Remnants

From the best-selling author of "Animorphs" and "Everworld" comes a dark and powerful new series that begins in 2011 when the Earth is about to be destroyed. In a desperate attempt to survive, a handful of people aboard a revamped space shuttle are placed into suspended animation. Light years from home and all alone some 500 years later, they awake to find that the very future of the human race is in their hands

Seventy years on, the Partition of India fades from memory. Can it be restored?

Set in pre-war Russia, contemporary Australia and Renaissance Italy, this novel's central story explores exile, memory and loss. At its centre is an ageing Russian emigre, a woman who claims to have nursed the poet Osip Mandelstam in his final days.

In the early 2000s, Chicago-based artist Julie Weber worked as a photo technician for a popular retail chain. The first wave of digital printers was making its way to one-hour photo-counters across the country. Dye-sublimination printers, which use heat to transfer dyes to high gloss photo paper, became common as stores endeavored to keep up with the changing consumer tide from film to digital. The printer ribbon consists of a spool of thin polyester coated in repeating blocks of cyan, magenta, and yellow dyes. The dyes transfer to the paper, layering to form a whole, color photograph. Each image sent to the printer leaves behind three impressions on the ribbon, one for each color, analogous to film negatives. When a ribbon reaches its printing capacity, it is full of image remnants. Weber created the imagery for Remnants by layering, folding, rolling, and creasing this cellophane-like material into new configurations. On one side, twelve individual images are presented. On the other side, the twelve pieces can be arranged to form a single, composite image.

An activist influential in the civil rights movement, Rosemarie Freeney Harding’s spirituality blended many traditions, including southern African American mysticism, Anabaptist Christianity, Tibetan Buddhism, and Afro-Brazilian Candomblé. Remnants, a multigenre memoir, demonstrates how Freeney Harding's spiritual life and social justice activism were integral to the instincts of mothering, healing, and community-building. Following Freeney Harding’s death in 2004, her daughter Rachel finished this decade-long collaboration, using recorded interviews, memories of her mother, and her mother's journal entries, fiction, and previously published essays.

Written by a leading expert, this monograph presents recent developments on supernova remnants, with the inclusion of results from various satellites and ground-based instruments. The book details the physics and evolution of supernova remnants, as well as provides an up-to-date account of recent multiwavelength results. Supernova remnants provide vital clues about the actual supernova explosions from X-ray spectroscopy of the supernova material, or from the imprints the progenitors had on the ambient medium supernova remnants are interacting with - all of which the author discusses in great detail. The way in which supernova remnants are classified, is reviewed and explained early on. A chapter is devoted to the related topic of pulsar wind nebulae, and neutron stars associated with supernova remnants. The book also includes an extended part on radiative processes, collisionless shock physics and cosmic-ray acceleration, making this book applicable to a wide variety of astronomical sub-disciplines. With its coverage of fundamental physics and careful review of the state of the field, the book serves as both textbook for advanced students and as reference for researchers in the field.

The town of New Eden, peopled with hereditary oddities, has arrived at its last days. As two near-centenarian citizens prepare for their annual birthday tea, a third vows to interrupt the proceedings with a bold declaration. The Remnants cartwheels rambunctiously through the lives of wood-splitters, garment-menders, and chervil farmers, while exposing an electrical undercurrent of secrets, taboos, and unfulfilled longings. With his signature wit and wordplay, Robert Hill delivers a bittersweet gut-buster of an elegy to the collective memory of a community.

"War... is merely an idea, an institution, like dueling or slavery, that has been grafted onto human existence. It is not a trick of fate, a thunderbolt from hell, a natural calamity, or a desperate plot contrivance dreamed up by some sadistic puppeteer on high. And it seems to me that the institution is in pronounced decline, abandoned as attitudes toward it have changed, roughly following the pattern by which the ancient and formidable institution of slavery became discredited and then mostly obsolete."—from the Introduction War is one of the great themes of human history and now, John Mueller believes, it is clearly declining. Developed nations have generally abandoned it as a way for conducting their relations with other countries, and most current warfare (though not all) is opportunistic predation waged by packs—often remarkably small ones—of criminals and bullies. Thus, argues Mueller, war has been substantially reduced to its remnants—or dregs—and thugs are the residual combatants. Mueller is sensitive to the policy implications of this view. When developed states commit disciplined troops to peacekeeping, the result is usually a rapid cessation of murderous disorder. The Remnants of War thus reinvigorates our sense of the moral responsibility bound up in peacekeeping. In Mueller's view, capable domestic policing and military forces can also be effective in reestablishing civic order, and the building of competent governments is key to eliminating most of what remains of warfare.