understanding of the Eucharist and focuses on the way in which the Eucharist conveys grace by drawing the church together as the body of Christ. It focuses especially on the theology of James Wm. McClendon Jr., who was Baptist but nonetheless illustrated that through the Eucharist God "re-members" the church as the body of Christ. Together with Lutheran theologian Robert Jenson and Catholic theologian Cardinal Henri de Lubac, McClendon's work has had an enormous impact on contemporary free church discussions about the Supper and ecclesial unity. In a final chapter, therefore, the study examines a number of contemporary Baptists dubbed the "new Baptist sacramentalists." These men and women are influenced by McClendon, Jenson, and de Lubac, and they offer a fresh approach to the ongoing puzzle of the church's disunity through the Eucharist.

This text and picture book designed by Bruce Mau reflects the myriad issues surrounding representations and concepts of the body, focusing on the body in movement. ReMembering the Body is dedicated to dance, the experimental territory par excellence of the moving body, and explores a variety of topics such as choreography in the cinema, choreography and spatial concepts, the aesthetics of violence and subversion in both the sciences and the arts, and notions of the body as a machine and as an animalistic organism. Texts by cultural critics such as Fredrich Kittler and Mau's picture essay combine to present fragments of the pictorial dismemberment of the body as a vivid history of movement. Arrestingly and uniquely designed, ReMembering the Body is an ideal and thoroughly indexed reference work as well as an important cultural document.

With the continued expansion of the literary canon, multicultural works of modern literary fiction and autobiography have assumed an increasing importance for students and scholars of American literature. This exciting new series assembles key documents and criticism concerning these works that have so recently become central components of the American literature curriculum. Each casebook will reprint documents relating to the work's historical context and reception, present the best in critical essays, and when possible, feature an interview of the author. The series will provide, for the first time, an accessible forum in which readers can come to a fuller understanding of these contemporary masterpieces and the unique aspects of American ethnic, racial, or cultural experience that they so ably portray. This casebook to Morrison's classic novel presents seven essays that represent the best in contemporary criticism of the book. In addition, the book includes a poem and an abolitionist's tra published after a slave named Margaret Garner killed her child to save her from slavery—the very incident Morrison fictionalizes in Beloved.

Violence and the Body: Race, Gender, and the State explores the relationship between subalternity, the discourse and technology of the body, and the rise and proliferation of racial, colonial, sexual, domestic, and state violence, examining the materiality of violence on the "otherized" body. Grounded in U.S./Mexico border and Latin American cultural studies, the essays in this collection intersect discussions of subalternity, violence, and discourses of the body in a transethnic, feminist, and global cultural studies context. They provide a global mapping of contemporary modes and acts of physical and representational violence and demonstrate how discourses of otherization are reinforced and interanimated through violence on what Elizabeth Grosz has called the "intensities" and "flows" of the body.

From Pliny to Petrarch to Pope-Hennessy and beyond, many have understood the obvious connection between portraiture and commemorative practice. This book expands and nuances our understanding of Renaissance portraiture; the author shows it to be complexly generated within a discourse of male anxiety and pre-mortuary mourning. She argues that portraiture could defer memory loss or, at the very least, pictorially console the subject against his own potentially unmourned death. This book recognizes a socio-cultural anxiety - the fear not merely of death but also of being forgotten - and identifies a set of pictorial, literary and theoretical strategies consequently formulated to ensure memory. To explore this phenomenon, this interdisciplinary but fundamentally art historical project merges early modern visual culture and critical theories of the body. The author examines an extensive selection of fifteenth- and sixteenth-century male and female portraits, primarily associated with the Medici family, circle and court, in and against both historical writings and contemporary discourses, including literary and cultural theory, psychoanalysis, feminism and gender studies, and critical theories of race and disability. Re-membering Masculinity generates new ideas about both male and female portraiture in early modern Florence, raises even more questions about the experiences and representations of widowhood and mourning, and re-configures our understanding of masculinity - from the early modern male body to 'Renaissance Man' to postmodern manhood.

Race and privilege are issues that cry out for new kinds of attention and healing in American society. More specifically, we are being called to surface the dynamics of whiteness especially in contexts where whites have had the most power in America. The church is one of those contexts--particularly churches that have traditionally been seen as the stalwarts of the American religious landscape: mainline Protestant churches. Theologians and Presbyterian ministers Mary McClintock Fulkerson and Marcia Mount Shoop invite us to acknowledge and address the wounds of race and privilege that continue to harm and diminish the life of the church. Using Eucharist as a template for both the church's blindness and for Christ's redemptive capacity, this book invites faith communities, especially white-dominant churches, into new ways of re-membering what it means to be the body of Christ. In a still racialized society, can the body of Christ truly acknowledge and dress the wounds of race and privilege? Re-membering Christ's broken and betrayed body may be just the healing path we need.