Red Rascal S War

Readers and critics were wowed by G. B. Trudeau's epic masterpiece 40: A Doonesbury Retrospective, and they'll rejoice when they see this beautiful follow-up volume. Featuring an innovative format and an all-new collection of strips, Red Rascal's War is the first all-color Doonesbury book ever. Both Trudeau and his fans have followed Doonesbury's ever-expanding cast through four decades of cultural turbulence and change. With its arresting cover and rich interior, Red Rascal's War showcases the most recent additions to a body of work the New York Times admiringly refers to as "a sprawling masterwork." "[Trudeau is] Dickensian in his range of characters," writes Garry Wills in The New York Review of Books. "Trudeau has just kept improving, year after year, in part because he stays so close to changing events. . . . He has never been better than in the last six years." From the exploits of Afghan legend-in-chief Sorkh Razil to the pipe dreams of Malibu's top nanny Zonker Harris, and from the "no more chill pills" intervention by Obama's aides to the way-cool love of a headbanging war vet and his MIT-grad gal, Doonesbury marches wildly on. "What else is guaranteed to make you think, feel nostalgic, and laugh out loud at least once a page?" --Karen Holt, O Magazine

Readers and critics were wowed by G. B. Trudeau's epic masterpiece 40: A Doonesbury Retrospective, and they'll rejoice when they see this beautiful follow-up volume. Featuring an innovative format and an all-new collection of strips, Red Rascal's War is the first all-color Doonesbury book ever. Both Trudeau and his fans have followed Doonesbury's ever-expanding cast through four decades of cultural turbulence and change. With its arresting cover and rich interior, Red Rascal's War showcases the most recent additions to a body of work the New York Times admiringly refers to as "a sprawling masterwork." "[Trudeau is] Dickensian in his range of characters," writes Garry Wills in The New York Review of Books. "Trudeau has just kept improving, year after year, in part because he stays so close to changing events. . . . He has never been better than in the last six years." From the exploits of Afghan legend-in-chief Sorkh Razil to the pipe dreams of Malibu's top nanny Zonker Harris, and from the "no more chill pills" intervention by Obama's aides to the way-cool love of a headbanging war vet and his MIT-grad gal, Doonesbury marches wildly on. "What else is guaranteed to make you think, feel nostalgic, and laugh out loud at least once a page?" --Karen Holt, O Magazine

Hot on the heels of his smash 40: A Doonesbury Retrospective, Garry Trudeau is back with an annual collection of this iconic comic strip. Readers and critics were wowed by G. B. Trudeau's epic masterpiece 40: A Doonesbury Retrospective, and they'll rejoice when they see this beautiful follow-up volume. Featuring an innovative format and an all-new collection of strips, Red Rascal's War is the first all-color Doonesbury book ever. Both Trudeau and his fans have followed Doonesbury's ever-expanding cast through four decades of cultural turbulence and change. With its arresting cover and rich interior, Red Rascal's War showcases the most recent additions to a body of work the New York Times admiringly refers to as "a sprawling masterwork." "[Trudeau is] Dickensian in his range of characters," writes Garry Wills in The New York Review of Books. "Trudeau has just kept improving, year after year, in part because he stays so close to changing events. . . . He has never been better than in the last six years." From the exploits of Afghan legend-in-chief Sorkh Razil to the pipe dreams of Malibu's top nanny Zonker Harris, and from the "no more chill pills" intervention by Obama's aides to the way-cool love of a headbanging war vet and his MIT-grad gal, Doonesbury marches wildly on. "What else is guaranteed to make you think, feel nostalgic, and laugh out loud at least once a page?" --Karen Holt, O Magazine

Official records produced by the armies of the United States and the Confederacy, and the executive branches of their respective governments, concerning the military operations of the Civil War, and prisoners of war or prisoners of state. Also annual reports of military departments, calls for troops, correspondence between national and state governments, correspondence between Union and Confederate officials. The final volume includes a synopsis, general index, special index for various military divisions, and background information on how these documents were collected and published. Accompanied by an atlas.

Official records produced by the armies of the United States and the Confederacy, and the executive branches of their respective governments, concerning the military operations of the Civil War, and prisoners of war or prisoners of state. Also annual reports of military departments, calls for troops, correspondence between national and state governments, correspondence between Union and Confederate officials. The final volume includes a synopsis, general index, special index for various military divisions, and background information on how these documents were collected and published. Accompanied by an atlas.

Introduction : Nước : archipelogics and land/water politics -- Archipelagic history : Vietnam, Palestine, Guam, 1967-75 -- The "new frontier" : settler imperial prefigurations and afterlives of America's war in Vietnam -- Operation New Life : Vietnamese refugees and U.S. settler militarism in Guam -- Refugees in a state of refuge : Vietnamese Israelis and the question of Palestine -- The politics of staying : the permanent/transient temporality of settler militarism in Guam -- The politics of translation : competing rhetorics of return in Israel-Palestine and Vietnam -- Afterword : floating islands : refugee futurities and decolonial horizons.

Cultural boundaries exist wherever cultures encounter one another. During centuries of contact between native peoples and others in America, countless intermediaries–artists, students, traders, interpreters, political figures, authors, even performers–have bridged the divide. Between Indian and White Worlds: The Cultural Broker provides a new understanding of the role of these mediation in North America from 1690 to the present. Cultural brokers have shared certain qualities–in particular a thorough understanding of two of more cultures. Living on the edge of change and conflict, they have responded to evolving and unstable circumstances or alliances with a flexibility born of their determination to bring understanding to disparate peoples. No composite portrait can encompass the complexity of the brokerage experience. To convey the many roles of these intermediaries, editor Margaret Connell Szasz has brought together fourteen distinct portraits, crafted by prominent scholars of Indian-white relations, of brokers across the continent and throughout three centuries of American history–in the colonial world, during the expansion of the republic, in the Wild West, and in the twentieth century. This fascinating and inspiring collection speaks eloquently of life on the cultural frontier. Key figures in our pluralistic heritage, cultural brokers are no less important today, as society continues to struggle with diversity.