Religion Of A Different Color

In this study of Mormonism and its relationship with Protestant white America in the nineteenth century, historian W. Paul Reeve examines the way in which Protestants racialized Mormons by using physical differences to define Mormons as non-white in order to justify the expulsion of Mormons from Ohio, Missouri, and Illinois, and, in general, to deny Mormon whiteness and thereby exclude the new religious group from access to political, social, and economic power.--Adapted from publisher description.

The essays in Christians and the Color Line complicate the research findings of Emerson and Smith's Divided by Faith (2000) and explore new areas of research that have opened in the years since its publication.

"Poised to spark debate among scholars of religious studies and other disciplines, Colors of the Robe sheds new light on the Sri Lankan Buddhist universe of ethics and politics and, more important, suggests innovative directions for the global study of religion, identity, culture, politics, and violence. In a volume that surpasses other studies in tracking, identifying, and locating Sri Lankan Buddhism in its sectarian, ethnic, cultural, social, and political constructions, Ananda Abeysekara lays down a challenge to postcolonial and postmodern theory. He argues that although criticisms have undermined the orientalist constructions of culture, they cannot help us understand, let alone theorize, the emergence of contemporary authoritative discourses that define distinctions involving religion and violence, identity and difference. Supplanting that aim, Abeysekara illuminates the shifting configurations that characterize the relations connected with postcolonial religious identity and culture."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Explores the dynamic nature of Christ worship in the U.S., addressing how his image has been visually remade to champion the causes of white supremacists and civil rights leaders alike, and why the idea of a white Christ has endured.

Among many young people of color, there is a growing wariness about organized religion and Christianity in particular. If Christianity is for everyone, why does the Bible seem to endorse slavery? Why do most popular images of Jesus feature a man with white skin and blue eyes? Is evangelical Christianity "good news" or a tool of white supremacy? As our society increases in ethnic and religious diversity, millennials and the next generation of emerging adults harbor suspicions about traditional Christianity. They're looking for a faith that makes sense for the world they see around them. They want to know how Christianity relates to race, ethnicity, and societal injustices. Many young adults have rejected the Christian faith based on what they've seen in churches, the media, and politics. For them, Christianity looks a lot like a "white man's religion." Antipas L. Harris, a theologian and community activist, believes that biblical Christianity is more affirmative of cultural diversity than many realize. In this sweeping social, theological, and historical examination of Christianity, Harris responds to a list of hot topics from young Americans who struggle with the perception that Christianity is detached from matters of justice, identity, and culture. He also looks at the ways in which American evangelicalism may have incubated the race problem. Is Christianity the White Man's Religion? affirms that ethnic diversity has played a powerful role in the formation of the Old and New Testaments and that the Bible is a book of justice, promoting equality for all people. Contrary to popular Eurocentric conceptions, biblical Christianity is not just for white Westerners. It's good news for all of us.

America's racial odyssey is the subject of this remarkable work of historical imagination. Matthew Frye Jacobson argues that race resides not in nature but in the contingencies of politics and culture. In ever-changing racial categories we glimpse the competing theories of history and collective destiny by which power has been organized and contested in the United States. Capturing the excitement of the new field of "whiteness studies" and linking it to traditional historical inquiry, Jacobson shows that in this nation of immigrants "race" has been at the core of civic assimilation: ethnic minorities, in becoming American, were re-racialized to become Caucasian.

In simple rhyming text a young Muslim girl and her family guide the reader through the traditions and colors of Islam. Full color.

Demonstrates how race and power help to explain American religion in the twenty-first century When White people of faith act in a particular way, their motivations are almost always attributed to their religious orientation. Yet when religious people of color act in a particular way, their motivations are usually attributed to their racial positioning. Religion Is Raced makes the case that religion in America has generally been understood in ways that center White Christian experiences of religion, and argues that all religion must be acknowledged as a raced phenomenon. When we overlook the role race plays in religious belief and action, and how religion in turn spurs public and political action, we lose sight of a key way in which race influences religiously-based claims-making in the public sphere. With contributions exploring a variety of religious traditions, from Buddhism and Islam to Judaism and Protestantism, as well as pieces on atheists and humanists, Religion Is Raced brings discussions about the racialized nature of religion from the margins of scholarly and religious debate to the center. The volume offers a new model for thinking about religion that emphasizes how racial dynamics interact with religious identity, and how we can in turn better understand the roles religion—and Whiteness—play in politics and public life, especially in the United States. It includes clear recommendations for researchers, including pollsters, on how to better recognize moving forward that religion is a raced phenomenon. With contributions by Joseph O. Baker, Kelsy Burke, James Clark Davidson, Janine Giordano Drake, Ashley Garner, Edward Orozco Flores, Sikivu Hutchinson, Sarah Imhoff, Russell Jeung, John Jimenez, Jaime Kucinskas, Eric Mar, Gerardo Martí, Omar M. McRoberts, Besheer Mohamed, Dawne Moon, Jerry Z. Park, Z. Fareen Parvez, Theresa W. Tobin, and Rhys H. Williams.