Reanimator Collection

Dr. Herbert West, The Reanimator, returns! Setting up shop in New Orleans, the brilliant Dr. West continues his life's work: the revival of the dead by purely chemical means. To accomplish this task, he recruits Susan Greene, a young and wide-eyed pharmacologist fascinated by his macabre experiments. Initially unfazed by West's unorthodox practices (including how he funds his research - by selling zombie brain fluid as a narcotic), Susan may regret her scientific curiosity as sinister forces - those aligned with Elder Gods and Haitian Voodoo - begin to align against the Reanimator. Dynamite Entertainment proudly resurrects H.P Lovecraft's notorious mad scientist in a fear-fraught tale of Cthulhu tentacle terror and backwater Louisianan superstition! Bonus features include a thorough "History of The Reanimator" prose introduction by writer Keith Davidsen, an insightful and meticulously researched appendix of Lovecraftian references and creator commentary, never-before-seen design illustrations from artist Randy Valiente, and a complete cover gallery featuring the work of Francesco Francavilla, Jae Lee, Andrew Mangum, Nacho Tenorio, and Tim Seeley.

Herbert West--the Reanimator--has long sought the secret to perfecting his reagent and break death's hold on mankind once and for all. The key to his success lies in only one place--the forbidden tomb of the Aztec god of death! But disturbing sleeping gods is as troubling (to put it mildly) as raising the uncontrollable, murderous dead... especially when this deity is an ancient enemy of Vampirella of Drakulon! It's vampire versus mad scientist in a battle that threatens to tear the gates of the underworld asunder!

"Herbert West–Reanimator" is a horror short story by American writer H. P. Lovecraft. It was written between October 1921 and June 1922. It was first serialized in February through July 1922 in the amateur publication Home Brew. The story was the basis of the 1985 horror film Re-Animator and its sequels, in addition to numerous other adaptations in various media. The story is the first to mention Lovecraft's fictional Miskatonic University. It is also one of the first depictions of zombies as scientifically reanimated corpses, with animalistic and uncontrollable temperaments. Famous works of the author Howard Phillips Lovecraft: At the Mountains of Madness, The Dreams in the Witch House, The Horror at Red Hook, The Shadow Out of Time, The Shadows over Innsmouth, The Alchemist, Reanimator, Ex Oblivione, Azathoth, The Call of Cthulhu, The Cats of Ulthar, The Dunwich Horror, The Doom that Came to Sarnath, The Festival, The Silver Key, The Other Gods, The Outsider, The Temple, The Picture in the House, The Shunned House, The Terrible Old Man, The Tomb, Dagon, From Beyond, What the Moon Brings.

A reluctant necromancer, a man killed before his time, and the crime that brings them together. Felipe Galvan’s life as an investigator for the Paranormal Society has been spent running into danger. Returning home from his latest case, Felipe struggles with the sudden quiet of his life until a mysterious death puts him in the path of the enigmatic Oliver Barlow. Oliver has two secrets. One, he has been in love with the charming Felipe Galvan for years. Two, he is a necromancer, but to keep the sensible life he’s built as a medical examiner, he must hide his powers. That is until Oliver finds Felipe murdered and accidentally brings him back from the dead. But Felipe refuses to die again until he and Oliver catch his killer. Together, Felipe and Oliver embark on an investigation to uncover a plot centuries in the making. As they close in on his killer, one thing is certain: if they don’t stop them, Felipe won’t be the last to die.

Why are audiences drawn to horror films? Previous answers to that question have included everything from a need to experience fear to a hunger for psychotherapy. This critical text proposes that the horror film's primary purpose is to present monsters, best understood as deformed and destructive beings. These monsters satisfy the audience's desire to know these beings, in particular those beings too fantastic and dangerous to know in real life. The text illuminates many aspects of the horror film genre, including epistemology, ethics, evaluation, history, monster taxonomy, and filmmaking techniques.

"Herbert West—Reanimator" is a story by American horror fiction writer H. P. Lovecraft. The story is the first to mention Lovecraft's fictional Miskatonic University. It is also notable as one of the first depictions of zombies as scientifically reanimated corpses, with animalistic and uncontrollable temperament. The narrator is a doctor who went to medical school with the titular character. Informing the reader that Herbert West has recently disappeared. The narrator goes on to explain how he met West when they were both young men in medical school, and the narrator became fascinated by West's theories, which postulated that the human body is simply a complex, organic machine, which could be "restarted." West initially tries to prove this hypothesis, but is unsuccessful. West realizes he must experiment on human subjects. The two men spirit away numerous supplies from the medical school and set up shop in an abandoned farmhouse. At first, they pay a group of men to rob graves for them, but none of the experiments are successful. West and the narrator go into grave robbing for themselves. One night, West and the narrator steal a corpse of a construction worker who died just that morning in an accident. They take it back to the farmhouse and inject it with West's solution, but nothing happens. Later an inhuman scream is heard from within the room containing the corpse which forces the two students to instinctively flee into the night. West accidentally tips over a lantern and the farmhouse catches fire. West and the narrator escape. The next day, however, the newspaper reads that a grave in potter's field had been molested violently the night before, as with the claws of a beast.

Fun and fright have long been partners in the cinema, dating back to the silent film era and progressing to the Scary Movie franchise and other recent releases. This guide takes a comprehensive look at the comedy-horror movie genre, from the earliest stabs at melding horror and hilarity during the nascent days of silent film, to its full-fledged development with The Bat in 1926, to the Abbott and Costello films pitting the comedy duo against Frankenstein's Monster, the Mummy and other Universal Studio monsters, continuing to such recent cult hits as Shaun of the Dead and Black Sheep. Selected short films such as Tim Burton's Frankenweenie are also covered. Photos and promotional posters, interviews with actors and a filmography are included.

This meticulously edited horror collection is formatted for your eReader with a functional and detailed table of contents: H. P. Lovecraft: The Tomb The Dunwich Horror The Shunned House Bram Stoker: Dracula The Dualists Edgar Allan Poe: The Cask of Amontillado The Mystery of Marie Rogêt The Premature Burial Mary Shelley: Frankenstein The Evil Eye Arthur Machen: The Great God Pan The Terror William Hope Hodgson: The Ghost Pirates The Night Land Algernon Blackwood: The Willows The Wendigo A Haunted Island Joseph Sheridan Le Fanu: Carmilla The Wyvern Mystery The Dead Sexton M. R. James: Ghost Stories of an Antiquary Washington Irving: Rip Van Winkle The Legend of Sleepy Hollow E. F. Benson: The Terror by Night Wilkie Collins: The Dead Secret The Haunted Hotel Arthur Conan Doyle: The Beetle Hunter The Black Doctor Charles Dickens: The Signal-Man The aunted House Henry James: The Turn of the Screw The Third Person Rudyard Kipling: The Phantom Rickshaw My Own True Ghost Story Robert Louis Stevenson: Strange Case of Dr Jekyll and Mr Hyde Markheim The Body-Snatcher Robert E. Howard: Beyond the Black River Devil in Iron People of the Dark Nathaniel Hawthorne: Rappaccini's Daughter The Birth Mark Ambrose Bierce: Can Such Things Be? Present at a Hanging M. P. Shiel: Shapes in the Fire Ralph Adams Cram: Black Spirits and White Grant Allen: Dr. Greatrex's Engagement The Mysterious Occurrence in Piccadilly Frederick Marryat: The Phantom Ship The Were-Wolf James Malcolm Rymer: Sweeney Todd H. G. Wells: The Island of Doctor Moreau Nikolai Gogol: Dead Souls H. H. Munro (Saki): The Wolves of Cernogratz Mary Elizabeth Braddon: The Shadow in the Corner Fred M. White: Powers of Darkness The Doom of London Edward Bulwer-Lytton: The Haunted and the Haunters E. T. A. Hoffmann: The Devil's Elixirs The Deserted House Marie Belloc Lowndes: From Out the Vast Deep Eleanor M. Ingram: The Thing from the Lake Marie Corelli: The Sorrows of Satan Thomas Reid ...