Red Fortress

A magisterial, richly detailed history of the Kremlin, and of the centuries of Russian elites who have shaped it—and been shaped by it in turn The Moscow Kremlin is the heart of the Russian state, a fortress whose blood-red walls have witnessed more than eight hundred years of political drama and extraordinary violence. It has been the seat of a priestly monarchy, a worldly church and the Soviet Union; it has served as a crossroads for diplomacy, trade, and espionage; it has survived earthquakes, devastating fires, and at least three revolutions. Its very name is a byword for enduring power. From Ivan the Terrible to Vladimir Putin, generations of Russian leaders have sought to use the Kremlin to legitimize their vision of statehood. Drawing on a dazzling array of sources from hitherto unseen archives and rare collections, renowned historian Catherine Merridale traces the full history of this enigmatic fortress. The Kremlin has inspired innumerable myths, but no invented tales could be more dramatic than the operatic successions and savage betrayals that took place within its vast compound of palaces and cathedrals. Today, its sumptuous golden crosses and huge electric red stars blaze side by side as the Kremlin fulfills its centuries-old role, linking the country's recent history to its distant past and proclaiming the eternal continuity of the Russian state. More than an absorbing history of Russia's most famous landmark, Red Fortress uses the Kremlin as a unique lens, bringing into focus the evolution of Russia's culture and the meaning of its politics.

WINNER OF THE WOLFSON PRIZE 2013 The extraordinary story of the Kremlin - from prize-winning author and historian Catherine Merridale Both beautiful and profoundly menacing, the Kremlin has dominated Moscow for many centuries. Behind its great red walls and towers many of the most startling events in Russia's history have been acted out. It is both a real place and an imaginative idea; a shorthand for a certain kind of secretive power, but also the heart of a specific Russian authenticity. Catherine Merridale's exceptional book revels in both the drama of the Kremlin and its sheer unexpectedness: an impregnable fortress which has repeatedly been devastated, a symbol of all that is Russian substantially created by Italians. The many inhabitants of the Kremlin have continually reshaped it to accord with shifting ideological needs, with buildings conjured up or demolished to conform with the current ruler's social, spiritual, military or regal priorities. In the process, all have claimed to be the heirs of Russia's great historic destiny.

A Chicago Public Library Best Book of the Year* "The Little Red Hen gets an appealing girl-power update...Young makers of all genders will be inspired." --The Bulletin of the Center for Children's Books, starred reviewRuby's mind is always full of ideas.One day, she finds some old boards and decides to build something. She invites her brothers to help, but they just laugh and tell her she doesn't know how to build."Then I'll learn," she says.And she does!When she creates a dazzling fort that they all want to play in, it is Ruby who has the last laugh.With sprightly text and winsome pictures, this modern spin on the timeless favorite The Little Red Hen celebrates the pluck and ingenuity of young creators everywhere!

In the impregnable red fortress, the mysterious leader of the slavers waits, accumulating power. Slavers have been taking children from across the divided world for longer than Nes can remember. While she’s rescued her sibs with the help of her friends Malenie and Paza, her cousins are still missing and most everyone else has given up hope. But Nes has the shaper’s sense. With it, a lock of hair will lead her to its owner and a pebble can become a truth stone. Friends may not let friends hunt slavers alone, but if Nes doesn’t succeed, she will lose not just her family but Malenie and Paza too.

Today, we associate the Red Fort with the view of the Prime Minister proudly unfurling the national flag every year on 15 August on the massive red wall curtain. To children and even most of us, the Red Fort is only this view that is broadcast on television. It is the ubiquitous image often used in marketing as well. Many of us haven’t even bothered to go inside the Fort, and many, including me, satisfied ourselves with our photos taken in front of this wall. This actually is a later addition erected by Shah Jahan’s son Aurangzeb. The Red Fort is much more than this red wall and the platform where the prime minister delivers his speech. In the book, the author attempts to swipe aside the wall and take a deep dive inside the Fort – not just the physical structures but how exactly the planning was done to create a truly complex and artistic palace fortress, to explore the Mughal way of life with their festivals, ceremonies, food and clothing amongst other themes. The beauty of the fort can only be understood and best appreciated from the string of apartments that once lined the river Yamuna on its opposite side. It must have been beautiful indeed to glide down the Yamuna on a boat and appreciate all the buildings that housed the emperor’s private quarters. Now the river has receded afar, but in olden times the various private apartments such as the Rang mahal, Khwabgah (‘abode of dreams’) or the emperor’s bed-chamber as well as the famous Diwan-e-Khas where the Mughal Emperor sat on the Peacock Throne were lined along the river front. There is a reason why the pioneering British historian-explorer James Fergusson termed the Red Fort ‘the most magnificent palace in the East.’ It was a creative venture well integrated to a new city and was truly unrivalled with respect to its design as well as functioning. The book also highlights that, though separated in time by more than three centuries from today, we can still visualize how the unsure footsteps which Babur took in Hindustan took shape in the reign of Shah Jahan, a connoisseur of art and culture. Descending on one side from Genghis Khan and the brutal Tamerlane on the other, Babur gained an irreversible entry to India in the plains of Panipat almost unexpectedly, by defeating a mammoth army of Ibrahim Lodi in 1526. The Mughals, which was the Persian word for ‘Mongols’, set up an incredible empire in Agra and Delhi, to which were born great emperors like Akbar and Shah Jahan. Apart from magnificent monuments they also built a truly syncretic culture of shared values, encouraged free exchange of knowledge and established rituals, customs and festivals that assimilated age-old traditions from east and west. Even the Taj Mahal, described by Rabindranath Tagore as a ‘teardrop on the face of Time’, was built as a symbol of love of a king to his departed queen, like an re-incarnation of Majnun for his Laila, so different from the obvious imagery that a barbaric king may evoke in one’s mind. Similarly, the Red Fort of Delhi was the culmination of Mughal soft power. With profusely laid flower and fruit-bearing char-bagh gardens criss-crossed with streams of water canals, it was layered in symbolism that art historians find interesting even after many centuries to discuss elements that give it a sense of freshness even with the mere empty shell of buildings left behind after 1857. As the author says, “Delhi however lived up to its reputation of slipping through the very fingers of those who attempted to raise a new city here: starting with Prithvi Raj Chauhan’s Lal Kot; Allauddin Khilji’s Siri; the Tughluq trio’s troika of Tughluqabad, Jahanpanah & Kotla Firuz Shah; Humayun’s Dinpanah and later Lutyen’s Delhi of the British; Shah Jahan’s majestic offering to the city of his choice was soon to be destroyed by fate.” The narrative follows the incidents of 1857 till the British Durbars and highlights that the Fort was not the home of the Mughals only in their prime, but also in their decline and till their very extinction. The book seeks to present the lived culture of Mughals in all its multiple facets. The book is divided in four parts. In Part 1 the focus is on the Imperial court and the court etiquette, cultivation of Persian and its enrichment with translations from Sanskrit, patronage of Hindu and Jain scholars. Part 2 contains detailed accounts of the Red Fort and the symbolism of its architecture, the philosophy of jharokha darshan, ceremonies, games and pastimes, the material culture of costumes and jewellery, food, drink and perfumery. The remaining two parts deal with the decline and fall of the Mughal rule and the British Colonial Durbars at the Red Fort. The broadly historical narrative is enlivened by various anecdotes.

A year after the Crimean War ended, an uprising broke out in India which was to have equal impact on the balance of world power and the British Empire's role in world affairs. The revolt was against the East India Company which, not entirely against its will, had assumed responsibility for administering large parts of India. The ostensible cause of the mutiny sprang from a rumour that cartridges used by the native Sepoy troops were greased with cow's fat and pig's lard —cows being sacred to the Hindus, and pigs abhorred by the Mohammedans. But the roots of the trouble lay far deeper, and a bloody and ineptly handled war ensued. The Red Fort is a breathtaking account of the struggle, with all its cruelties, blunderings and heroic courage. When peace was finally restored, the India we know today began to emerge. "This is a battle piece of the finest kind, detailed, authentic and largely written from original documents. Never has this story of hate, violence, courage and cowardice been better told." The New York Times

A stunning debut poetry collection confronting colonialism, relationships, grief and intergenerational wounds. Tawahum Bige has written a stunning debut poetry collection confronting colonialism, relationships, grief and intergenerational wounds. Cut to Fortress considers the possibility of decolonization through a personal lens, urging for a resistance that is tied using cord and old-growth tree roots; a resistance that tethers us all together in this contemporary existence. With an upbringing in Surrey, fraught familial conflicts, the passing of his older brother and its influence on his world view, Bige slices through the forts built overtop occupied Turtle Island to examine their origin and his own. His journey climbs into the mountains while he reconnects with his Dene and Cree cultures like a gripping hand on jagged rock. His path draws into the concrete urban streets that Wetako-medicine lurks through, especially for his people. The labour of these travels brings him to the springs where healing passed-down traumas becomes possible by drawing water through vulnerability.

This volume presents the results of recent archaeological and historical studies of the Ottoman fort of Quseir, which was Upper Egypt's only direct outlet to the Red Sea at that time. Illustrated with over 100 maps, drawings, and photos, this groundbreaking study examines a key example of Ottoman-era material culture in Egypt--a topic largely overlooked by archaeologists. With contributions from seven historians and archaeologists, Quseir traces the development and history of an important Ottoman fortress, built near an abandoned medieval port. Its establishment was part of a constant struggle by the Ottoman state to maintain control of the desert and the routes across it. Studies of the archaeological remains from the fort reveal the presence of reused stones from a Greco-Roman temple and emphasize its key role as a regional grain entrepôt and port of embarkation for Muslim pilgrims on the way to Mecca. Quseir is a portrait of a place at the boundary of two powerful cultural and economic systems. While serving as an outlet for the pilgrims and produce of Upper Egypt, Quseir also played a role in the distinctive maritime culture of the Red Sea. This study also reveals in detail for the first time the story of the struggle between the British and French for control of Quseir during the Napoleonic occupation of 1798-1801. Drawing on recent archaeological investigations and new archival research, Quseir offers important new scholarship on a key Ottoman site. American Research Center in Egypt Conservation Series 2