Reflections Of Prague

Reflections of Prague is the story of how a Czech Jewish family become embroiled in the most tragic and tumultuous episodes of the twentieth century. Through their eyes we see the history of their beloved Prague, a unique European city, and the wider, political forces that tear their lives apart. Their moving story traces the major events, turmoil, oppression and triumphs of Europe through the last hundred years – from the Austro-Hungarian Empire to the First World War; from the vibrant artistic and intellectual life of Prague in the times of Kafka, the Capek Brothers and Masaryk to years of hunger in a Polish ghetto and the concentration camps of Hitler; from the tyrannous rule of Stalin to the rekindled hopes of Dubcek and the subsequent Soviet occupation to liberation under Havel. Told from Ivan’s perspective, it is a poignant but uplifting tale that tells of life lived with purpose and conviction, in the face of personal suffering and sacrifice. ‘A remarkable book. This archetypical story of the twentieth century is intertwined with an almost stream-of-consciousness narrative of the history of the Czechs, of Prague, interspersed with samples of exquisite poetry by great contemporary poets. So the narrative flows like Eliot’s sweet Thames full of the debris of tragic lives, of horrors, of moments of beauty and testimonies of love – all against the backdrop of man’s inhumanity.’ Josef Škvorecký ‘A poignant and vivid mémoire of a child searching for traces of his father, lost in the murky ideologies of post war Central Europe. An engrossing book.’ Sir John Tusa

The period of the baroque (late sixteenth to mid-eighteenth centuries) saw extensive reconfiguration of European cities and their public spaces. Yet, this transformation cannot be limited merely to signifying a style of art, architecture, and decor. Rather, the dynamism, emotionality, and potential for grandeur that were inherent in the baroque style developed in close interaction with the need and desire of post-Reformation Europeans to find visual expression for the new political, confessional, and societal realities. Highly illustrated, this volume examines these complex interrelationships among architecture and art, power, religion, and society from a wide range of viewpoints and localities. From Krakow to Madrid and from Naples to Dresden, cities were reconfigured visually as well as politically and socially. Power, in both its political and architectural guises, had to be negotiated among constituents ranging from monarchs and high churchmen to ordinary citizens. Within this process, both rulers and ruled were transformed: Europe left behind the last vestiges of the medieval and arrived on the threshold of the modern.

"The richness of the material and its skillful assembly make this a very readable volume ... revealing a wonderful range of perspective, from personal, intimate reflections to timely comments on the politics and society of both Prague and the Czech Republic of the era under study." - Journal of the Society for the Anthropology of Europe "Wilma Iggers offers English-reading audiences fascinating new perspectives ... in a sensitive introduction to the city's modern experience and translated sections from the writings of twelve women ... This volume is particularly welcome since the work of most of these writers has not been readily available in English before." - Gary B. Cohen, University of Oklahoma For many centuries Prague has exerted a particular fascination because of its beauty and therichness of its culture and history. Its famous group of German and Czech writers of mostly Jewish extraction in the earlier part of this century has deeply influenced Western culture.However, little attention has so far been paid to the roles of women in the history of thisethnically diverse area in around Prague. Based on largely autobiographical writings and letters by women and enhanced by extensive historical introduction, this book redresses a serious imbalance. The vivid and often moving portraits, which emerge from the varied material used bythe author, offer fascinating and new insights into the social and cultural history of this region.

A keen observer of culture, Czech writer Vladimír Macura (1945–99) devoted a lifetime to illuminating the myths that defined his nation. The Mystifications of a Nation, the first book-length translation of Macura’s work in English, offers essays deftly analyzing a variety of cultural phenomena that originate, Macura argues, in the “big bang” of the nineteenth-century Czech National Revival, with its celebration of a uniquely Czech identity. In reflections on two centuries of Czech history, he ponders the symbolism in daily life. Bridges, for example—once a force of civilization connecting diverse peoples—became a sign of destruction in World War I. Turning to the Soviet and post-Soviet eras, Macura probes a range of richly symbolic practices, from the naming of the Prague metro system, to the mass gymnastic displays of the Communist period, to post–Velvet Revolution preoccupations with the national anthem. In “The Potato Bug,” he muses on one of the stranger moments in the Cold War—the claim that the United States was deliberately dropping insects from airplanes to wreak havoc on the crops of Czechoslovakia. While attending to the distinctively Czech elements of such phenomena, Macura reveals the larger patterns of Soviet-brand socialism. “We were its cocreators,” he declares, “and its analysis touches us as a scalpel turned on its own body.” Writing with erudition, irony, and wit, Macura turns the scalpel on the authoritarian state around him, demythologizing its mythology.

Stalin's American Spy tells the remarkable story of Noel Field, a Soviet agent in the US State Department in the mid-1930s. Lured to Prague in May 1949, he was kidnapped and handed over to the Hungarian secret police. Tortured by them and interrogated too by their Soviet superiors, Field's forced 'confessions' were manipulated by Stalin and his East European satraps to launch a devastating series of show-trials that led to the imprisonment and judicial murder of numerous Czechoslovak, German, Polish and Hungarian party members. Yet there were other events in his very strange career that could give rise to the suspicion that Field was an American spy who had infiltrated the Communist movement at the behest of Allen Dulles, the wartime OSS chief in Switzerland who later headed the CIA. Never tried, Field and his wife were imprisoned in Budapest until 1954, then granted political asylum in Hungary, where they lived out their sterile last years. This new biography takes a fresh look at Field's relationship with Dulles, and his role in the Alger Hiss affair. It sheds fresh light upon Soviet espionage in the United States and Field's relationship with Hede Massing, Ignace Reiss and Walter Krivitsky. It also reassesses how the increasingly anti-Semitic East European show-trials were staged and dissects the 'lessons" which Stalin sought to convey through them.

Few treatments of the death of Jesus Christ have made a point of accounting for the gruesome, degrading, public manner of his death by crucifixion, a mode of execution so loathsome that the ancient Romans never spoke of it in polite society. Rutledge probes all the various themes and motifs used by the New Testament evangelists and apostolic writers to explain the meaning of the cross of Christ. She shows how each of the biblical themes contributes to the whole, with the Christus Victor motif and the concept of substitution sharing pride of place along with Irenaeus's recapitulation model.

The Soviet physicist, dissident, and human rights activist Andrei Sakharov (1921–1989) was awarded the Nobel Peace Prize in 1975. The first Russian to have been so recognized, Sakharov in his Nobel lecture held that humanity had a "sacred endeavor" to create a life worthy of its potential, that "we must make good the demands of reason," by confronting the dangers threatening the world, both then and now: nuclear annihilation, famine, pollution, and the denial of human rights.Meeting the Demands of Reason provides a comprehensive account of Sakharov's life and intellectual development, focusing on his political thought and the effect his ideas had on Soviet society. Jay Bergman places Sakharov's dissidence squarely within the ethical legacy of the nineteenth-century Russian intelligentsia, inculcated by his father and other family members from an early age.In 1948, one year after receiving his doctoral candidate's degree in physics, Sakharov began work on the Soviet hydrogen bomb and later received both the Stalin and the Lenin prizes for his efforts. Although as a nuclear physicist he had firsthand experience of honors and privileges inaccessible to ordinary citizens, Sakharov became critical of certain policies of the Soviet government in the late 1950s. He never renounced his work on nuclear weaponry, but eventually grew concerned about the environmental consequences of testing and feared unrestrained nuclear proliferation.Bergman shows that these issues led Sakharov to see the connection between his work in science and his responsibilities to the political life of his country. In the late 1960s, Sakharov began to condemn the Soviet system as a whole in the name of universal human rights. By the 1970s, he had become, with Alexander Solzhenitsyn, the most recognized Soviet dissident in the West, which afforded him a measure of protection from the authorities. In 1980, however, he was exiled to the closed city of Gorky for protesting the Soviet invasion of Afghanistan. In 1986, the new Gorbachev regime allowed him to return to Moscow, where he played a central role as both supporter and critic in the years of perestroika.Two years after Sakharov's death, the Soviet Union collapsed, and in the courageous example of his unyielding commitment to human rights, skillfully recounted by Bergman, Sakharov remains an enduring inspiration for all those who would tell truth to power.