Reading Women S Magazines

This book focuses on women's magazines, on how they are read and the role they play in their readers' lives.

Analysing major interwar women's magazines - the literary journal 'Ladies' Review', the popular domestic periodical 'Housewife's Friend', and the politically radical magazine 'Women's Arts' - this book considers the central place of representations of women for women in the culture of interwar-era Japan.

This book integrates new material, using sources from the eighteenth and nineteenth century periodical press, research with contemporary readers, the authors' critical reading of past and present magazines, and a clear discussion of theoretical approaches from literary criticism. The development of the genre, and its part in the historical process of forging modern definitions of gender, class and race are analysed through critical readings and a discussion of readers' negotiations with the contradictory pleasures of the magazine, and its constricting ideal of femininity.

Anna Gough-Yates considers the rapid shift in women's magazines towards titles aimed at newly-identified 'lifestyle' groups of women readers.

In this brilliantly modern novel of love, obsession, and revenge, a professor pieces together the life and mysterious death of a former student—and unearths a shocking revelation about her final days. “A deliciously modern take on the psychological thriller” (Daily Telegraph). On a snowy February morning, the body of twenty-five-year-old journalist Alice Salmon washes up on a riverbank south of London. The sudden, shocking death of this beloved local girl becomes a media sensation, and those who knew her struggle to understand what happened to lively, smart, and savvy Alice Salmon. Was it suicide? A tragic accident? Or…murder? Professor Jeremy Cooke, known around campus as Old Cookie, is an anthropologist nearing the end of his unremarkable academic career. Alice is his former student, and the object of his unhealthy obsession. After her death, he embarks on a final project—a book documenting Alice’s life through the digital and paper trails that survive her: her diaries, letters, Facebook posts, Tweets, and text messages. He collects news articles by and about her; he transcribes old voicemails; he interviews her friends, family, and boyfriends. Bit by bit, the real Alice—a complicated and vulnerable young woman—springs fully formed from the pages of Cookie’s book…along with a labyrinth of misunderstandings, lies, and secrets that cast suspicion on everyone in her circle—including Jeremy himself.

Americans are obsessed with celebrities. While our fascination with fame intensified throughout the twentieth century, the rise of the weekly gossip magazine in the early 2000s confirmed and fueled our popular culture’s celebrity mania. After a decade of diets and dates, breakups and baby bumps, celebrity gossip magazines continue to sell millions of issues each week. Why are readers, especially young women, so attracted to these magazines? What pleasures do they offer us? And why do we read them, even when we disagree with the images of femininity that they splash across their hot-pink covers? Andrea McDonnell answers these questions with the help of interviews from editors and readers, and her own textual and visual analysis. McDonnell’s perspective is multifaceted; she examines the notorious narratives of celebrity gossip magazines as well as the genre’s core features, such as the "Just Like Us" photo montage and the "Who Wore It Best?" poll. McDonnell shows that, despite their trivial reputation, celebrity gossip magazines serve as an important site of engagement for their readers, who use these texts to generate conversation, manage relationships, and consider their own ideas and values.