Real Phonies And Genuine Fakes

What is illusion—a deception, or a revelation? What is a poem—the truth, or “a diverting flash, / a mirror showing everything / but itself”? Nicky Beer’s latest collection of poems is a labyrinthine academy specializing in the study of subterfuge; Marlene Dietrich, Dolly Parton, and Batman are its instructors. With an energetic eye, she thumbs through our collective history books—and her personal one, too—in an effort to chart the line between playful forms of duplicity and those that are far more insidious. Through delicious japery, poems that can be read multiple ways, and allusions ranging from Puccini’s operas to Law & Order, Beer troubles the notion of truth. Often, we settle for whatever brand of honesty is convenient for us, or whatever is least likely to spark confrontation—but this, Beer knows, is how we invite others to weigh in on what kind of person we are. This is how we trick ourselves into believing they’re right. “Listen / to how quiet it is when I lose the self-doubt played / for so long I mistook it for music.” Real Phonies and Genuine Fakes asks us to look through the stereoscope: which image is the real one? This one—or this one, just here? With wisdom, humility, and a forthright tenderness, Nicky Beer suggests that we consider both—together, they might contribute to something like truth.

Hstorian Pyne explores how the authenticity of eight genuine fakes depends on their unique combinations of history, science, and culture. Drawing from historical archives, interviews, museum exhibits, science fiction as well as her own research, Pyne brings each genuine fake to life through unexpected and often outrageous stories.

Let Me Say This: A Dolly Parton Poetry Anthology offers 54 poets’ takes on often-unsung facets of this diamond in a rhinestone world—calling in Dolly’s impeccable comedic timing, her lyric mastery, her business acumen, and her Dollyverse advocacy. These poems remind us to be better and to do better, to subvert Dolly cliché, and they encourage us to weave Dolly metaphor into our own family lore. Within these pages, Dolly takes the stage and the dinner table; readers see the public Dolly of the silver screen and the private Dolly of identity contemplation. Dolly raises praise and question, and she butterflies into our hearts to unabashedly to claim the mantra In Dolly We Trust. With Dolly poems from 54 contributors: Kelli Russell Agodon • Nin Andrews • Lana K. W. Austin • David-Matthew Barnes • Nicky Beer • Julie E. Bloemeke • Emma Bolden • Dustin Brookshire • Phillip Watts Brown • Marina Carreira • Denise Duhamel • teri elam •Rupert Fike • Diamond Forde • Chad Frame • Makayla Gay • Tyler Gillespie • Kari Gunter-Seymour • Robert Gwaltney • Beth Gylys • Karen Head • Raye Hendrix • Collin Kelley • Dorianne Laux • Chin•Sun Lee • Arden Levine • Katie Manning • Kelly McQuain • Lynn Melnick • Jenny Molberg • Rachel Morgan • Caridad Moro-Gronlier • Carolyn Oliver • Dion O’Reilly • Jeffrey Perkins • Stephen Roger Powers • Steven Reigns • Linda Neal Reising • Benjamin Anthony Rhodes • Micah Ruelle • Anna Sandy-Elrod • Roberta Schultz • Maureen Seaton • Gregg Shapiro • L.J. Sysko • Nicole Tallman • Kerry Trautman • Rosemerry Wahtola Trommer • Dan Vera • Isaiah Vianese • Donna Vorreyer • Julie Marie Wade • Jennifer Wheelock • Yvonne Zipter

A unique anthology of poems from around the world and through the ages that celebrate magic and magicians No matter how modern or scientifically advanced our societies become, human beings remain perpetually enthralled by the idea of magic, from our daily superstitions to our choices of entertainment. Magic has long been a central subject of poetry, and the poems in this collection are evocative evidence that the poet’s art depends on a form of wizardry—the ability to conjure enchantment from a particular combination of words. Venerable literary wizards such as Shakespeare's Prospero, Tennyson's Merlin, and T. S. Eliot's Mr. Mistoffelees make appearances here alongside illusionists and prestidigitators in Kay Ryan's "Houdini," Ted Kooser's "Card Trick," Charles Simic's "My Magician," and Richard Wilbur's "The Mind-Reader." Here is a treasury of poetic spells, charms, and incantations, from Elise Paschen's "Love Spell," Robert Graves's "Love and Black Magic," and Lu Yu's "The Pedlar of Spells," to a Cherokee "Spell to Destroy Life." And here, too, are all sorts of sorcerers, conjurers, enchantresses, and witches, as captured in Emily Dickinson's "Best Witchcraft is Geometry," Michael Schmidt's "Nine Witches," and H. D.'s "Circe," keeping company with magical poems from cultures around the world. Everyman's Library's Pocket Poets are pocket-sized hardcovers that feature acid-free cream-colored paper bound in a full-cloth case with two-color foil stamping, decorative endpapers, a silk ribbon marker, a European-style half-round spine, and a full-color illustrated jacket.

Bold yet vulnerable poems that traverse family, friendship, grief, Americana, and the writer’s life.

'Lively, thought-provoking and consistently surprising. Lydia Pyne is the real deal.' Ed Yong, author of New York Times bestseller I Contain Multitudes Does an authentic Andy Warhol painting need to be painted by Andy Warhol? Why do audiences feel outraged when they find out that scenes from their beloved blockbuster documentaries are staged? Can people move past assuming that a diamond grown in a lab is a fake? What happens when a forged painting or manuscript becomes more valuable than its original? This is a book about genuine fakes – the curious and complex objects that provoke these very sorts of questions. Genuine fakes fall into the space between things that are real and things that are not; whether or not we think that those things are authentic is a matter of perspective. Unsurprisingly, the world is full of genuine fakes – full of things that defy simple categorisation. From stories of audacious forgeries to feats of technological innovation, historian Lydia Pyne explores how the authenticity of eight genuine fakes depends on their unique combinations of history, science and culture. The stories of art forgeries, fake fossils, nature documentaries, synthetic flavours, museum exhibits, Maya codices and Palaeolithic replicas show that genuine fakes are both complicated and change over time. Drawing from historical archives, interviews, museum exhibits and science fiction as well as her own research, Pyne brings each genuine fake to life through unexpected and often outrageous stories. Genuine Fakes will make readers think about all the unreal things they encounter in their daily lives, and why they invoke the reactions – surprise, wonder, understanding or annoyance – that they do.

New poetry

The debut collection of poetry by Nicky Beer.