Reading Mennonite Writing

Mennonite literature has long been viewed as an expression of community identity. However, scholars in Mennonite literary studies have urged a reconsideration of the field’s past and a reconceptualization of its future. This is exactly what Reading Mennonite Writing does. Drawing on the transnational turn in literary studies, Robert Zacharias positions Mennonite literature in North America as “a mode of circulation and reading” rather than an expression of a distinct community. He tests this reframing with a series of methodological experiments that open new avenues of critical engagement with the field’s unique configuration of faith-based intercultural difference. These include cross-sectional readings in nonnarrative literary history; archival readings of transatlantic life writing; Canadian rewritings of Mexican film’s deployment of Mennonite theology as fantasy; an examination of the fetishistic structure of ethnicity as a “thing” that has enabled Mennonite identity to function in a post-identity age; and, finally, a tentative reinvestment in ideals of Mennonite community via the surprising routes of queerness and speculative fiction. In so doing, Zacharias reads Mennonite writing in North America as a useful case study in the shifting position of minor literatures in the wake of the transnational turn. Theoretically sophisticated, this study of minor transnationalism will appeal to specialists in Mennonite literature and to scholars working in the broader field of transnational literary studies.

For decades, the field of Mennonite literature has been dominated by the question of Mennonite identity. After Identity interrogates this prolonged preoccupation and explores the potential to move beyond it to a truly post-identity Mennonite literature. The twelve essays collected here view Mennonite writing as transitioning beyond a tradition concerned primarily with defining itself and its cultural milieu. What this means for the future of Mennonite literature and its attendant criticism is the question at the heart of this volume. Contributors explore the histories and contexts—as well as the gaps—that have informed and diverted the perennial focus on identity in Mennonite literature, even as that identity is reread, reframed, and expanded. After Identity is a timely reappraisal of the Mennonite literature of Canada and the United States at the very moment when that literature seems ready to progress into a new era. In addition to the editor, the contributors are Ervin Beck, Di Brandt, Daniel Shank Cruz, Jeff Gundy, Ann Hostetler, Julia Spicher Kasdorf, Royden Loewen, Jesse Nathan, Magdalene Redekop, Hildi Froese Tiessen, and Paul Tiessen.

“In luminous prose that effortlessly portrays the intimate and familiar pangs of growing up, Funk captivates from the get-go, and the ’80s nostalgia will hit the spot for those who came of age amid skyscraper bangs, acid-washed jeans, and the ubiquity of teen heartthrob Kirk Cameron. These small-town stories are big on charm.” —Publishers Weekly A funny and whip-smart memoir about a feisty young woman’s quest for independence in an isolated Mennonite community. Carla Funk is a teenager with her hands on the church piano keys and her feet edging ever closer to the flames. Coming of age in a remote and forested valley—a place rich in Mennonites, loggers, and dutiful wives who submit to their husbands—she knows her destiny is to marry, have babies, and join the church ladies’ sewing circle. But she feels an increasing urge to push the limits of her religion and the small town that cannot contain her desires for much longer. Teenage (Mennonite) angst at its finest: Carla questions the patriarchal norms of Mennonite society and yearns to break free. She’ll start by lighting her driveway on fire …. A family story: the perfect gift for mothers, daughters, sisters, and fathers and sons. Pitch-perfect 1980s nostalgia: remember Jordache jeans? For readers of Miriam Toews: heart wrenching and humorous descriptions of Mennonite life. At once a coming-of-age story, a contemplation on meaning, morality, and destiny, and a hilarious time capsule of 1980s adolescence, Mennonite Valley Girl offers the best kind of escapist reading for anyone who loves small towns, or who was lucky enough to grow up in one.

"Despite the fact that Russian Mennonites began arriving in Canada en masse in the 1870s, much Canadian Mennonite literature has been characterized by a compulsive telling and retelling of the fall of the Mennonite Commonwealth of the 1920s and its subsequent migration of 20,000 Russian Mennonites to Canada. This privileging of a seminal dispersal, or "break event," within the broader historic narrative has come to function as a mythological beginning or origin story for the Russian Mennonite community in Canada, and serves as a means of affirming a communal identity across national and generational boundaries.

"A collection of essays by poet Julia Spicher Kasdorf focusing on aspects of Mennonite life. Essays examine issues of gender, cultural, and religious identity as they relate to the emergence and exercise of literary authority"--Provided by publisher.

In recent years Mennonites have become one of the most visible ethnic literary communities in Canada. With the publication of Half in the Sun, BC writers of Mennonite heritage claim their place in this community. The authors represented in Half in the Sun are West Coast writers who share a history rooted in a dark region littered with stories of repeated migration, Soviet terror, displacement and resettlement. Some bear witness to their ancestors' struggles as marked people and as refugees assimilating into Canadian culture. Others have woven together texts that bring to light the human experiences of old and new home, community, family, love, faith, rebellion, and explorations of a very large world - often with gusto, humour and irony. Several factors contribute to the broad range of this first-of-its-kind anthology: its multi-genre nature; the intentional mix of new, recently emerging, established and prize-winning writers; and the fact that a number of the authors are Prairie transplants whose work continues to be influenced by ties to that region's geography, politics and local cultures. Readers will recognize the universality of these experiences. This anthology ends the collective invisibility of British Columbia's Mennonite writers in a very decisive way.

Shortlisted for the Thurber Prize for American Humor 22 weeks on the New York Times bestseller list 'Wonderfully intelligent and frank... I loved this book, and Rhoda Janzen. She is a terrific, pithy, beautiful writer, a reliable, sympathetic narrator and a fantastically good sport.' New York Times Rhoda Janzen had reached a crossroads: she had just hit forty when her brilliant husband of fifteen years left her for a guy he met on Gay.com. In the same calamitous week she was hospitalized in a horrible car accident. With no alternatives, Rhoda decided to pack her bags and head home. into the heart of the Christian sect she had spent years longing to escape. Rhoda Janzen might be a bad Mennonite, but nonetheless, her parents and their community welcome her back with open arms, strange food and offbeat advice. ('Why not date your first cousin? He has his own tractor!') It was in this safe place that Rhoda came to terms with her failed marriage; the desire, as a young woman, to leave her sheltered world behind; and the choices that had both freed and entrapped her. 'This book is not just beautiful and intelligent, but also painfully - even wincingly - funny. It is rare that I literally laugh out loud while I'm reading, but Rhoda Janzen's voice - singular, deadpan, sharp-witted and honest - slayed me, with audible results. I have a list already of about fourteen friends who need to read this book. I will insist that they read it. Because simply put, this is the most delightful memoir I've read in ages.' Elizabeth Gilbert, author of Eat, Pray, Love

On a motorcycle trip from Manitoba to southern Chile, Cameron Dueck seeks out isolated enclaves of Mennonites—and himself. “An engrossing account of an unusual adventure, beautifully written and full of much insight about the nature of identity in our ever-changing world, but also the constants that hold us together."—Adam Shoalts, national best-seller author of Beyond the Trees: A Journey Alone Across Canada's Arctic and A History of Canada in 10 Maps Across Latin America, from the plains of Mexico to the jungles of Paraguay, live a cloistered Germanic people. For nearly a century, they have kept their doors and their minds closed, separating their communities from a secular world they view as sinful. The story of their search for religious and social independence began generations ago in Europe and led them, in the late 1800s, to Canada, where they enjoyed the freedoms they sought under the protection of a nascent government. Yet in the 1920s, when the country many still consider their motherland began to take shape as a nation and their separatism came under scrutiny, groups of Mennonites left for the promises of Latin America: unbroken land and new guarantees of freedom to create autonomous, ethnically pure colonies. There they live as if time stands still—an isolation with dark consequences. In this memoir of an eight-month, 45,000 kilometre motorcycle journey across the Americas, Mennonite writer Cameron Dueck searches for common ground within his cultural diaspora. From skirmishes with secular neighbours over water rights in Mexico, to a mass-rape scandal in Bolivia, to the Green Hell of Paraguay and the wheat fields of Argentina, Dueck follows his ancestors south, finding reasons to both love and loathe his culture—and, in the process, finding himself.