Religious Statues And Personhood

Objects such as statues and icons have long been problematic in the study of religion, especially in European Christianities. Through examining two groups, the contemporary Pagan Glastonbury Goddess religion in the Southwest of England and a cult of the Virgin Mary in Andalusia, Spain, Amy Whitehead asserts that objects can be more than representational or symbolic. In the context of increasing academic interest in materiality in religions and cultures, she shows how statues, or 'things', are not always interacted with as if they are inert material against which we typically define ourselves as 'modern' humans. Bringing two distinct cultures and religions into tension, animism and 'the fetish' are used as ways in which to think about how humans interact with religious statues in Western Europe and beyond. Both theoretical and descriptive, the book illustrates how religions and cultural practices can be re-examined as performances that necessarily involve not only human persons, but also objects.

Exploring sacred mountains around the world, this book examines whether bonding and reverence to a mountain is intrinsic to the mountain, constructed by people, or a mutual encounter. Chapters explore mountains in England, Scotland, Wales, Italy, Ireland, the Himalaya, Japan, Greece, USA, Asia and South America, and embrace the union of sky, landscape and people to examine the religious dynamics between human and non-human entities. This book takes as its starting point the fact that mountains physically mediate between land and sky and act as metaphors for bridges from one realm to another, recognising that mountains are relational and that landscapes form personal and group cosmologies. The book fuses ideas of space, place and material religion with cultural environmentalism and takes an interconnected approach to material religio-landscapes. In this way it fills the gap between lived religious traditions, personal reflection, phenomenology, historical context, environmental philosophy, myths and performativity. In defining material religion as active engagement with mountain-forming and humanshaping landscapes, the research and ideas presented here provide theories that are widely applicable to other forms of material religion.

A New York City ethnography that explores men's unique approaches to Catholic devotion Every Saturday, and sometimes on weekday evenings, a group of men in old clothes can be found in the basement of the Shrine Church of Our Lady of Mount Carmel in Williamsburg, Brooklyn. Each year the parish hosts the Feast of Our Lady of Mount Carmel and San Paolino di Nola. Its crowning event is the Dance of the Giglio, where the men lift a seventy-foot tall, four-ton tower through the streets, bearing its weight on their shoulders. Drawing on six years of research, Alyssa Maldonado-Estrada reveals the making of this Italian American tower, as the men work year-round to prepare for the Feast. She argues that by paying attention to this behind-the-scenes activity, largely overlooked devotional practices shed new light on how men embody and enact their religiosity in sometimes unexpected ways. Lifeblood of the Parish evocatively and accessibly presents the sensory and material world of Catholicism in Brooklyn, where religion is raucous and playful. Maldonado-Estrada here offers a new lens through which to understand men’s religious practice, showing how men and boys become socialized into their tradition and express devotion through unexpected acts like painting, woodworking, fundraising, and sporting tattoos. These practices, though not usually considered religious, are central to the ways the men she studied embodied their Catholic identity and formed bonds to the church.

This volume contributes towards to developments in the study of religion that illuminate the plural nature of religious change in modern Britain. It makes a critical intervention in British studies of religion by bringing the analytical insights of material culture, to bear on religion in the British World.

Through revisiting and challenging what we think we know about the work of Edward Burnett Tylor, a founding figure of anthropology, this volume explores new connections and insights that link Tylor and his work to present concerns in new and important ways. At the publication of Primitive Culture in 1871, Tylor was at the centre of anthropological research on religion and culture, but today Tylor's position in the anthropological canon is rarely acknowledged. Edward Burnett Tylor, Religion and Culture does not claim to present a definitive, new Tylor. The old Tylor - the founder of British anthropology; the definer of religion; the intellectualist; the evolutionist; the liberal; the utilitarian; the avatar of white, Protestant rationalism; the Tylor of the canon - remains. Part I explore debates and contexts of Tylor's lifetime, while the chapters in Part II explore a series of new Tylors, including Tylor the ethnographer and Tylor the Spiritualist, re-writing the legacy of the founder of anthropology in the process. Edward Burnett Tylor, Religion and Culture is essential reading for anyone interested in the study of religion and the anthropology of religion.

Making Religion provides a unique overview of theoretical and practical aspects of the discursive study of religion. Leading scholars in the field discuss the opportunities and challenges of discourse analysis and its application in the study of religion.

The hagiographic materials from the world's religions can tell us much about the beliefs and practices of the people, yet the limited degree to which hagiography has been used as an instrument for understanding diverse religious traditions is surprising. Hagiography and Religious Truth provides a clearer understanding of the ways hagiography functions to disclose truth for practitioners and suggests various ways that these underexploited sources enrich our comprehension of broader issues in religious studies. This volume provides a much-needed cross-cultural and interreligious comparison of saints' lives, iconography, and devotional practices. The contributors show that hagiographic sources can in fact be "truths of manifestation,†? which function as vehicles for prefiguring, configuring, and refiguring religious, social, and cultural life. The editors argue that some meanings simply cannot be communicated effectively through historical-critical methodologies. By exploring how hagiography functions throughout several of the world's religious traditions, this volume illustrates how various modes of hagiography articulate religious ideas and uniquely represent conceptions of sanctity.

This clear and engaging guide introduces students to key areas of the field and shows how to apply an anthropological approach to the study of religion in the contemporary world. Written by an experienced teacher, it covers major traditional topics including definitions, theories, and beliefs, as well as symbols, myth, and ritual. The book also explores important but often overlooked issues such as morality, violence, fundamentalism, secularization, and new religious movements. The chapters all contain lively case studies of religions practiced around the world. The third edition of Introducing Anthropology of Religion is fully updated and contains additional content on material religion, visual religion, and affect theory, and a new chapter takes a closer look at medical and health topics. The author encourages the reader to engage throughout with the unifying themes of race, gender, and power, and how these themes are intertwined with anthropology of religion. Images, a glossary, and questions for discussion are included and additional resources are provided via a companion website.