Re Reading Ishi S Story

Rereading Ishi’s Story offers a manifesto of sorts through a critical reading of an anthropological classic, Theodora Kroeber’s 1961 book, Ishi in Two Worlds: A Biography of the Last Wild Indian in North America. The heart of the analysis involves a five-play cycle, built around Gerald Vizenor’s trickster-survivance model. It gives Ishi a voice he never had in Kroeber’s book and imagines an Ishi who was not the happy warrior in Kroeber’s book. The author follows the story line in Kroeber’s book, focusing on key events as recounted by Alfred Kroeber and his associates Saxton Pope and Thomas Waterman. Chapter 1 tells Ishi’s story in his own words; Chapter 2 retells Ishi’s capture narrative, which includes the recording of his story of the wood ducks; Chapter 3 builds on stories told about Ishi by Zumwalt Jr.; Chapter 4 criticizes Kroeber and associates for making Ishi return to his homeland, asking him to ‘play’ Indian; and Chapter 5 takes up his death and the recovery of his brain. The concluding chapters address repatriation practices, genocide, Indigenous ethics, discourses of forgiveness, and a performance autoethnography ethic for this new century, returning to the Kroebers and their autoethnographic practices. This book continues a four-volume project on Native Americans, the postmodern Wild West shows, museums, violence, genocide, and the modern U.S. American use of the Native American in a collective search for an authentic identity (Denzin, 2015, 2013, 2011, 2008). It will be of great interest to scholars and students of qualitative inquiry, anthropology, and Native American studies.

From the mountains of California to a forgotten steel vat at the Smithsonian, this "eloquent and soul-searching book" (Lit) is "a compelling account of one of American anthropology's strangest, saddest chapters" (Archaeology). After the Yahi were massacred in the mid-nineteenth century, Ishi survived alone for decades in the mountains of northern California, wearing skins and hunting with bow and arrow. His capture in 1911 made him a national sensation; anthropologist Alfred Kroeber declared him the world's most "uncivilized" man and made Ishi a living exhibit in his museum. Thousands came to see the displaced Indian before his death, of tuberculosis. Ishi's Brain follows Orin Starn's gripping quest for the remains of the last of the Yahi.

Ishi in Three Centuries brings together a range of insightful and unsettling perspectives and the latest research to enrich and personalize our understanding of one of the most famous Native Americans of the modern era?Ishi, the last Yahi. After decades of concealment from genocidal attacks on his people in California, Ishi (ca. 1860?1916) came out of hiding in 1911 and lived the last five years of his life in the University of California Anthropological Museum in San Francisco. ø Contributors to this volume illuminate Ishi the person, his relationship to anthropologist A. L. Kroeber and others, his Yahi world, and his enduring and evolving legacy for the twenty-first century. Ishi in Three Centuries features recent analytic translations of Ishi?s stories, new information on his language, craft skills, and his personal life in San Francisco, with reminiscences of those who knew him and A. L. Kroeber. Multiple sides of the repatriation controversy are showcased and given equal weight. Especially valuable are discussions by Native American writers and artists, including Gerald Vizenor, Louis Owens, and Frank Tuttle, of how Ishi continues to inspire the creative imagination of American Indians.

From the Introduction by Theodora Kroeber, Editor: The number of documents having to do with Ishi is finite. For the reader who wishes to know something of the sources from which the story flows, there are reproduced here the principal out-of-print and most inaccessible primary materials on Ishi and the Yahi Indians. Of first importance are monographs on Ishi, his people, his languages, his medical history, whose authors are Professors Thomas T. Waterman, Alfred L. Kroeber, Edward Sapir, and Saxton T. Pope, M.D. Most of these monographs are here reprinted in full. Next in interest and importance are the books of reminiscences concerning the Yahi Indians written by white settlers in or adjacent to Yahi country in the years following closely upon the gold rush. These are usually in small editions, long out of print. Two, those written by Carson and R. A. Anderson, are reprinted in full; the others, only those parts having to do with Ishi and the Yahi. There are letters bearing on our subject, newspaper accounts, and pictures, of which we include significant examples. There are as well books and articles having to do only in part with Ishi and his people. We reprint only those parts. Beyond these essential primary materials, the editors made hard choices to keep the number of pages realistic. Readers with areas of special interest will regret some of our exclusions among the secondary but often fascinating accounts: of archaeological findings in the Yahi homel∧ of linguistic quirks and grammatical technicalities--a large literature, difficult for the uninitiate; of medical history when it adds nothing to our understanding of the man Ishi. Our order of presentation is chronological, beginning with the background materials, then going to Ishi's first entry into the outside world, then to his years at the museum, and, finally, to his death. We have not included the occasional newspaper stories of still-living Yahi Indians supposed to have been seen or heard in the Yahi hills and caves after Ishi's departure, since none were ever substantiated. When in 1914 Ishi returned to his old home for a few weeks with Waterman, Kroeber, Pope, and Pope's son, Saxton, Jr., he found the land, the caves, and the village sites as he had left them.

Due to his major contributions in qualitative inquiries, Norman K. Denzin is regarded as ‘the Father of Qualitative Inquiries.’ Volume 55 of Studies in Symbolic Interaction is a compilation of writings published in his honor.

Originally published: 1961. With new foreword.

An award-winning, shareable, cozy hug of a picture book featuring Ishi, an optimistic little rock who reminds readers to choose and share happiness! The ISHI book features a simple rock character which appeals to a wide audience,with valuable lessons in compassion for the self and for others. The FROM / TO page on the inside cover of this picture book encourages the readers to share the book and pass it on with kindness, which creates opportunities for the readers to experience the joy of giving. Previously available as a self published sensation, Ishi is now coming to bookstores worldwide! AWARDS: - Gold Award, National Parenting Publications Awards 2015 - Finalist, Next Generation Indie Book Awards 2015 - Silver Medal, Benjamin Franklin Book Award 2015 - Gold Medal, Mom's Choice Awards 2014 - Finalist, The Wishing Shelf Independent Book Awards 2013 "Ishi is a hit in our house. Its demanded almost every night!"--Anna C Lem, a mom from San Francisco "This little book is a tiny gem!"--Benjamin Franklin Book Awards "Had a bad day? Then open this little book and you'll feel better. Much better"--The Wishing Shelf Awards

Jack London has long been recognized as one of the most colorful figures in American literature. He is America’s most widely translated author (into more than eighty languages), and although his works have been neglected until recently by academic critics in the United States, he is finally winning recognition as a major figure in American literary history. The breadth and depth of new critical study of London’s work in recent decades attest to his newfound respectability. London criticism has moved beyond a traditional concerns of realism and naturalism as well as beyond the timeworn biographical focus to engage such theoretical approaches as race, gender, class, post-structuralism, and new historicism. The range and intellectual energy of the essays collected here give the reader a new sense of London’s richness and variety, especially his treatment of diverse cultures. Having in the past focused more on London’s personal "world,” we are now afforded an opportunity to look more closely at his art and the numerous worlds it uncovers.