Reflections In Black

Shows that the history of black photographers intertwines with the story of African American life, as seen through photographs ranging from antebellum weddings and 1960s protest marches, to portraits of contemporary black celebrities.

When filmmaker Matt Black interviews current artists, it’s personal. His perceptive queries prompt subjects to reveal intriguing pieces of their individual journeys with various media. Jeff Koons explains the childhood experiences that made his art possible; Damien Hirst shares the motivation behind his spot paintings. These twenty-one conversations are casual, comfortable, and insightful, effortlessly bringing out each artist’s personality, as if the reader were sitting in the room with him or her. Illustrated with the artists’ work, artists in their studios, and shots from Black’s video interviews, Reflections: In Conversation with Today’s Artists is a unique foray from the printed page into the world of the cinematic—a collage-like work of art in itself.

"An anthology of writing addressing the most urgent issues facing the Black community in Canada. The killing of Trayvon Martin in 2012 by a white assailant inspired the Black Lives Matter movement, which quickly spread outside the borders of the United States. The movement's message found fertile ground in Canada, where Black activists speak of generations of injustice and continue the work of the Black liberators who have come before them. 'Until We Are Free' contains some of the very best African-Canadian writing on the hottest issues facing the Black community in Canada. It describes the latest developments in Canadian Black activism, organizing efforts through the use of social media, Black-Indigenous alliances, and more. Rodney Diverlus is a Port-au-Prince-born, Toronto-based dance artist, curator, and co-founder of Black Lives Matter-Toronto. Sandy Hudson is the founder of the Black Lives Matter movement presence in Canada and Black Lives Matter-Toronto and a co-founder of Black Liberation Collective Canada. Syrus Marcus Ware is a core team member of Black Lives Matter-Toronto, a Vanier Scholar, a facilitator and designer for the CulturalLeaders Lab, and an award-winning artist and educator. Contributors Silvia Argentina Arauz, Leanne Betasamosake Simpson, Patrisse Cullors, Giselle Dias, Omisoore Dryden, Paige Galette, Dana Inkster, Sarah Jama, El Jones, Anique Jordan, Dr. Naila Keleta Mae, Janaya Khan, Gilary Massa, Robyn Maynard, Leroi Newbold, QueenTite Opaleke, Randolph Riley, Camille Turner, Ravyn Wngz."--

Transcripts of more than seventy-five oral history interviews in which the interviewees assess their MIT experience and reflect on the role of blacks at MIT and beyond. This book grew out of the Blacks at MIT History Project, whose mission is to document the black presence at MIT. The main body of the text consists of transcripts of more than seventy-five oral history interviews, in which the interviewees assess their MIT experience and reflect on the role of blacks at MIT and beyond. Although most of the interviewees are present or former students, black faculty, administrators, and staff are also represented, as are nonblack faculty and administrators who have had an impact on blacks at MIT. The interviewees were selected with an eye to presenting the broadest range of issues and personalities, as well as a representative cross section by time period and category. Each interviewee was asked to discuss family background; education; role models and mentors; experiences of racism and race-related issues; choice of field and career; goals; adjustment to the MIT environment; best and worst MIT experiences; experience with MIT support services; relationships with MIT students, faculty, and staff; advice to present or potential MIT students; and advice to the MIT administration. A recurrent theme is that MIT's rigorous teaching instills the confidence to deal with just about any hurdle in professional life, and that an MIT degree opens many doors and supplies instant credibility. Each interview includes biographical notes and pictures. The book also includes a general introduction, a glossary, and appendixes describing the project's methodology.

"A stirring work . . . images meet text to convey a most handsome portrait of Black barbering in America as a revered cultural practice. Honest, intelligent, poignant—You Next is brilliant from cover to cover." —Maurice Wallace, Rutgers University An intimate photographic exploration of the ways Black barber shops operate as sites for the cultivation of Black male identity and wellness Growing up, getting a haircut was a weekly event Antonio M. Johnson looked forward to more than anything. There in that tilted chair surrounded by members of his community and totems of a shared experience, Johnson felt safe—felt like anything was possible. Barber shops are more than places simply to get a cut. They are where Black men can speak and receive feedback about who we are, who we want to be, and what we believe to be true about the world around us. The interpretation of the barber shop as community center falls short of capturing what they really are for so many Black men: sanctuaries in a hostile land. You Next is an intimate photographic exploration of Black barber shops in major US cities—Gary, Indiana; Washington DC; New York City; Oakland; Atlanta; Los Angeles; Detroit; New Orleans; Montgomery; Memphis, and Johnson's hometown of Philadelphia. These photos, interviews, and essays tell the full story of the Black barber shop in America.

This book of poetry revisits history and recaptures the mindset of Negroes as they suffered through the cruel and racist period known as the Jim Crow era. It boldly articulates the words that Negroes of that period would only dare to mumble beneath their breath. Yet, its message is not one of hate or negativity, but rather an admonition for all people to embrace equality and love each other. Reflections in Black prudently expresses yesterday's pain without compromising today's peace.

What does it feel like to move through a world designed to limit and exclude you? What are the joys and pains of holidays for people of colour, when guidebooks are never written with them in mind? How are black lives today impacted by the othering legacy of colonial cultures and policies? What can travel tell us about our sense of self, of home, of belonging and identity? Why has the world order become hostile to human mobility, as old as humanity itself, when more people are on the move than ever? Nanjala Nyabola is constantly exploring the world, working with migrants and confronting complex realities challenging common assumptions - both hers and others'. From Nepal to Botswana, Sicily to Haiti, New York to Nairobi, her sharp, humane essays ask tough questions and offer surprising, deeply shocking and sometimes funny answers. It is time we saw the world through her eyes.