Remembering Viet Nam

This book makes the first real assessment of what the Vietnam War meant, on the battlefields and in Australia. When the first Australian troops landed on Vietnamese soil, the significance of the conflict was scarcely realised - but in time it was to affect not only tens of thousands of Australians who served in Vietnam, but an extraordinary cross-section of people at home. Debate about the war continues two decades later - and this book provides the vital answers about how Australia got involved in Americarsquo;s war; what happened to our troops in Vietnam; the way protest against the war built up on the home front; how the lsquo;Vietnam erarsquo; - the sixties and early seventies - impinged on Australian attitudes; how Australia received its Vietnam veterans on their return. It also looks at our countryrsquo;s relationship with the Vietnamese, now that many live in Australia. A top team of experts show in this book that the Vietnam War had far-reaching effects on Australiarsquo;s foreign policy, national politics, and social attitudes. Some of the controversies it provoked have spread beyond the years 1965-1971, when Australia was directly involved. This thorough, fascinating account tells the whole story of the Vietnam conflict, abroad and in Australia. It contains the Roll of Honour of those who died as a result of the Vietnam War; and it ends with a fourth edition of the lists of those who served in Vietnam.

"In an invaluable corrective, John Prados, one of our leading interpreters of the Vietnam War, opens a window into the visceral firsthand experiences of those on the ground in Vietnam. His carefully chosen and thoughtfully introduced anthology gathers the voices--in narrative and poetry--of men and women; Americans and Vietnamese (both of the North and South); officers and enlisted men. All of the selections feature individuals' experiences of war or witnessing specific events, and the realities of being caught up in them."--Publisher description.

A book featuring miniature dioramas that translate the Vietnam war into art and self-therapy for the artist

This book explores the performances and politics of memory among a group of women war veterans in Ho Chi Minh City, Vietnam. Through ethnographic, oral history-based research, it connects the veterans’ wartime histories, memory politics, performance practices, recollections of imprisonment and torture, and social activism with broader questions of how to understand and attend to continuing transgenerational violence and trauma. With an extensive introduction and subsequent chapters devoted to in-depth analysis of four women’s remarkable life stories, the book explores the performance and performativity of culture; ethnographic oral history practice; personal, collective, and (trans)cultural memory; and the politics of postwar trauma, witnessing, and redress. Through the veterans’ dynamic practices of prospective remembering, 'pain-taking', and enduring optimism, it offers new insights into matrices of performance vital to the shared work of social transformation. It will appeal to readers interested in performance studies, memory studies, gender studies, Vietnamese studies, and oral history.

Christina Schwenkel's absorbing study explores how the "American War" is remembered and commemorated in Vietnam today -- in official and unofficial histories and in everyday life. Schwenkel analyzes visual representations found in monuments and martyrs' cemeteries, museums, photography and art exhibits, battlefield tours, and related sites of "trauma tourism." In these transnational spaces, American and Vietnamese memories of the war intersect in ways profoundly shaped by global economic liberalization and the return of American citizens as tourists, pilgrims, and philanthropists.

The author recounts his years in Vietnam as a conscientious objector, serving as a teacher and a rescue worker for an organization that sent children with war injuries to the United States.

Analyzing the ways U.S. culture has been formed and transformed in the 80s and 90s by its response to the Vietnam War and the AIDS epidemic, Marita Sturken argues that each has disrupted our conventional notions of community, nation, consensus, and "American culture." She examines the relationship of camera images to the production of cultural memory, the mixing of fantasy and reenactment in memory, the role of trauma and survivors in creating cultural comfort, and how discourses of healing can smooth over the tensions of political events. Sturken's discussion encompasses a brilliant comparison of the Vietnam Veterans Memorial and the AIDS Quilt; her profound reading of the Memorial as a national wailing wall—one whose emphasis on the veterans and war dead has allowed the discourse of heroes, sacrifice, and honor to resurface at the same time that it is an implicit condemnation of war—is particularly compelling. The book also includes discussions of the Kennedy assassination, the Persian Gulf War, the Challenger explosion, and the Rodney King beating. While debunking the image of the United States as a culture of amnesia, Sturken also shows how remembering itself is a form of forgetting, and how exclusion is a vital part of memory formation.

On American cultural memory