Reinventing Gender

Since the unification of the DDR and the GDR, women living in the former East Germany have lost many of the advantages that came with a planned economy. This collection of essays examines the reinvented meaning of gender and the experience of East German women since unification.

This volume analyses approaches to economic and political change and propose ways of ensuring that ideas are translated into concrete actions. The aim is to re-politicise the gender and development community with a solutions-oriented approach which looks at globalisation through women's eyes, and finds energising ideas.

Examines the influence of traditional views of femininity and masculinity on brain research.

Talk is crucial to the way our identities are constructed, altered, and defended. These essays bring together feminist scholars in the area of language and gender to tackle such topics as African-American drag queens, gender and class on the shopping channel, and talk in the workplace.

Both in opera studies and in most operatic works, the singing body is often taken for granted. In Postopera: Reinventing the Voice-Body, Jelena Novak reintroduces an awareness of the physicality of the singing body to opera studies. Arguing that the voice-body relationship itself is a producer of meaning, she furthermore posits this relationship as one of the major driving forces in recent opera. She takes as her focus six contemporary operas - La Belle et la Bête (Philip Glass), Writing to Vermeer (Louis Andriessen, Peter Greenaway), Three Tales (Steve Reich, Beryl Korot), One (Michel van der Aa), Homeland (Laurie Anderson), and La Commedia (Louis Andriessen, Hal Hartley) - which she terms 'postoperas'. These pieces are sites for creative exploration, where the boundaries of the opera world are stretched. Central to this is the impact of new media, a de-synchronization between image and sound, or a redefinition of body-voice-gender relationships. Novak dissects the singing body as a set of rules, protocols, effects, and strategies. That dissection shows how the singing body acts within the world of opera, what interventions it makes, and how it constitutes opera’s meanings.

This book chronicles the struggles of undocumented migrant women in France as they fight to become rights-bearing citizens, revealing how concepts of citizenship and nationality intersect with gender, sexuality, and immigration.