Remarks On Essays And Reviews 1860

Essays and Reviews is a collection of seven articles that appeared in 1860, sparking a Victorian culture war that lasted for at least a decade. With pieces written by such prominent Oxford and Cambridge intellectuals as Benjamin Jowett, Mark Pattison, Baden Powell, and Frederick Temple (later archbishop of Canterbury), the volume engaged the relations between religious faith and current topics of the day in education, the classics, theology, science, history, literature, biblical studies, hermeneutics, philology, politics, and philosophy. Upon publication, the church, the university, the press, the government, and the courts, both ecclesiastical and secular, joined in an intense dispute. The book signaled an intellectual and religious crisis, raised influential issues of free speech, and questioned the authority and control of the Anglican Church in Victorian society. The collection became a best-seller and led to three sensational heresy trials. Although many historians and literary critics have identified Essays and Reviews as a pivotal text of high Victorianism, until now it has been almost inaccessible to modern readers. This first critical edition, edited by Victor Shea and William Whitla, provides extensive annotation to map the various positions on the controversies that the book provoked. The editors place the volume in its complex social context and supply commentary, background materials, composition and publishing history, textual notes, and a broad range of new supporting documents, including material from the trials, manifestos, satires, and contemporary illustrations. Not only does such an annotated critical edition of Essays and Reviews indicate the impact that the volume had on Victorian society; it also sheds light on our own contemporary cultural institutions and controversies.

The first of eight volumes of Hopkins's Collected Works to be published, Oxford Essays and Notes presents a remarkable cache of previously unpublished papers, including forty-five essays which Hopkins produced during his undergraduate career at Oxford (1863-1867), only seven of which were reproduced in the 1959 edition of Journals and Papers. Topics range from Platonic philosophy to theories of the imagination, from ancient history to then-contemporary politics and voting rights. Also included are notes from a commonplace book, a remarkable 'dialogue' about aesthetics (featuring a fictionalized John Ruskin figure), and the lecture notes Hopkins prepared in the winter of 1868 while teaching at John Henry Newman's Oratory School in Birmingham-writings in which he explores, for the first time, the theories of inscape and instress so central to his poetic practice. The edition is fully annotated and provides a detailed introduction that situates historically Hopkins's academic and creative efforts. The twelve notebooks represent Hopkins's intellectual and aesthetic development while studying with some of the greatest scholars of the era (Benjamin Jowett, Walter Pater, and T. H. Green), as well as the ethical and spiritual anxieties he wrestled with while deciding to convert to Catholicism (John Henry Newman received him into the Church in 1866). Hopkins never wrote to please his tutors or the university professors-he wrote vividly and searchingly in response to the challenges they presented. Whether evaluating Aristotle's Nicomachean Ethics, the role of 'neutral' England in the American civil war, or the comparative merits of classical sculpture, his first instinct was always to frame the difficult questions involved and work towards a 'counter' argument.

Controversy, especially religious controversy, was the great spectator sport of Victorian England. This work is a study of the biggest and best of Victorian religious controversies. Essays and Reviews (1860) was a composite volume of seven authors (six of them Anglican clergymen) which brought England its first serious exposure to biblical criticism. It evoked a controversy lasting four years, including articles in newspapers, magazines and reviews, clerical and episcopal censures, a torrent of tracts, pamphlets and sermons, followed by weightier tomes (and reviews of all these), prosecution for heresy in the ecclesiastical courts, appeal to the highest secular court, condemnation by the Convocation of the clergy and a debate in Parliament. Essays and Reviews was the culmination and final act of the Broad Church movement. Outwardly the conflict ended inconclusively; at a deeper level, it marked the exhaustion both of the Broad Church and of Anglican orthodoxy and the commencement of an era of religious doubt. This controversy illustrates the pathology of Victorian religion in its demonstration of the propensity to controvert and the methods of controversialists. It is both the greatest Victorian crisis of faith and the best case study of Victorian religious controversy.

Controversy, especially religious controversy, was the great spectator sport of Victorian England. This work is a study of the biggest and best of Victorian religious controversies. Essays and Reviews (1860) was a composite volume of seven authors (six of them Anglican clergymen) which brought England its first serious exposure to biblical criticism. It evoked a controversy lasting four years, including articles in newspapers, magazines and reviews, clerical and episcopal censures, a torrent of tracts, pamphlets and sermons, followed by weightier tomes (and reviews of all these), prosecution for heresy in the ecclesiastical courts, appeal to the highest secular court, condemnation by the Convocation of the clergy and a debate in Parliament. Essays and Reviews was the culmination and final act of the Broad Church movement. Outwardly the conflict ended inconclusively; at a deeper level, it marked the exhaustion both of the Broad Church and of Anglican orthodoxy and the commencement of an era of religious doubt. This controversy illustrates the pathology of Victorian religion in its demonstration of the propensity to controvert and the methods of controversialists. It is both the greatest Victorian crisis of faith and the best case study of Victorian religious controversy.