Reluctant Exiles

This work presents an assessment of the migration from Hong Kong that has occurred since the second half of the 1980s. This pronounced outflow of highly educated people (a "brain drain") is having a profound impact on destination areas, as well as on Hong Kong itself.

Rebecca Prime documents the untold story of the American directors, screenwriters, and actors who exiled themselves to Europe as a result of the Hollywood blacklist. During the 1950s and 1960s, these Hollywood émigrés directed, wrote, or starred in almost one hundred European productions, their contributions ranging from crime film masterpieces like Du rififi chez les hommes (1955, Jules Dassin, director) to international blockbusters like The Bridge on the River Kwai (1957, Carl Foreman and Michael Wilson, screenwriters) and acclaimed art films like The Servant (1963, Joseph Losey, director). At once a lively portrait of a lesser-known American “lost generation” and an examination of an important transitional moment in European cinema, the book offers a compelling argument for the significance of the blacklisted émigrés to our understanding of postwar American and European cinema and Cold War relations. Prime provides detailed accounts of the production and reception of their European films that clarify the ambivalence with which Hollywood was regarded within postwar European culture. Drawing upon extensive archival research, including previously classified material, Hollywood Exiles in Europe suggests the need to rethink our understanding of the Hollywood blacklist as a purely domestic phenomenon. By shedding new light on European cinema’s changing relationship with Hollywood, the book illuminates the postwar shift from national to transnational cinema.

Housing more than half of the global population, Asia is a region characterised by increasingly diverse forms of migration and mobility. Offering a wide-ranging overview of the field of Asian migrations, this new handbook therefore seeks to examine and evaluate the flows of movement within Asia, as well as into and out of the continent. Through in-depth analysis of both empirical and theoretical developments in the field, it includes key examples and trends such as British colonialism, Chinese diaspora, labour migration, the movement of women, and recent student migration. Organised into thematic parts, the topics cover: The historical context to migration in Asia Modern Asian migration pathways and characteristics The reconceptualising of migration through Asian experiences Contemporary challenges and controversies in Asian migration practice and policy Contributing to the retheorising of the subject area of international migration from non-western experience, the Routledge Handbook of Asian Migrations will be useful to students and scholars of migration, Asian development and Asian Studies in general.

The book is a group biography of the 175,000+ Latvians who fled their homeland during the final year of World War II (1944-45), lived until 1951 as refugees in Sweden and Germany, and then dispersed to other countries throughout the world. The post-1945 history of these Latvians includes a description of their lives in 'displaced person' camps in post-war Germany, dispersion in the 1949-1951 years, resettlement in new host countries in Europe and overseas, strategies of adaptation to the new circumstances, organizational efforts, acculturation and assimilation, measures of cultural and linguistic preservation, renewal of contacts with the old homeland, generational change and disagreements, political mobilization, changes in personal and group identity, and, after 1991, the inclusion by the Latvian government of the descendants of this post-war population into a formally designated 'Latvian diaspora' (Diaspora Law, 2019).

The trajectory of Hong Kong films had been drastically affected long before the city’s official sovereignty transfer from the British to the Chinese in 1997. The change in course has become more visible in recent years as China has aggressively developed its national film industry and assumed the role of powerhouse in East Asia’s cinematic landscape. The author introduces the “Cinema of Transitions” to study the New Hong Kong Cinema and on- and off-screen life against this background. Using examples from the 1980s to the present, this book offers a fresh perspective on how Hong Kong-related Chinese-language films, filmmakers, audiences, and the workings of film business in East Asia have become major platforms on which “transitions” are negotiated.

This book presents a groundbreaking exploration of masculinities and homosexualities amongst Chinese gay men. It provides a sociological account of masculinity, desire, sexuality, identity and citizenship in contemporary Chinese societies, and within the constellation of global culture. Kong reports the results of an extensive ethnographic study of contemporary Chinese gay men in a wide range of different locations including mainland China, Hong Kong and the Chinese overseas community in London, showing how Chinese gay men live their everyday lives. Relating Chinese male homosexuality to the extensive social and cultural theories on gender, sexuality and the body, postcolonialism and globalisation, the book examines the idea of queer space and numerous 'queer flows' – of capital, bodies, ideas, images, and commodities – around the world. The book concludes that different gay male identities – such as the conspicuously consuming memba in Hong Kong, the urban tongzhi, the 'money boy' in China and the feminised 'golden boy' in London – emerge in different locations, and are all caught up in the transnational flow of queer cultures which are at once local and global.

'The issue of Chinese diaspora is a fascinating phenomenon in the midst of globalism, and there is a growing interest in studies of overseas Chinese, not only overseas but in China itself. This volume, the result of an international conference on Chinese overseas studies, deals with issues of research and documentation of Chinese migration and migrants. It brings together the efforts of scholars and librarians in examining the research and documentation of Chinese overseas. Documentation must go hand in hand with research, and this book reiterates the need for greater cooperation between librarians and scholars. In addition to discussion on research and library and archival documentation, the book also takes a look at Chinese overseas in different parts of the world, especially Southeast Asia and North America, as well as South Africa and Cuba.

Families are the cornerstone of Chinese society, whether in mainland China, in Taiwan, Hong Kong, Macao, Singapore, Malaysia, or in the Chinese diaspora the world over. Handbook of the Chinese Family provides an overview of economics, politics, race, ethnicity, and culture within and external to the Chinese family as a social institution. While simultaneously evaluating its own methodological tools, this book will set current knowledge in the context of what has been previously studied as well as future research directions. It will examine inter-family relationships and politics as well as childrearing, education, and family economics to provide a rounded and in-depth view.