Red Nails Black Skates

Rand took up figure skating at age 43. As she became increasingly immersed in the world of adult competition (participating in the Gay Games and the Adult Nationals), she found herself focusing her research on the world of skating. These essays reflect on the sexualization of female skaters, the hairdos and costumes, and racial bias in movement genres and athletic standards.

In her forties, Erica Rand bought a pair of figure skates to vary her workout routine. Within a few years, the college professor was immersed in adult figure skating. Here, in short, incisive essays, she describes the pleasures to be found in the rink, as well as the exclusionary practices that make those pleasures less accessible to some than to others. Throughout the book, Rand situates herself as a queer femme, describing her mixed feelings about participating in a sport with heterosexual story lines and rigid standards for gender-appropriate costumes and moves. She chronicles her experiences competing in the Gay Games and at the annual U.S. Adult National Figure Skating Championship, or "Adult Nationals"; Aided by her comparative study of roller derby and women's hockey, including a brief attempt to play hockey herself, she addresses matters such as skate color conventions, judging systems, racial and sexual norms, transgender issues in sports, and the economics of athletic participation and risk taking. Mixing sharp critique with genuine appreciation and delight, Rand suggests ways to make figure skating more inclusive, while portraying the unlikely friendships facilitated by sports and the sheer elation of gliding on ice.

The fully revised and updated Second Edition of Feminist Research Practice: A Primer, edited by Sharlene Nagy Hesse-Biber, draws on the expertise of a stellar group of interdisciplinary scholars who cover cutting-edge research methods and explore research questions related to the complex and diverse issues that deeply impact women’s lives. This text offers a unique hands-on approach to research by featuring engaging and relevant exercises as well as behind-the-scenes glimpses of feminist researchers at work. The in-depth examples cover the range of research questions that feminists engage with, including issues of gender inequality, violence against women, body image issues, and the discrimination of other marginalized groups. Written in a clear, concise manner that invites students to explore and practice a wide range of research, the Second Edition offers seven new chapters that reflect the latest scholarship in the field, a stronger focus on ethics, new examples that bring concepts to life, effective learning tools, and more.

Sporting Performances is the first anthology to tackle sports and physical culture from a performance perspective; it serves as an invitation and provocation for scholarly discourse on the connections between sports and physical culture, and theatre and performance. Through a series of intriguing case studies that blur the lines between the realms of politics, sports, physical culture, and performance, this book assumes that sporting performances, much like theatre, serve as barometers, mirrors, and refractors of the culture in which they are enmeshed. Some of the topics include nineteenth-century variety show pugilists, athletes on Broadway, sumo wrestlers, rhythmic gymnasts, and Strava enthusiasts. While analyzing sport through the lens of theatre and performance, this anthology reflects on how physical culture and sports contribute to identity formation and the effects of nuanced imprints of physical activity on the mind, soul, and tongue. Written primarily for those interested in physical fitness, sports, dance, and physical theatre, this interdisciplinary volume is a crucial tool for Performance and Theatre Studies students and those in the fields of Sports Studies, Cultural Studies, Women’s and Gender Studies, and American Studies more broadly.

This innovative text's critical examination foregrounds the prime reason why so many people participate in or watch sport – pleasure. Although there has been a "turn" to emotions and affect within academia over the last two decades, it has been somewhat remiss that pleasure, as an integral aspect of human life, has not received greater attention from sociologists of sport, exercise and physical education. This book addresses this issue via an unabashed examination of sport and the moving body via a "pleasure lens." It provides new insights about the production of various identities, power relations and social issues, and the dialectical links between the socio-cultural and the body. Taking a wide-sweeping view of pleasure - dignified and debauched, distinguished and mundane – it examines topics as diverse as aging, health, fandom, running, extreme sports, biopolitics, consumerism, feminism, sex and sexuality. In drawing from diverse theoretical approaches and original empirical research, the text reveals the social and political significance of pleasure and provides a more rounded, dynamic and sensual account of sport.

Augmenting recent developments in theories of gender and sexuality, this anthology marks a compelling new phase in queer scholarship. Navigating notions of silence, misunderstanding, pleasure, and even affects of phobia in artworks and texts, the essays in this volume propose new and surprising ways of understanding the difficulty—even failure—of the epistemology of the closet. By treating "queer" not as an identity but as an activity, this book represents a divergence from previous approaches associated with Lesbian and Gay Studies. The authors in this anthology refute the interpretive ease of binaries such as "out" versus "closeted" and "gay" versus "straight," and recognize a more opaque relationship of identity to pleasure. The essays range in focus from photography, painting, and film to poetry, Biblical texts, lesbian humor, and even botany. Evaluating the most recent critical theories and introducing them in close examinations of objects and texts, this book queers the study of verse and visual culture in new and exciting ways.

South Asian American men are not usually depicted as ideal American men. They struggle against popular representations as either threatening terrorists or geeky, effeminate computer geniuses. To combat such stereotypes, some use sports as a means of performing a distinctly American masculinity. Desi Hoop Dreams focuses on South Asian-only basketball leagues common in most major U.S. and Canadian cities, to show that basketball, for these South Asian American players is not simply a whimsical hobby, but a means to navigate and express their identities in 21st century America. The participation of young men in basketball is one platform among many for performing South Asian American identity. South Asian-only leagues and tournaments become spaces in which to negotiate the relationships between masculinity, race, and nation. When faced with stereotypes that portray them as effeminate, players perform sporting feats on the court to represent themselves as athletic. And though they draw on black cultural styles, they carefully set themselves off from African American players, who are deemed “too aggressive.” Accordingly, the same categories of their own marginalization—masculinity, race, class, and sexuality—are those through which South Asian American men exclude women, queer masculinities, and working-class masculinities, along with other racialized masculinities, in their effort to lay claim to cultural citizenship. One of the first works on masculinity formation and sport participation in South Asian American communities, Desi Hoop Dreams focuses on an American popular sport to analyze the dilemma of belonging within South Asian America in particular and in the U.S. in general.

Leisure, Racism, and National Populist Politics responds to the rise and revival of nationalistic, ethnocentric, and authoritarian forms of hegemony, power, and control. Importantly, as a collection of essays, it foregrounds and (re)politicises debates around race and racism, recognising the significance of leisure spaces to the emergence of bottom-up, polymorphous, and dynamic forms of community, resistance, and belonging. A range of authors present a critical and varied exploration of the global manifestations of state-based, increasingly mainstream, racist politics, whilst concomitantly unpicking connected assemblages of power and control. For example: how homonormativity and whiteness structure queer visibility, sexual and civic rights; how white supremacist rhetoric is transformed and differently coded through anti-Black university traditions and state pride; how Western nation-states structure Muslim identity as opposite to national identity; how leisure becomes the site of protest against larger classist and corporate ventures; and how the hegemony of neoliberal, state, and municipal planning practices, and policies about rights to spaces of the neighbourhood, city, and sport, are understood, negotiated, and challenged. The book serves to not only enhance understanding of populist politics but, also, to demand an end to ethnic and racial violence perpetuated through nationalistic and racialised discourses about belonging, citizenship, and social rights to the nation. This edited volume will be a key resource for students and scholars interested in the dynamics of race, gender, and nation, and the politics of belonging in the realm of leisure. The chapters in this book were originally published as a special issue of Leisure Studies.