Remaking Reality

This book rejects apocalyptic pronouncements that the end of the millenium represents the 'end' of nature as well. Remaking Reality brings together contributors from across the human sciences who argue that a notion of 'social nature' provides great hope for the future. Applying a variety of theoretical approaches to social nature, and engaging with debates in politics, science, technology and social movements surrouding race, gender and class, the contributors explroe important and emerging sites where nature is now being remade with considerable social and ecological consequences. The essays are organised around two themes: 'capitalising and envisioning nature' and 'actors, networks and the politics of hybridity'. An afterword by Neil Smith reflects on the problems and possibilities of future names. For critics and activists alike, Remaking Reality provides essential theoretical and political tools to rethink environmentalism and progressive social natures for the twenty first century.

After World War II, U.S. documentarians engaged in a rigorous rethinking of established documentary practices and histories. Responding to the tumultuous transformations of the postwar era--the atomic age, the civil rights movement, the Vietnam War, the emergence of the environmental movement, immigration and refugee crises, student activism, the globalization of labor, and the financial collapse of 2008--documentary makers increasingly reconceived reality as the site of social conflict and saw their work as instrumental to struggles for justice. Examining a wide range of forms and media, including sound recording, narrative journalism, drawing, photography, film, and video, this book is a daring interdisciplinary study of documentary culture and practice from 1945 to the present. Essays by leading scholars across disciplines collectively explore the activist impulse of documentarians who not only record reality but also challenge their audiences to take part in reality's remaking. In addition to the editors, the volume's contributors include Michael Mark Cohen, Grace Elizabeth Hale, Matthew Frye Jacobson, Jonathan Kahana, Leigh Raiford, Rebecca M. Schreiber, Noah Tsika, Laura Wexler, and Daniel Worden.

A collection of essays, which provide a comprehensive picture of how and why the genre of reality television emerged, what it means, how it differs from earlier television programming, and how it engages societies, industries, and individuals.

Video gaming is wildly popular and getting even more so as interfaces and devices improve. This popular account of the rise of gaming offers insight into its popularity and place in our culture as well as the impact it has on our daily lives – from the doctor’s office to the family room sofa.

While the historical development of symbolic power has benefitted humanity enormously, there is an insidious and seldom recognised price that goes beyond environmental degradation and cultural disintegration. With insights from both social and natural sciences, this book explores the changing character of subjectivity in contemporary life.

This book offers a unique argument for the emergence of a post-9/11 vampire that showcases changing perspectives on identity and religion in American culture, offering a look at how cultural narratives can be used to work through trauma. Cultural narratives have long played a valuable role in mediating difficult and politically sensitive topics. Christina Wilkins addresses how the figure of the vampire is used in modern narratives and how it has changed from previous incarnations, particularly in American narratives. The vampire has been a cultural staple for centuries but the current conception of the figure has been arguably Americanized with the rise of the modern American vampire coinciding with the aftermath of 9/11. Wilkins investigates changes evident in cultural representations, and how they effectively mediate the altered approach to issues of trauma and identity. By investing metaphorical tropes with cultural significance, the book offers audiences the opportunity to consider new perspectives and prompt important discussions while also illuminating changes in societal attitudes.

The Genome Incorporated examines the proliferation of human genomics across contemporary media cultures. It explores questions about what it means for a technoscience to thoroughly saturate everyday life, and places the interrogation of the science/media relationship at the heart of this enquiry. The book develops a number of case studies in the mediation and consumption of genomics, including: the emergence of new direct-to-the-consumer bioinformatics companies; the mundane propagation of testing and genetic information through lifestyle television programming; and public and private engagements with art and science institutions and events. Through these novel sites, this book examines the proliferating circuits of production and consumption of genetic information and theorizes this as a process of incorporation. Its wide-ranging case studies ensure its appeal to readers across the social sciences.

First Published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.