Reclaiming Spirit In The Black Faith Tradition

This work attempts to uncover the function of religion for those degraded on the basis of race. Accordingly, Recalibrating Spirit reveals the role of religion in critical reflection on and active protest against negative assertions about racial identity in general, and the abuse of black life in particular.

This volume examines the complex ways religion is present in Black Lives Matter Movement and the way the movement is changing religion. The book argues that Movement for Black Lives is changing and challenging our understanding of religious experience and communities.

An essential new reference work for students and general readers interested in the history, dynamics, and influence of evangelicalism in recent American history, politics, and culture. What makes evangelical or "born-again" Christians different from those who identify themselves more simply as "Christian"? What percentage of Americans believe in the Rapture? How are evangelicalism and Baptism similar? What is the influence of evangelical religions on U.S. politics? Readers of Evangelical America: An Encyclopedia of Contemporary American Religious Culture will learn the answers to these questions and many more through this single-volume work's coverage of the many dimensions of and diversity within evangelicalism and through its documentation of the specific contributions evangelicals have made in American society and culture. It also illustrates the Evangelical movement's influence internationally in key issues such as human rights, environmentalism, and gender and sexuality.

Method as Identity: Manufacturing Distance in the Academic Study of Religion emphasizes the inexorable influence that social identities exert in shaping methodological choices within the academic study of religion, as witnessed in sui generis appeals to particularity and reliance on (or rejection of) identity-based standpoints. Can data speak back, and if so, would scholars have ears to listen? With a refreshing hip hop sensibility, Miller and Driscoll argue that what cultural theorist Jean-François Bayart refers to as a “battle for identity” forces a necessary confrontation with the (impact of) social identities (and, their histories) haunting our fields of study. These complex categorical specters make it nearly impossible to untether the categories of identity that we come to study from the identity of categories shaping our methodological lenses. Treating method as an identity-revealing technique of distance-making between the “proper” scholar and the less-than-scholarly advocate for religion, Miller and Driscoll examine a variety of discursive milieus of vagueness (consider for instance “essentialism,” “origins,” “authenticity”) at work in the contemporary discussion of “critical” methods that lack the necessary specificity for doing the heavy-lifting of analytically handling the asymmetrical dimensions of power part and parcel to social identification. Through interdisciplinary discussions that draw on thinkers including Charles H Long, Bruce Lincoln, Russell T. McCutcheon, Theodor Adorno, Jacques Derrida, C. Wright Mills, Laurel C. Schneider, William D. Hart, Tomoko Masuzawa, Anthony B. Pinn, bell hooks, Roderick Ferguson, John L. Jackson, Jasbir Puar, and Jean-François Bayart, among others, Method as Identity intentionally blurs the lines classifying “proper” scholarly approach and proper “objects” of study. With an intentional effort to challenge the de facto disciplinary segregation marking the field and study of religion today, Method as Identity will be of interest to scholars involved in discussions about theory and method for the study of religion, and especially researchers working at the intersections of identity, difference, and classification—and the politics thereof.

“Citizenship is salvation,” preached Noble Drew Ali, leader of the Moorish Science Temple of America in the early twentieth century. Ali’s message was an aspirational call for black Americans to undertake a struggle for recognition from the state, one that would both ensure protection for all Americans through rights guaranteed by the law and correct the unjust implementation of law that prevailed in the racially segregated United States. Ali and his followers took on this mission of citizenship as a religious calling, working to carve out a place for themselves in American democracy and to bring about a society that lived up to what they considered the sacred purpose of the law. In The Aliites, Spencer Dew traces the history and impact of Ali’s radical fusion of law and faith. Dew uncovers the influence of Ali’s teachings, including the many movements they inspired. As Dew shows, Ali’s teachings demonstrate an implicit yet critical component of the American approach to law: that it should express our highest ideals for society, even if it is rarely perfect in practice. Examining this robustly creative yet largely overlooked lineage of African American religious thought, Dew provides a window onto religion, race, citizenship, and law in America.

Christians have traditionally claimed that humans are created in the image of God (imago Dei), but they have consistently defined that image in ways that exclude people from full humanity. The most well-known definition locates the image in the rational soul, which is constructed in such a way that women, children, and many persons with disabilities are found deficient. Body Parts claims the importance of embodiment, difference, and limitation-not only as descriptions of the human condition but also as part of the imago Dei itself.

This book explicates how many films intersect black suffering and God-talk in ways that instantiate secular limitations to divine efficacy. The book’s concept of a modern God introduces a new method of analysis that reimagines theodical discourses as mechanisms of modern identities and filmmakers as skillful exegetes who recalibrate divine attributes to the sensemaking cadences of their contemporaries. Shayne Lee demonstrates how cinematic theodicy navigates a happy medium between affirming divine benevolence and sidelining supernatural activity and that filmic characters, like their real-world counterparts, are quite clever at triangulating rationality, faith, and tragedy. In addition to positing synergistic links between theodicy and secularity, Lee offers critical insights into cinema’s relevance to the sociology of evil by specifying how films code and narrate malevolent actions and outcomes, demarcate clear lines of distinction between victims and perpetrators, clarify societal dynamics driving inequality and oppression, and transform individual episodes of suffering into collective and memorialized identities of trauma. This book illuminates how filmic treatments of theodicy construct evil and suffering in calculated ways that connect specific acts, effects, and institutions to greater structures of meaning.

To date, no book has systematically examined the theological writings of LGBT people of color. Nor has any book explored how such writings might actually transform contemporary theological reflections on race and sexuality. This book remedies these gaps by constructing a rainbow theology around the theme of bridging or mediation. Rainbow Theology is the first book to reflect upon the theological significance of the intersections of race and queer sexuality across multiple ethnic and cultural groups. This is particularly important in light of the current polarizing debates over issues of race, sexuality, and religion within churches and communities of faith around the world.