Requiem For A Lost Empire

In this remarkable novel, which spans eighty years of the twentieth century, Andreï Makine describes, beautifully but unsparingly, the almost uninterrupted succession of violence, misery, and horror that has been visited on the Russian people since the October Revolution of 1917. For those quick to forget, or too young to remember, he paints a graphic portrait of those years in a three-generational novel that is as moving as it is revealing. A young Russian army doctor is sent to distant shores to bind the wounds of those in Africa, the Near East, and South America that are pawns in the global political chess game during the Cold War. Recruited by an intelligence agent, he experiences the bloody reality of revolution on the ground. The book casts its eye back toward his grandfather Nikolai, a Red cavalry soldier fighting the Whites in 1920, and his father, whose story of World War II is invoked with a passion and force that bear comparison to the best writing on the subject. From the battlefields of the 1920s to the harsh African heat and dust of the desert in the 1980s, from the orphanage where the narrator spent his youth to the art galleries and chic salons of the glittering new West, Requiem for a Lost Empire has all the sweep and depth, all the beauty and insight of the great Russian novels. It is, as the eminent French critic Edmonde Charles-Roux noted, "an astonishing novel, one that will surely stand the test of time."

Requiem for a Lost City shows us the reality of Civil War Atlanta from the eve of secession to the memorials for the fallen, through the memories of a participant. Sallie Clayton would have been the same age as the fictional Scarlett O'Hara during the Civil War. Sallie Clayton's memoirs, however, are not a work of fiction but bittersweet reminiscences of growing up in a doomed city in the midst of losing a war. Although her memoirs provide invaluable detail on Civil War Atlanta, they also tell of her personal experiences on a plantation in Montgomery, Alabama, and in postwar Augusta and Athens. Sallie Clayton belonged to one of Georgia's wealthiest and most prominent families. Her memoirs are colored by the losses suffered by her family. Robert Davis's introduction to this work illustrates the background of the Claytons, Sallie's writings, and Civil War Atlanta, providing a balanced account of life at "the crossroads of the Confederacy." The introduction also provides a corrective to the popular, Gone With the Wind view of Civil War Atlanta.

In World War II in Andreï Makine’s Historiographic Metafiction Helena Duffy probes the tension between the Franco-Russian novelist’s commitment to postmodern aesthetics and philosophy of history, and his narrative of Soviet involvement in the struggle against Hitler.

If one wants to begin to understand the GULAG, he would read anyone of at least 131 books such as; - My twenty-two prisons and My Escape from Solovetski, 1929, by Bezonov, Eliuriai Dimitrevich - Red Gaols, a Woman's Experiences in Russian Prisons, 1935, by author did not want to be identified. - Prisoner of the OGPU, 1935, by Kitechin, George. - An Account of the Construction of the New Canal between the White Sea and the Baltic Sea, 1935, by Maxim Gorky, and 30 writers. Many people refer to the book The Gulag Archipelago, 1974, by Solzenitsyn, I., as "the" book on the GULAG partly from his experience and research thereof. The author started with a simple expression written about John W. Adkins: "He left home at an early age, and never returned home age". There was literally no information about him. Most people, familiar with my work, have been totally amazed at the amount of the information, documents, obtained by the author from the archives on one individual. After many years of work, the author did not want to leave this material to just a research project sitting on the bookshelf.

The Empire State of the South: Georgia History in Documents and Essays offers teachers of Georgia history an alternative to the traditional narrative textbook. In this volume, students have the opportunity to read Georgia history rather than reading about Georgia history. Encompassing the entirety of Georgia history into the twenty-first century, The Empire State of the South is suitable for all courses on Georgia history. The text is divided into sixteen chapters comprising 129 documents and thirty-three essays on various topics of Georgia history. Each chapter consists of several parts. First is a short narrative introduction. The second part contains the documents themselves. Following the documents are two essays written by historians regarding some topic relevant to the chapter. At the end of each chapter is a short list of suggested readings. The documents themselves range from the usual: state constitutions, laws, and speeches, to the inordinate: plans for constructing what is regarded as the state's first concrete home, a corny campaign song for Eugene Talmadge, an attempt by the General Assembly in 1897 to ban the playing of football, and a 1962 letter Martin Luther King, Jr., wrote from an Albany prison that preceded his better-known Birmingham letter. Georgia has indeed had a colorful history and The Empire State of the South tells that story. Book jacket.

This book is a Festschrift dedicated to Promodini Varma, a meticulous scholar, teacher, and administrator of extraordinary rigour, grit, and perception. It presents reflections on researching and teaching English literatures and languages in India. It concerns itself broadly with literary modernism and English language teaching and classroom pedagogy, some of the core concerns of the literary fraternity today. The volume examines how the literary and cultural manifestations of modernity have pervasively informed not just much of our disciplinary framework but many of the key issues—decolonisation, globalisation, development—our society grapples with. With essays on William Butler Yeats, Arthur Conan Doyle, E.M. Forster, D.H. Lawrence, and Rudyard Kipling, the volume presents fresh insights on familiar canonical ground. It discusses ELT and classroom pedagogy and provides grounded appraisals of teaching and translating for multilingual classroom audiences given the demands of employability and the hierarchical dynamics of educational institutions. An interview on feminist pedagogy and theatre and an essay on urban nostalgia and redevelopment act as pertinent outliers, reflecting the ongoing transition to more multi-sited and interdisciplinary research and praxis. An engaging read on some of the most pressing concerns in the field, this book will be of great interest to scholars and researchers of literature and literary criticism, English language studies, and education.

Translingual Francophonie and the Limits of Translation proposes a novel theoretical lens for the study of translation as theme and practice in works by four translingual, francophone authors: Vassilis Alexakis, Chahdortt Djavann, Nancy Huston, and Andreï Makine. In particular, it argues that translation allows for the most productive encounter with otherness when it is practiced in its "estuarine" dimension. When two foreign bodies of water come into contact in an estuary, often a new environment is created at their shared border that does not, however, invalidate the distinctiveness (chemical, biological, geological etc.) of either fresh or sea water. Similarly, texts translated from one language to another, should ideally not transform into but rather relate to their new host’s linguistic and cultural codes in ways that account both for their undiluted strangeness and the missteps, gaps, and discontinuities, the challenging yet novel and productive articulations of relationality that proliferate at the border of the encounter.

With this novel, Andreï Makine, whose work has been compared to that of Balzac, Chekhov, Pasternak, and Proust, brings to a stunning conclusion his epic trilogy that began with Dreams of My Russian Summers and continued with Requiem for a Lost Empire. The novel opens in 1942, in a burning, gutted Stalingrad, where the German and Russian armies are locked in a struggle to the death. Amid these ruins, a French pilot and a nurse, also French, are engaged in a passionate affair that each knows will be hopelessly brief. The pilot, Jacques Dorme, was shot down two years earlier. Imprisoned and sent east to a German POW camp, Dorme made a daring escape and crossed Germany stealthily by night until he arrived in an already devastated Russia, where, having proved his mettle as a pilot, he joined a Russian squadron stationed near Stalingrad. But during the brief time they have together there, the love between Dorme and Alexandra builds and blossoms into a relationship they both know comes but once in a lifetime. Several decades later, the narrator—a Russian exiled in France, a war orphan haunted by his dark childhood and obsessively searching for his roots—travels back to his native land, where in the icy and treacherous wastelands of Siberia he attempts to discover how his life and that of Jacques Dorme are inextricably intertwined.