Reel Baseball

Not only are movies and baseball two of America's favorite pastimes, they are integral parts of our culture. Small wonder that the two frequently merge in Hollywood's use of baseball themes, jargon, and icons. This work on baseball in the movies is organized into four sections examining different aspects of the cultural intersection between film and baseball. In the first three sections--"Baseball in Baseball Films," "Babe Ruth and the Silver Screen," and "Baseball in Non-Baseball Films"--essays by scholars in various disciplines cover such topics as symbols, the role of family, baseball as a facilitator of violence, and the American mythos. The fourth section consists of interviews with directors (such as Ron Shelton and Penny Marshall), actors (Kevin Costner, James Belushi), and baseball personnel (broadcaster Vin Scully, coach Rod Dedeaux) who have worked in baseball films. Instructors considering this book for use in a course may request an examination copy here.

As scholarly interest in baseball has increased in recent years, so too has the use of baseball both as subject and as teaching method in college courses. In addition to lecturing on baseball history, professors are more frequently using baseball as a pedagogical tool to teach other disciplines. Baseball's interdisciplinary appeal is evident in the myriad ways that diverse college faculty have made use of it in the classroom. In this collection of essays, professors from different disciplines explain how they have used baseball in higher education. Organized by academic field, essays offer insight into how baseball can help teach key issues in archival research, business, cultural studies, education, experiential learning, film, American history, labor relations, law, literature, Native American studies, philosophy, public speaking, race studies and social history.

Since the first baseball movie (Little Sunset) in 1915, Hollywood has had an on-again, off-again affair with the sport, releasing more than 100 films through 2001. This is a filmography of those films. Each entry contains full cast and credits, a synopsis, and a critique of the movie. Behind-the-scenes and background information is included, and two sections cover baseball shorts and depictions of the game in non-baseball films. An extensive bibliography completes the work.

Sport films have been central to American cinema, playing an increasingly important role in the communication of a commonsense understanding of race, gender, class, history, and social relations. Oddly, scholars have neglected sport films and their significance. Offering a comparative, theoretically grounded, and interdisciplinary approach, Visual Economies of/in Motion marks a novel and important point of departure in sport studies and cultural studies. It brings together a dozen essays on feature films and documentaries to probe the articulation of ideologies and identities, play and power, and sporting worlds and social fields. -- Amazon.com.

This work focuses on the baseball movie genre in the years following World War II, beginning with the 1948 biopic The Babe Ruth Story and ending with the 1962 Mickey Mantle-Roger Maris vehicle Safe at Home!, when the consensus was that conflict should be limited in American society by emphasizing economic growth and a strong stand against Communism. This study of selected films indicates, however, that this strategy was not entirely effective; while offering a certain amount of nostalgia, these films could not provide shelter from the storm gathering in postwar America which challenged conventional ideas of race, gender and class and broke in the 1960s.

From Babe Ruth to the Black Sox scandal, this Companion examines baseball's history, global identity, current challenges and memorable personalities.

This anthology gathers selected papers from the 2007 and 2008 meetings of the Cooperstown Symposium on Baseball and American Culture, the long-running academic conference held annually at the National Baseball Hall of Fame. Essays included employ the national pastime to comment on issues transcending the playing field, and are divided into six sections: "Cultural Perspectives on the Game," "Literary Baseball," "Baseball at the Movies," "Minority Standard Bearers," "New Leagues," and "The Business of Baseball."

Dean A. Sullivan presents a fascinating array of provocative, unexpected, and illuminating materials that reveal the rich history of baseball. The 105 pieces in this work cover such topics as the Merkle Boner, Jim Thorpe, Christy Mathewson, the Black Sox scandal, Lou Gehrig, the death of Ray Chapman, Ty Cobb, Dizzy Dean, and more from the storied major leagues. Lesser-known treasures celebrate semipro teams, boys' baseball fiction, Japanese baseball, college ball, black baseball, the minor leagues, women's teams, and other facets of the wonderful game of baseball.