Reimagining Israel And Palestine In Contemporary British And German Culture

Isabelle Hesse identifies an important relational turn in British and German literature, TV drama, and film published and produced since the First Palestinian Intifada (1987-1993). This turn manifests itself on two levels: one, in representing Israeli and Palestinian histories and narratives as connected rather than separate, and two, by emphasising the links between the current situation in Israel and the Occupied Palestinian Territories and the roles that the United Kingdom and Germany have played historically, and continue to play, in the region. This relational turn constitutes a significant shift in representations of Israel and Palestine in British and German culture as these depictions move beyond an engagement with the Holocaust and Jewish suffering at the expense of Palestinian suffering and indicate a willingness to represent and acknowledge British and German involvement in Israeli and Palestinian politics. This book offers new ways of thinking about how Israel and Palestine are imagined and reimagined as topics of cultural and political interest in two countries that have had complicated histories with both Israel and Palestine, histories which are marked by each country's memories of the Holocaust and colonialism.

This book uses the methodology of sociology and literary studies to come to terms with the reality of Palestinian citizens of Israel across several generations. It explores the evolution of Palestinian identity from one that struggled for independence and self-determination up to 1948, to one that now presses the call for civil rights and civic equality. What were the forces that shaped this transformation over six decades?a Traditional sociological research on this community focusses on the structural relationships between Israel and its Palestinian citizens. Primarily concerned with the political discourse and activism of this community, it mostly makes use of party agendas, voting patterns and opinion polls as primary indicators. In contrast, this book focuses on the Palestinian voice, through an analysis of the 75 novels published by Palestinian citizens of Israel from 1948 to 2010. Paying attention to processes that are internal to this community, the author identifies the intellectual and ideological forces that drove major social and political transformations in this community over this period.

Water is a major global issue that will shape our future. Rarely, however, has water been the subject of literary critical attention. This book identifies water as a crucial new topic of literary and cultural analysis at a critical moment for the world's water resources, focusing on the urgent context of Israel/Palestine. It argues for the necessity of recognising water's vital importance in understanding contemporary Israeli and Palestinian literature, showing that water is as culturally significant as that much more obvious object of nationalist attention, the land. In doing so, it offers new insights into Israeli and Palestinian literature and politics, and into the role of culture in an age of environmental crisis. Hydrofictions shows that how we imagine water is inseparable from how we manage it. This book is urgent and necessary reading for students and scholars in Middle East Studies, postcolonial ecocriticism, the environmental humanities and anyone invested in the future of the world's water.

An architectural history of four prominent buildings in Jerusalem. Includes new research on public and civic architecture of Mandate Palestine. Focuses on four case studies: the Muslim Palestinian Palace Hotel, the Jewish-Zionist Zionist Executive Buildings, the British Palestine Archaeological Museum and the American Jerusalem YMCA Building. Reveals the major role that architecture and architectural culture had in constructing communal and national identities in Jerusalem and in Mandate Palestine. Increases our understanding of the interaction between cultural forces in the Middle East and the emergence of 20th-century architectural culture in Israel/Palestine. Makes a significant contribution to research into the built environments of mixed cities, contested spaces and cities under foreign rule. Deepens our understanding of present spatial dilemmas and their context within the Israeli-Palestinian conflic. Four major communities, four buildings constructing their identities in the contested urban space of Jerusalem.

Recent conflict in the Middle East has caused some observers to ask if Muslims and Christians can ever coexist. History suggests that relations between those two groups are not predetermined, but are the product of particular social and political circumstances. This book examines Muslim-Christian relations during an earlier period of political and social upheaval, and explores the process of establishing new forms of national and religious identification. Palestine's Arab Christian minority actively engaged with the Palestinian nationalist movement throughout the period of British rule (1917-1948). Relations between Muslim and Christian Arabs were sometimes strained, yet in Palestine, as in other parts of the world, communalism became a specific response to political circumstances. While Arab Christians first adopted an Arab nationalist identity, a series of outside pressures - including British policies, the rise of a religious conflict between Jews and Muslims, and an increase in Islamic identification among some Arabs - led Christians to adhere to more politicized religious groupings by the 1940s. Yet despite that shift Christians remained fully nationalist, insisting that they could be both Arab and Christian.

Nadia Bou Ali shows how a curious relationship was forged between language and politics, one driven both by a desire for modernity and anxiety about it.

"International interest in Holocaust education has reached new heights in recent years. This historic event has long been central to cultures of remembrance in those countries where the genocide of the Jewish people occurred. But other parts of the world have now begun to recognize the history of the Holocaust as an effective means to teach about mass violence and to promote human rights and civic duty, testifying to the emergence of this pivotal historical event as a universal frame of reference. In this new, globalized context, how is the Holocaust represented and taught? How do teachers handle this excessively complex and emotionally loaded subject in fast-changing multicultural European societies still haunted by the crimes perpetrated by the Nazis and their collaborators? Why and how is it taught in other areas of the world that have only little if any connection with the history of the Jewish people? Holocaust Education in a Global Context will explore these questions."--page 10.

The contributors to this volume treat pluralism as a concept that is historically and ideologically produced or, put another way, as a doctrine that is embedded within a range of political, civic, and cultural institutions. Their critique considers how religious difference is framed as a problem that only pluralism can solve. Working comparatively across nations and disciplines, the essays in After Pluralism explore pluralism as a "term of art" that sets the norms of identity and the parameters of exchange, encounter, and conflict. Contributors locate pluralism's ideals in diverse sites Broadway plays, Polish Holocaust memorials, Egyptian dream interpretations, German jails, and legal theories and demonstrate its shaping of political and social interaction in surprising and powerful ways. Throughout, they question assumptions underlying pluralism's discourse and its influence on the legal decisions that shape modern religious practice. Contributors do more than deconstruct this theory; they tackle what comes next. Having established the genealogy and effects of pluralism, they generate new questions for engaging the collective worlds and multiple registers in which religion operates.