Renaissance England S Chief Rabbi

'Renaissance England's Chief Rabbi' examines John Selden and his rabbinic and especially talmudic publications, which take up most of the six folio volumes of his complete works and constitute his most mature scholarship. It traces the cultural influence of these works on some early modern British poets

Hamlet, Henry, Epicoene, and Hebraica: Marriage questions -- Selden, Jonson, and the Rabbis on cross-dressing and bisexual gods -- Selden and Milton on Gods and angels -- Samson's sacrifice -- Andrew Marvell, Samuel Parker, and the Rabbis on Zealots and Proselytes -- Natural law and noachide precepts: Grotius, Selden, Milton, and Barbeyrac -- Selden's De Jure Naturali ... Juxta Disciplinam Ebraeorum and religious toleration -- Selden and Stubbe on idolatry, Blasphemy, and the passion narrative -- Culverwel on Selden's Rabbinica: the limits of a liberal toleration -- Selden's Rabbis in the court of common pleas -- Selden on excommunication -- Conclusion -- Appendix: Selden's letter to Jonson, edited by Jason P. Rosenblatt and Winfried Schleiner.

In Religious Diversity and Early Modern English Texts: Catholic, Judaic, Feminist, and Secular Dimensions, editors Arthur F. Marotti and Chanita Goodblatt present thirteen essays that examine the complex religious culture of early modern England. Emphasizing particularly the marginalized discourses of Catholicism and Judaism in mainstream English Protestant culture, the authors highlight the instability of an official religious order that was troubled not only by religious heterodoxy but also by feminist and secular challenges. North American and Israeli scholars present essays on a wide range of subjects all assumed to be "marginal" but which in a real sense were central to the religious and cultural life of the Protestant English nation. Using critical methods ranging from historical analysis, deconstruction, feminist inquiry, and intertextual interpretation to pedagogical experimentation, contributors offer analyses in five sections: Minority Catholic Culture, Figuring the Jew, Hebraism and the Bible, Women and Religion, and Religion and Secularization. Essays reveal new aspects of familiar texts such as Shakespeare's King Lear and The Merchant of Venice, the psalm translations by Sir Philip Sidney and the Countess of Pembroke, Christopher Marlowe's dramas, George Herbert's poetry, Aemelia Lanyer's Salve Deus Rex Judaeorum, and John Milton's Samson Agonistes. They also call attention to works such as the mid-sixteenth-century play The Historie of Jacob and Esau, William Blundell's Catholic antiquarian writing, the series of paintings portraying the religious institute of Mary Ward, and funeral sermons for religiously active women. Contributors show that we cannot understand a culture without attending to its repressed, marginalized, and unacknowledged elements. Scholars of religious, literary, and cultural history will enjoy this illuminating collection.

"Ruderman uncovers a fascinating episode in the history of European Jewry and Jewish-Christian intellectual relations. Connecting the Covenants is compelling as both narrative and history."—Matt Goldish, The Ohio State University

Comparative study has emerged as the new frontier of constitutional law scholarship as well as an important aspect of constitutional adjudication. Increasingly, jurists, scholars, and constitution drafters worldwide are accepting that 'we are all comparativists now'. And yet, despite this tremendous renaissance, the 'comparative' aspect of the enterprise, as a method and a project, remains under-theorized and blurry. Fundamental questions concerning the very meaning and purpose of comparative constitutional inquiry, and how it is to be undertaken, are seldom asked, let alone answered. In this path-breaking book, Ran Hirschl addresses this gap by charting the intellectual history and analytical underpinnings of comparative constitutional inquiry, probing the various types, aims, and methodologies of engagement with the constitutive laws of others through the ages, and exploring how and why comparative constitutional inquiry has been and ought to be pursued by academics and jurists worldwide. Through an extensive exploration of comparative constitutional endeavours past and present, near and far, Hirschl shows how attitudes towards engagement with the constitutive laws of others reflect tensions between particularism and universalism as well as competing visions of who 'we' are as a political community. Drawing on insights from social theory, religion, history, political science, and public law, Hirschl argues for an interdisciplinary approach to comparative constitutionalism that is methodologically and substantively preferable to merely doctrinal accounts. The future of comparative constitutional studies, he contends, lies in relaxing the sharp divide between constitutional law and the social sciences. Comparative Matters makes a unique and welcome contribution to the comparative study of constitutions and constitutionalism, sharpening our understanding of the historical development, political parameters, epistemology, and methodologies of one of the most intellectually vibrant areas in contemporary legal scholarship.

The turn to political concerns in Renaissance studies, beginning in the 1980s, was dictated by forms of cultural materialism that staked their claims against the aesthetic dimension of the work. Recently, however, the more robustly political conception of the aesthetic formulated by theorists such as Theodor Adorno and Jacques Rancière has revitalized literary analysis generally and early modern studies in particular. For these theorists, aesthetics forms the crucial link between politics and the most fundamental phenomenological organization of the world, what Rancière terms the “distribution of the sensible.” Taking up this expansive conception of aesthetics, Political Aesthetics in the Era of Shakespeare suggests that the political stakes of the literary work—and Shakespeare’s work in particular—extend from the most intimate dimensions of affective response to the problem of the grounds of political society. The approaches to aesthetic thought included in this volume explore the intersections between the literary work and the full range of concerns animating the field today: political philosophy, affect theory, and ecocritical analysis of environs and habitus.

This book offers the first detailed examination of the life and works of biblical commentator Thomas Brightman (1562-1607), analysing his influential eschatological commentaries and their impact on both conservative and radical writers in early modern England. It examines in detail the hermeneutic strategies used by Brightman and argues that his method centred on the dual axes of a Jewish restoration to Palestine and the construction of a strong English national identity. This book suggests that Brightman’s use of conservative modes of “literal” exegesis led him to new interpretations which had a major impact on early modern English eschatology. A radically historicised mode of exegesis sought to provide interpretations of the Old Testament that would have made sense to their original readers, leading Brightman and those who followed him to argue for the physical restoration of the Jews to the Holy Land. In doing so, the standard Reformed identification of Old Testament Israel with elect Christians was denied. This book traces the evolution of the controversial idea that Israel and the church both had separate unfulfilled scriptural promises in early modern England and shows how early modern exegetes sought to re-construct a distinctly English Christian identity through reading their nation into prophecy. In examining Brightman’s hermeneutic strategies and their influence, this book argues for important links between a “literal” hermeneutic, ideas of Jewish restoration and national identity construction in early modern England. Its central arguments will be of interest to all those researching the history of biblical interpretation, the role of religion in constructing national identity and the background to the later development of Christian Zionism. This important study provides a new examination of Thomas Brightman's hermeneutical method, particularly his ideas on the restoration of the Jews. The author's thorough analysis of Brightman's approach also has more general and wider implications for understanding the development of English apocalyptic interpretation into the later seventeenth-century.' - Dr Warren Johnston, Associate Professor of History, Algoma University. Andrew Crome's ground-breaking study of Thomas Brightman offers a new and sometimes surprising account of the development of millennial thinking in and beyond early modern England. This masterly account demonstrates the extent to which an emerging Zionism supported an emerging English nationalism, while outlining the historical roots of some of the most important of contemporary geopolitical themes." - Professor Crawford Gribben, Professor of Early Modern British History, Queen's University Belfast. This important study provides a new examination of Thomas Brightman's hermeneutical method, particularly his ideas on the restoration of the Jews. The author's thorough analysis of Brightman's approach also has more general and wider implications for understanding the development of English apocalyptic interpretation into the later seventeenth-century.' - Dr Warren Johnston, Associate Professor of History, Algoma University.