Reading Paul Howard

For Paul Howard, who has ridden the entire Tour de France route during the race itself—setting off at 4 am each day to avoid being caught by the pros—riding a small mountain-bike race should hold no fear. Still, this isn’t just any mountain-bike race. This is the Tour Divide. Running from Banff in Canada to the Mexican border, the Tour Divide is more than 2,700 miles—500 miles longer than the Tour de France. Its route along the Continental Divide goes through the heart of the Rocky Mountains and involves more than 200,000 feet of ascent—the equivalent of climbing Mount Everest seven times. The other problem is that Howard has never owned a mountain bike—and how will training on the South Downs in southern England prepare him for sleeping rough in the Rockies? Entertaining and engaging, Eat, Sleep, Ride will appeal to avid and aspiring cyclers, as well as fans of adventure/travel narrative with a humorous twist.

*Shortlisted for the Children's Book of the Year - Irish Book Awards* The laugh-out-loud funny children's book from Number-One-Bestselling Ross O'Carroll Kelly author, Paul Howard. Illustrated throughout by Lee Cosgrove. An adventure full of mystery, magic and cheeses that seriously, SERIOUSLY pong! ALDRIN ADAMS is an ordinary boy with an EXTRAORDINARY SUPERPOWER. When he eats cheese just before he goes to sleep, he can enter into other people's dreams . . . AND THEIR NIGHTMARES! But why has he got this power? And what is he supposed to do with it? HE NEEDS ANSWERS . . . AND FAST! What Aldrin doesn't realize is that he is being watched by a MYSTERIOUS, SUPERNATURAL VILLAIN who's creating nightmares for millions of children every night. Will an ordinary boy, armed with his pet frog and the STINKIEST CHEESE in the world, be enough to stop him? A brilliantly funny, heartwarming story, perfect for fans of David Baddiel and Sam Copeland.

Reading Paul Howard: The Art of Ross O’Carroll Kelly offers a thorough examination of narrative devices, satirical modes, cultural context and humour, in Howard’s texts. The volume argues that his academic critical neglect is due to a classic bifurcation in Irish Studies between high and popular culture, and will use the thought of Pierre Bourdieu, Sigmund Freud, Mikhail Bakhtin and Jacques Derrida to critique this division, building a theoretical platform from which to examine the significance of Howard’s work as an Irish comic and satirical writer. Addressing both the style and the substance of his work, this text locates him in a tradition of Irish satirical writing that dates back to the Gaelic bards, and includes writers like Swift, Wilde, Flann O’Brien and Joyce. Through textual and contextual analysis, this book makes the case for Howard as a significant and original voice in Irish writing, whose fusion of the three traditional types of satire (Horatian, Juvenalian and Menippean), has created a parallel Ireland that shines a satirical light on its real counterpart. As Freud suggests, humour is a way of accessing aspects of the psyche that normative discourses cannot enunciate, and Howard, through the confessional voice of Ross, offers a fictive truth on twenty years of Irish society, a truth that is not accessed by discourse in the public sphere or by what could be termed literary or high cultural fiction.

I went to the supermarket and I bought . . . When a brother and sister play their favourite game of I Went To the Supermarket, they compete to see who can think of the most bizarre and brilliant things. As their words come to life, they get more and more carried away . . . Until the game comes to a surprising, and somewhat messy, end! A new take on an old favourite, children will love this laugh-out-loud, test-your-memory story, with witches, dragons, aliens, flamingos and much, much more!

A rugby-mad boy. A huge game. And a chance for an epic win . . . or an epic fail! Gordon D'Arcy is an ordinary boy, but he's not so ordinary once he gets a rugby ball in his hands. He's the star player for Wexford Wanderers and dreams of one day wearing the Ireland jersey. A dream like that means hard work, raw talent and never losing sight of your goals. But Gordon has a wild streak that often lands him in trouble. Mum and Dad think that if he can just channel his energy, all will be well. Then something utterly mad happens and he gets a chance to live his biggest dream. Can he stay on his game and do everyone proud? Or will trouble follow him . . . like it usually does? Gordon's Game is a funny and inspiring adventure for rugby lovers of all ages! 'A cracking read . . . which will appeal to all the family' Irish Country Magazine

Illustrations and rhyming text follow a group of young trick-or-treaters as they encounter everything from one hairy, scary wolf to ten giant bags of treats.

Reading Paul Howard: The Art of Ross O'Carroll Kelly offers a thorough examination of narrative devices, satirical modes, cultural context and humour, in Howard's texts. The volume argues that his academic critical neglect is due to a classic bifurcation in Irish Studies between high and popular culture, and will use the thought of Pierre Bourdieu, Sigmund Freud, Mikhail Bakhtin and Jacques Derrida to critique this division, building a theoretical platform from which to examine the significance of Howard's work as an Irish comic and satirical writer. Addressing both the style and the substance of his work, this text locates him in a tradition of Irish satirical writing that dates back to the Gaelic bards, and includes writers like Swift, Wilde, Flann O'Brien and Joyce. Through textual and contextual analysis, this book makes the case for Howard as a significant and original voice in Irish writing, whose fusion of the three traditional types of satire (Horatian, Juvenalian and Menippean), has created a parallel Ireland that shines a satirical light on its real counterpart. As Freud suggests, humour is a way of accessing aspects of the psyche that normative discourses cannot enunciate, and Howard, through the confessional voice of Ross, offers a fictive truth on twenty years of Irish society, a truth that is not accessed by discourse in the public sphere or by what could be termed literary or high cultural fiction.