Read Island

Join a very brave girl and her furry friends on an adventure to Read Island! Through the power of imagination and the pleasure of reading, this curious trio set sail for a magical island made of books. On their way they discover a joyful collection of animals converging by sea and land, just in time for an unforgettable story hour. A rhyming celebration of nature, books and the importance of stories, Read Island invites you to experience the diversity and wonder of a hidden and wild place. In the company of sea wolves, humpback whales and spirit bears, readers will discover simple meditations that summon a magical destination - one filled with beloved friends, safe spaces and stories to be revisited again and again. For make-believe though it may look, There is an island made of books. This world of stories, safe and true, Is always here to welcome you.

Place of publication taken from publisher's website.

After the phenomenal success of The Storm Whale and On Sudden Hill, this new book by Benji Davies deals with the emotional topic of losing a grandparent. Subtly told, this beautifully illustrated book tackles a difficult subject with great sensitivity and depth. At the bottom of Syd’s garden, through the gate and past the tree, is Grandad’s house. Syd can let himself in any time he likes. But one day when Syd comes to call, Grandad isn’t in any of the usual places. He’s in the attic, where he ushers Syd through a door, and the two of them journey to a wild, beautiful island awash in color where Grandad decides he will remain. So Syd hugs Grandad one last time and sets sail for home. Visiting Grandad’s house at the bottom of the garden again, he finds it just the same as it’s always been — except that Grandad isn’t there anymore. Sure to provide comfort to young children struggling to understand loss, Benji Davies’s tale is a sensitive and beautiful reminder that our loved ones live on in our memories long after they’re gone. Praise for Grandad's Island: 'Davies’s elegantly rough illustrations, evoking a child’s paintings, tap into the imagination of death with little fuss, and his story declines to offer kids instruction on how to feel. Indeed, Grandad’s Island doesn’t mention death at all, but is deeply in touch with the ways in which loss and abundance commingle in the mind, correcting and assuaging each other.' The New York Times Book Review 'The creator of The Storm Whale (2014) offers another thoughtful picture book guaranteed to spark discussion...Recommend to young families dealing with loss, especially those who prefer to gloss over the scientific realities.' Booklist Online 'As with The Storm Whale, Davies offers a story of loneliness and togetherness distinguished by understated, deeply felt emotions and a nautical milieu.' Publishers Weekly 'This book is innovative and useful as a way to talk about the idea of loss—without ever referring to actual death. Parents and educators can use this to talk with a child about how it’s normal to be sad and miss loved ones...Cheerful, brightly colored illustrations make this a fine choice to use with the youngest of audiences. Since death isn’t directly specified, this title also works for when a child’s loved one is moving far away. An excellent vehicle to gently approach the topic of loss. Recommended for collections needing these types of materials.' School Library Journal 'Grandad's Island by British author-illustrator Benji Davies (The Storm Whale; Bizzy Bear series) celebrates a close grandfather-grandson relationship with warmth and style. Whether it's read as a picture book about love, loss or just missing someone who isn't around anymore, it's a charmer. Cheerful cinematic spreads invite young readers into all sorts of intriguing places, from a cozy attic full of curiosities like a turtle teapot, to a vast ship's deck, to the deep jungle of an island paradise.' Shelf Awareness for Readers 'A resonant, layered tale that will only gain in texture as its readers get older.' USA Today

A young girl imagines a lovely island populated by thousands of birds, where she picnics with her animals, plays games, reads, and collects flowers. You too are welcome on this island, if you know how to dream. Gorgeous, colorful illustrations accompany this gentle yet impactful story that celebrates the imagination of young readers.

"The story is really told by the big, bright pictures—which glow with the rhythms and beauties of this remote habitat...Enthralling fare for budding naturalists." —Kirkus Reviews The Great Bear Rainforest is a majestic place full of tall trees, huge bears and endless schools of salmon. Award-winning photographer and author Ian McAllister's luminous photographs illustrate the story of a lone wolf who swims to one of the small islands that dot the rainforest's coast. The island provides him with everything he needs—deer, salmon, fresh water—everything, that is, but a mate. When a female wolf arrives on the island's rocky shores, she and he start a family and introduce their pups to the island's bounty. Wolf Island is part of the My Great Bear Rainforest series, which includes The Seal Garden, A Bear's Life and A Whale's World.

Marilyn Stasio in The New York Times raved: "Peter May is a writer I'd follow to the ends of the earth." Now Peter May takes us to a small island off the coast of Québec with an emotionally charged new mystery. When a murder rocks the isolated community of Entry Island, insomniac homicide detective Sime Mackenzie boards a light aircraft at St. Hubert airfield bound for the small, scattered chain of Madeline Islands, in the Gulf of St. Lawrence, as part of an eight-officer investigation team from Montréal. Only two kilometers wide and three long, Entry Island is home to a population of just more than 100 inhabitants, the wealthiest of whom has just been discovered murdered in his home. Covered in her husband's blood, the dead man's melancholy wife spins a tale for the police about a masked intruder armed with a knife. The investigation appears to be little more than a formality--the evidence points to a crime of passion, implicating the wife. But Sime is electrified by the widow during his interview, convinced that he has met her before, even though this is clearly impossible. Haunted by this strange certainty, Sime's insomnia is punctuated by vivid, hallucinatory dreams of a distant past on a Scottish island 3,000 miles away, dreams in which he and the widow play leading roles. Sime's conviction soon becomes an obsession. And despite mounting evidence of the woman's guilt, he finds himself convinced of her innocence, leading to a conflict between the professional duty he must fulfill and the personal destiny he is increasingly sure awaits him.

“Don’t say in the years to come that you would have lived your life differently if only you had heard this story. You’ve heard it now.” —Thomas King, in this volume Read, Listen, Tell brings together an extraordinary range of Indigenous stories from across Turtle Island (North America). From short fiction to as-told-to narratives, from illustrated stories to personal essays, these stories celebrate the strength of heritage and the liveliness of innovation. Ranging in tone from humorous to defiant to triumphant, the stories explore core concepts in Indigenous literary expression, such as the relations between land, language, and community, the variety of narrative forms, and the continuities between oral and written forms of expression. Rich in insight and bold in execution, the stories proclaim the diversity, vitality, and depth of Indigenous writing. Building on two decades of scholarly work to centre Indigenous knowledges and perspectives, the book transforms literary method while respecting and honouring Indigenous histories and peoples of these lands. It includes stories by acclaimed writers like Thomas King, Sherman Alexie, Paula Gunn Allen, and Eden Robinson, a new generation of emergent writers, and writers and storytellers who have often been excluded from the canon, such as French- and Spanish-language Indigenous authors, Indigenous authors from Mexico, Chicana/o authors, Indigenous-language authors, works in translation, and “lost“ or underappreciated texts. In a place and time when Indigenous people often have to contend with representations that marginalize or devalue their intellectual and cultural heritage, this collection is a testament to Indigenous resilience and creativity. It shows that the ways in which we read, listen, and tell play key roles in how we establish relationships with one another, and how we might share knowledges across cultures, languages, and social spaces.