Reexamining The National Philological Legacy

Has thinking, working and teaching in terms of national literatures become obsolete in today’s globalized world of hyphenated languages, literatures and cultures? Since the rise of modern European national philologies coincided with the emergence of modern European nation-states, does the dissolution of the latter in the European supranational unity imply the suspension of the former? Or we must, on the contrary, consider the fact that today’s Europe is not only postnational but, in its re-nationalized East-Central-European part, post-multinational as well, i.e., emerging out of the breakdown of the postimperial state formations such as the Soviet Union, Czechoslovakia and Yugoslavia?

Focused on the recently hotly debated topic at the crossroads of various human and social sciences, this book investigates the emergence of the cosmopolitan idea of literature and its impact on the reconfiguration of the European and non-European political spaces. The birthplace of this idea is its designers’ traumatic experience as induced by the disconcerting condition of their abode.The thesis is that the eighteenth and nineteenth century’s cosmopolitan projects that grow out of such deep frustrations trace the twentieth century’s global democracy. This hidden origin of cosmopolitan projects dismantles the usual European representation of modernization as universal progress as myopic. Rather than being a generous action of prominent subjects such as Voltaire, Kant, and Goethe, or Bakhtin, Derrida and Deleuze, cosmopolitanism is an enforced reaction of the instances dispossessed by injury that search for the ways of healing it. Yet as soon as their remedy establishes itself as the ground for universal reconciliation, it risks suppressing other’s trauma, i.e. turns from politics into a police. Articulating the author’s position in the recent debates on the structure of democracy, the epilogue suggests an alternative strategy.

Bringing together the analyses of the literary world-system, translation studies, and the research of European cultural nationalism, this book contests the view that texts can be attributed global importance irrespective of their origin, language, and position in the international book market. Focusing on Slovenian literature, almost unknown to world literature studies, this book addresses world literature’s canonical function in the nineteenth-century process of establishing European letters as national literatures. Aware of their dependence on imperial powers, (semi)peripheral national movements sought international recognition through, among other things, the newly invented figure of the national poet. Writers central to dependent national communities were canonized to represent their respective cultures to the norm-giving Other – the emerging world literary canon and its aesthetic ideology. Hence, national literatures asserted their linguo-cultural individuality through the process of worlding; that is, by their positioning in the international literary world informed by the supposed universality of the aesthetic.

The most detailed and wide-ranging comparative study to date of how European literatures written in less well known languages try, through translation, to reach the wider world, rejecting the predominant narrative of tragic marginalization with case studies of endeavour and innovation from nineteenth-century Swedish women’s writing to twenty-first-century Polish fantasy.

Homeland, Exile, Imagined Homelands are features of the modern experience and relate to the cultural and historical dilemmas of loss, nostalgia, utopia, travel, longing, and are central for Jews and others. This book is an exploration into a world of boundary crossings and of desired places and alternate identities, into a world of adopted kin and invented allegiances.

The breakups of empires engendered in the newly established East Central European states both public and private feelings of dispossession. This gave rise to collective (historical) and individual (fictional) trauma narratives. The volume investigates their intended and unintended interaction

Featuring a selection of brand new essays by a group of accomplished scholars, Arthur Koestler's Fiction and the Genre of the Novel covers all of Koestler's novels published in his lifetime, the first book to attempt this in English since Mark Levene's Arthur Koestler, published thirty-seven years ago. The team of contributors, with research backgrounds in history, political science, religious studies, law, linguistics and journalism besides literature, offers a truly multidisciplinary take on how Koestler's novels utilize, and at times transcend, the genre of the novel, and argues for their enduring relevance and appeal in the twenty-first century, inviting the reader to revisit and reassess them. With the topics of Koestler's novels including terrorism, massive migration, espionage, rape trauma, war trauma, the crisis of faith, propaganda, fake news and the role and responsibility of intellectuals in major international crises, as the volume aims to show, these texts are just as topical today, as they were at the time of their publication.