Reading Graham Swift

One of the best writers at work today, author of the internationally acclaimed Mothering Sunday, brings us another superbly conceived novel that, with astonishing economy, touches depths and evokes wonders--not least because its central theme is magic. In the summer of 1959, at the pier theatre in Brighton, England, a variety show unfurls every night, held together by Jack Robinson, its master of ceremonies. At 28, already a veteran of the stage, he introduces the performers with some showmanship of his own, and he knows how to send the audience home happy. But the true stars of the evening are Pablo and Eve. "Pablo" is really Ronnie, a magician who prefers to be called an "illusionist," Jack's friend from army days; "Eve" is Evie, Pablo's "delightful, delicious, delorable" assistant. Through the summer season, their act shifts from mere stock trickery to truly unfathomable wizardry, with Jack providing the encouragement they need on stage--and the personal entanglement none of them saw coming. As the novel explores the essential experiences of their lives--apart and together, past and present and deep into their old age--we understand their enduring inseparability, bound together by a mix of truth and deception to which they all contribute. Here We Are is both hauntingly moving and vividly comic. A love story involving more than one love, a vision of the world lingering at the edge of change and emerging slowly from the aftermath of war, it dazzles with Swift's own ability to conjure in a brief space the complexities, mysteries and moments of living magic at the heart of existence itself.

This collection of essays on Graham Swift’s fiction brings together the perspectives of renowned Swift scholars from around the world. Authors look at the swift’s oeuvre from different interpretative angles, combining a variety of critical and theoretical approaches. This book covers all of Swift’s fiction, including his novels and short stories; special emphasis, however, is on his most recent books. By approaching Swift’s work from a number of perspectives, the volume offers a synthetic overview of his literary output. In particular, it searches for thematic and formal continuities between his early and more recent fiction, and attempts to emphasize its new developments and interests.

'Perfectly controlled, superbly written. Waterland is original, compelling and narration of the highest order' Guardian In the years since its first publication, in 1983, Waterland has established itself as one of the classics of twentieth-century British literature: a visionary tale of England's Fen country; a sinuous meditation on the workings of history; and a family story startling in its detail and universal in its reach. This edition includes an introduction, by the author, written to celebrate the book's 25th anniversary. 'Graham Swift has mapped his Waterland like a new Wessex. He appropriates the Fens as Moby Dick did whaling or Wuthering Heights the moors. This is a beautiful, serious and intelligent novel, admirably ambitious and original' Observer 'A 300-page tour de force . . . A burst of exuberant fictive energy' Evening Standard 'Waterland is a formidably intelligent book, animated by an impressive, angry pity at what human creatures are capable of doing to one another in the name of love and need. The most powerful novel I have read for some time' New York Review of Books

Four men once close to Jack Dodds, a London butcher, meet to carry out his peculiar last wish: to have his ashes scattered into the sea. For reasons best known to herself, Jack's widow, Amy, declines to join them. On the surface the tale of a simple if increasingly bizarre day's outing, Last Orders is Graham Swift's most poignant exploration of the complexity and courage of ordinary lives.Celebrating 40 years of outstanding international writing, this is one of the essential Picador novels reissued in a beautiful new series style.

From Graham Swift, Booker Prize-winning author of Last Orders, comes a masterful and compassionate novel of rare emotional power and narrative skill. On a midsummer’s night, Paula lies awake beside her sleeping husband. She and Mike have been married for twenty-five years, a good marriage; they have two teenage children, Nick and Kate, peacefully sleeping in their own nearby rooms. But Paula’s eyes won’t close: the next morning she and Mike have to tell the children something that will redefine all their lives. Recalling the years before and after her children were born, Paula begins a story that is both a glowing celebration of love possessed and a moving acknowledgement of the fear of loss, of the fragilities, illusions and secrets on which even our most intimate sense of who we are can rest. As day draws nearer, Paula’s intensely personal thoughts seem to touch on all our tomorrows. Brilliantly distilling half a century into one suspenseful night, as tender in its tone as it is deep in its resonance, Tomorrow is a magical exploration of coupledom, parenthood and individuality, and a unique meditation on the mysteries of happiness and belonging. It’s a week past your sixteenth birthday. By a fluke that’s become something of an embarrassment and that some people will say wasn’t a fluke at all, you were born in Gemini. I’m not an especially superstitious woman. I married a scientist. But one little thing I’ll do tomorrow–today, I mean, but for a little while still I can keep up the illusion–is cross my fingers. Everything’s quiet, the house is still. Mike and I have anticipated this moment, we’ve talked about it and rehearsed it in our heads so many times that recently it’s sometimes seemed like a relief: it’s actually come. On the other hand, it’s monstrous, it’s outrageous–and it’s in our power to postpone it. But ‘after their sixteenth birthday’, we said, and let’s be strict about it. Perhaps you may even appreciate our discipline and tact. Let’s be strict, but let’s not be cruel. Give them a week. Let them have their birthday, their last birthday of that old life. You’re sleeping the deep sleep of teenagers. I just about remember it. I wonder how you’ll sleep tomorrow. —from Tomorrow

Samuel Beckett is a young writer living in Paris--intoxicated by new friendships with James Joyce and the other writers and artists making the vibrant city their creative home--when war breaks out in 1939. He determines to stay and is swiftly drawn into the maelstrom, joining the Resistance. With him we experience the terrifying excitement yet stubborn vibrancy and camaraderie as the Parisians flee the Nazis and the Resistance goes underground; his friendships with the astonishing group of men and women who find themselves caught up in the Occupation; his quiet, committed love for Suzanne, the Frenchwoman who will become his lifelong companion; and his dangerous work encoding critical messages in translations and narrow escapes from the Gestapo. Here is a remarkable story of survival and determination, and a portrait of a uniquely brilliant mind.

Jane Fairchild, orphaned at birth, has worked as a maid at an English country estate since she was sixteen. And for almost all of those years, she has been the secret lover of Paul Sheringham, the scion of the estate next door. On an unseasonably warm March afternoon, when all the servants have been let off work for the day in order to pay their annual visits to their families, Jane and Paul will make love for the last time in Paul's own bedroom--though not, as Jane believes, because Paul is about to be married. The events of the day will alter Jane's life forever. As the narrative moves back and forth from 1924 to the end of the century, what we know and understand about Jane, about the way she loves, thinks, feels, sees and remembers, deepens with every beautifully wrought moment. Her story is one of profound self-discovery and, through her, Graham Swift has created an emotionally soaring and deeply affecting work of fiction.

From the prizewinning author of the acclaimed Last Orders, The Light of Day, and Waterland, a powerfully moving new novel set in present-day England, but against the background of a global "war on terror" and about things that touch our human core. On an autumn day in 2006, on the Isle of Wight, Jack Luxton--once a farmer, now the proprietor of a seaside caravan park--receives the news that his brother Tom, not seen for years, has been killed in combat in Iraq. The news will have its far-reaching effects for Jack and his wife, Ellie, and compel Jack to make a crucial journey: to receive his brother's remains, but also to return to the land of his past and of his most secret, troubling memories. A gripping, hauntingly intimate, and compassionate story that moves toward a fiercely suspenseful climax, Wish You Were Here translates the stuff of headlines into heartwrenching personal truth. This eBook edition includes a Reading Group Guide.