Re Shaping Culture And Identity In Postcolonial Fiction Salman Rushdie And Abdulrazak Gurnah

One of the most fascinating, rapidly developing, and difficult areas of literary and cultural studies today is postcolonialism. Focused on postcolonialism and designed especially for those studying postcolonial studies, Re-Shaping Culture and Identity in postcolonial Fiction: Salman Rushdie and Abdulrazak Gurnah introduces key subject areas of concern such as culture and identity in a clear accessible and organised fashion. It provides an overview of the development of postcolonialism as a discipline and takes a close look at its important authors, Salman Rushdie and Abdulrazak Gurnah, and their selected oeuvres, Fury, Midnight’s Children, By the Sea and Memory of Departure. With a palimpsestic analysis of culture and identity as crucial features of postcolonial texts, Re-Shaping Culture and Identity in postcolonial Fiction: Salman Rushdie and Abdulrazak Gurnah argues how postcolonialism functions in allowing the formation of a new perspective on the contemporary world. Besides, it offers an alternative perspective on their works, one that promotes the importance of the issue of postcolonial agency. This book will prove invaluable to anyone studying English Language and Literature, Migration Studies, and Cultural Studies. Contents Introduction: the borders of culture and identity A critical approach to culture and identity under the light of postcolonial theory The contributons of Abdulrazak Gurnah and Salman Rushdie to postcolonial literature Non- homes in postcolonial culture (Un)belonging postcolonial identity Conclusion: towards a new understanding of culture and identity Bibliography

The concept of home has been changing for more than a century. This change began with colonialism and the movement of people across the globe, often within a set power dynamic. Since people now move with greater frequency, the question of where home is and what home means is more relevant than ever before. Meticulously researched, Transformations of the Liminal Self addresses the formation of home and identity and the ways in which the latter depends on the former. Using the postcolonial Muslim characters in the literary works of British authors Salman Rushdie, Hanif Kureishi, Zadie Smith, Monica Ali, and Fadia Faqir, author Alaa Alghamdi shows how home and identity are profoundly impacted by the power dynamics of the colonial relationship, the individual immigrants experience, and the subjects multicultural setting. Drawing upon the theoretical work of Homi Bhabha, Rosemary Marangoly George, Gayatri Chakrovorty Spivak, and Edward Said, the conception of home and the formation of hybrid identities is examined and connected to larger cultural manifestations of MuslimWestern relationships. More specifically, Alghamdi explores how these characters define their home. Bold and challenging, Alghamdis work offers a rigorous and well-articulated contribution to the ongoing academic conversation about identity and postcolonial literature.

Paradise is commonly imagined as a place of departure or arrival, beginning and closure, permanent inhabitation of which, however much desired, is illusory. This makes it the dream of the traveller, the explorer, the migrant – hence, a trope recurrent in postcolonial writing, which is so centrally concerned with questions of displacement and belonging. Projections of Paradise documents this concern and demonstrates the indebtedness of writers as diverse as Salman Rushdie, Agha Shahid Ali, Cyril Dabydeen, Bernardine Evaristo, Amitav Ghosh, James Goonewardene, Romesh Gunesekera, Abdulrazak Gurnah, Janette Turner Hospital, Penelope Lively, Fatima Mernissi, Michael Ondaatje, Shyam Selvadurai, M.G. Vassanji, and Rudy Wiebe to strikingly similar myths of fulfilment. In writing, directly or indirectly, about the experience of migration, all project paradises as places of origin or destination, as homes left or not yet found, as objects of nostalgic recollection or hopeful anticipation. Yet in locating such places, quite specifically, in Egypt, Zanzibar, Kashmir, Sri Lanka, the Sundarbans, Canada, the Caribbean, Queensland, Morocco, Tuscany, Russia, the Arctic, the USA, and England, they also subvert received fantasies of paradise as a pleasurable land rich with natural beauty. Projections of Paradise explores what happens to these fantasies and what remains of them as postcolonial writings call them into question and expose the often hellish realities from which popular dreams of ideal elsewheres are commonly meant to provide an escape. Contributors: Vera Alexander, Gerd Bayer, Derek Coyle, Geetha Ganapathy-Doré, Evelyne Hanquart-Turner, Ursula Kluwick, Janne Korkka, Marta Mamet-Michalkiewicz, Sofia Muñoz-Valdieso, Susanne Pichler, Helga Ramsey-Kurz, Ulla Ratheiser, Petra Tournay-Thedotou.

In Salman Rushdie's novels ,images are invested with the power to manipulate the plotline, to stipulate actions from the characters, to have sway over them, seduce them, or even lead them astray. This book sheds light on this largely unremarked dimension of the work of a major contemporary writer.

In After Empire Michael Gorra explores how three novelists of empire—Paul Scott, V. S. Naipaul, and Salman Rushdie—have charted the perpetually drawn and perpetually blurred boundaries of identity left in the wake of British imperialism. Arguing against a model of cultural identity based on race, Gorra begins with Scott's portrait, in The Raj Quartet, of the character Hari Kumar—a seeming oxymoron, an "English boy with a dark brown skin," whose very existence undercuts the belief in an absolute distinction between England and India. He then turns to the opposed figures of Naipaul and Rushdie, the two great novelists of the Indian diaspora. Whereas Naipaul's long and controversial career maps the "deep disorder" spread by both imperialism and its passing, Rushdie demonstrates that certain consequences of that disorder, such as migrancy and mimicry, have themselves become creative forces. After Empire provides engaging and enlightening readings of postcolonial fiction, showing how imperialism helped shape British national identity—and how, after the end of empire, that identity must now be reconfigured.

In her innovative study of spatial locations in postcolonial texts, Sara Upstone adopts a transnational and comparative approach that challenges the tendency to engage with authors in isolation or in relation to other writers from a single geographical setting. Suggesting that isolating authors in terms of geography reinforces the primacy of the nation, Upstone instead illuminates the power of spatial locales such as the journey, city, home, and body to enable personal or communal statements of resistance against colonial prejudice and its neo-colonial legacies. While focusing on the major texts of Wilson Harris, Toni Morrison, and Salman Rushdie in relation to particular spatial locations, Upstone offers a wide range of examples from other postcolonial authors, including Michael Ondaatje, Keri Hulme, J. M. Coetzee, Arundhati Roy, Tsitsi Dangarembga, and Abdulrazak Gurnah. The result is a strong case for what Upstone terms the 'postcolonial spatial imagination', independent of geography though always fully contextualised. Written in accessible and unhurried prose, Upstone's study is marked by its respect for the ways in which the writers themselves resist not only geographical boundaries but academic categorisation.

This edited volume provides a wide- ranging introduction to the novelistic oeuvre of the prize- winning author Abdulrazak Gurnah. It addresses a gap in Gurnah scholarship by including chapters which discuss his earlier works that have not received the scholarly attention they deserve. Drawing on a range of critical lenses including postcolonial theory, Indian Ocean studies, psychoanalytic theory, migration studies and gender studies, this book provides illuminating commentary on his novels. Attentive to the geographical and historical reach of the narratives, the chapters engage with recurring thematic concerns of departures and arrivals; of complex family relationships; and of precarious cosmopolitan hospitality in situations of changing power relations from the old Indian Ocean monsoon trading system to colonial and postcolonial contexts. The volume concludes with an author interview. It will be of great interest to researchers in the fields of Literary and Cultural Studies, especially Postcolonial Literature, African Studies and Indian Ocean Studies. The chapters in this book were originally published as a special issue of English Studies in Africa.

Essay from the year 2017 in the subject Sociology - Individual, Groups, Society, grade: 1.0, Martin Luther University (Deutsche Sprache und Literatur), course: Introduction to Postcolonial Theory, Literature, and Film, language: English, abstract: Postcolonial studies aim at stripping away conventional thoughts and examine what kind of identity emerges in postcolonial subject. The first problem when I set out to work on postcolonial literatures is to confirm its scope. This word scope that I put forward here can be explained as follows, on the one hand, postcolonial literature is apparently vague and general. It’s such a multinational and multicultural case that it is hard to define which country falls under the rubric. Except what we always mentioned as “postcolonial countries” such as Nigeria, India and Pakistan, some writers include also countries like Canada, Ireland and Australia. So when we read the literatures about postcolonial, it is apparent for us to discover, that they include two parts, on the one hand, it is based on the dominant or colonizer society, on the other hand, it talks also about the dominated or colonized society. On the other hand, there are a large number of relevant themes or aspects around the topic postcolonialism: migration, race, gender, resistance, slavery and so on. Trying to cover all the countries and aspects in one essay seems not so specific. In my essay, I will focus on the question “Who am I ?”. This kind of doubt about one’s identity is a “derivative product” of colonialism and a very important topic in postcolonial world. When we read literatures, we are able to seek out, what the indigenous voice want to express, how should the indigenous people see themselves, once their place and identity were forced to change? Is the dual identity always ambivalent? These questions are what I’m going to explain hereinafter.