Red Desert

A photographic and multidisciplinary study of one of America’s last undeveloped—and most endangered—landscapes, edited by a Pulitzer Prize–winning author. A vast expanse of rock formations, sand dunes, and sagebrush in central and southwest Wyoming, the little-known Red Desert is one of the last undeveloped landscapes in the United States, as well as one of the most endangered. It is a last refuge for many species of wildlife. Sitting atop one of North America's largest untapped reservoirs of natural gas, the Red Desert is a magnet for energy producers who are damaging its complex and fragile ecosystem in a headlong race to open a new domestic source of energy and reap the profits. To capture and preserve what makes the Red Desert both valuable and scientifically and historically interesting, writer Annie Proulx and photographer Martin Stupich enlisted a team of scientists and scholars to join them in exploring the Red Desert through many disciplines: geology, hydrology, paleontology, ornithology, zoology, entomology, botany, climatology, anthropology, archaeology, sociology, and history. Their essays reveal many fascinating, often previously unknown facts about the Red Desert—everything from the rich pocket habitats that support an amazing diversity of life to engrossing stories of the transcontinental migrations that began in prehistory and continue today on I-80—which bisects the Red Desert. Complemented by Martin Stupich’s photo-essay, which portrays both the beauty and the devastation that characterize the region today, Red Desert bears eloquent witness to a unique landscape in its final years as a wild place./

From the award-winning author of The Water in Between and Consumption, the definitive novel of the Afghanistan war. News From the Red Desert begins in late 2001, when everyone believes the war is already won and the Taliban defeated, then leaps late in the severely escalated conflict--into the mess, and death, and confusion. At its heart are the men and women who have come to Afghanistan to seek purpose, and adventure, and danger, by engaging in the most bewitching and treacherous of human pursuits: making war. It's the story of Deirdre O'Malley, an American journalist who had been covering municipal politics when the airplanes went into the towers. Now a war correspondent, she has come to love the soldiers she covers and to grieve so hard over their wounds and their deaths she considers herself a member of the mission too. Embedded with Canadian infantry, she can't ignore the situation on the ground. Her loyalty toward her ex-lover, the American general who has taken command of the theatre, wavers as the war wavers, and the use of torture and the slaughter of civilians is brought to light. Fuelling the tension is a melancholy American supply sergeant who accidentally releases a trove of war porn online that sparks a furious hunt for the person who leaked it. Fearing arrest at any moment, he has stayed on too long in Kandahar for reasons he doesn't understand himself. Caught up in these currents are the Pakistanis who operate the Green Beans café on the Kandahar Airfield, led by optimist Rami Issay, who wants to lighten his customers' hearts (and make a success of his business) by running film and chess clubs in the only zone of recreation on the base. But the war intrudes even into the lives of the well-intentioned. In a powerful climax that tests everyone's loyalty and faith, the essential chaos of violence asserts itself. Love and desire endure, but no-one escapes unscathed.

Age range 3 to 8 When a group of desert children invite their school teacher, Mrs White, home for dinner to show her why their homework is always grubby, no-one expects what is to come! They are happily showing Mrs White their higgledy piggledy garden when suddenly a big red sand storm comes billowing over the hill. Sand and spinifex whips at their legs and flies at their heads. They can hardly see through the storm. They hurry back home, only to discover that everything is now red. Their lovely clean house is covered in red dust. The beds are red. The washing on the line is red. The table is red. Their delicious dinner is red and ruined. And Mrs White’s clean white dress has turned into a dusty red dress. Now Mrs White finally knows why the children’s homework is always so grubby!

The visual image is the common denominator of cinema and painting, and indeed many filmmakers have used the imagery of paintings to shape or enrich the meaning of their films. In this discerning new approach to cinema studies, Angela Dalle Vacche discusses how the use of pictorial sources in film enables eight filmmakers to comment on the interplay between the arts, on the dialectic of word and image, on the relationship between artistic creativity and sexual difference, and on the tension between tradition and modernity. Specifically, Dalle Vacche explores Jean-Luc Godard's iconophobia (Pierrot Le Fou) and Andrei Tarkovsky's iconophilia (Andrei Rubleov), Kenji Mizoguchi's split allegiances between East and West (Five Women around Utamaro), Michelangelo Antonioni's melodramatic sensibility (Red Desert), Eric Rohmer's project to convey interiority through images (The Marquise of O), F. W. Murnau's debt to Romantic landscape painting (Nosferatu), Vincente Minnelli's affinities with American Abstract Expressionism (An American in Paris), and Alain Cavalier's use of still life and the close-up to explore the realms of mysticism and femininity (Thérèse). While addressing issues of influence and intentionality, Dalle Vacche concludes that intertextuality is central to an appreciation of the dialogical nature of the filmic medium, which, in appropriating or rejecting art history, defines itself in relation to national traditions and broadly shared visual cultures.

Desert Biology: Special Topics on the Physical and Biological Aspects of Arid Regions, Volume II records the conditions and life in the arid regions of the world. This book discusses the hydrogeology of arid regions, desert soil surfaces and classes, and physical and vegetational aspects of the Sahara Desert. The Piman Indians of the Sonoran Desert, approach to the water relations of desert plants, desert arthropods, and aquatic environments of deserts are also considered. Other topics include the artificial changes in the hydrogeology of deserts, soils of individual world deserts, rainfall and water supply of desert plants, and ecological plant types in arid regions. The hydrature in true xerophytes, chloride accumulation in halophytes, and biological response to desert water conditions are likewise covered in this publication. This volume is recommended for researchers and specialists interested in the hot, dry regions of the planet.