Requiem K 626

SATB soli, SATB Chorus / Piano ISMN: 979-0-800001-14-7

Mozart's Requiem Mass in D Minor, K.626, as we now have it, is actually the work of several composers since Mozart died before its completion. It is especially puzzling because of the uncertainty of its origins. This choral score contains the choir and soloist parts, with a piano reduction of the orchestral parts. The text is in Latin, and the Table of Contents lists the 12 sections and adds the text of each of them in the description. Includes: Requiem * Dies Irae * Tuba Mirum * Rex Tremendae * Recordare * Confutatis *Lacrymosa * Domine Jesu * Hostias * Sanctus * Benedictus * Agnus Dei.

A work of emotional power and sublime beauty, Mozart's Requiem provides the ultimate voice to the composer's genius. This authoritative piano-vocal version includes a full translation of the Latin text.

Mozart showed amazing talent from early in childhood. Already competent on the keyboard and violin, he started composing from the age of five and performed before European royalty. At 17, he was enlisted as a court musician in Salzburg, but grew restless of this and decided to travel in search of a better position, always composing abundantly. The Requièm Mass in D minor was composed in Vienna in 1791 and was left unfinished when Mozart died on December 5th 1791. A completion dated 1792 by Franz Xaver Süssmayr was delivered to Count Franz von Walsegg, who had anonymously commissioned the piece for a requiem mass to commemorate the February 14th anniversary of his wife's death. A facsimile sheet of music from the Dies Irae movement of the "Requiem Mass in D Minor" (K. 626) in Mozart's own handwriting. It is located at the Mozarthaus in Vienna.

"'When was the score of the Requiem completed?' is a question that everyone has asked; . . .but Wolff goes on to ask: 'Where do the technical and stylistic premises for the Requiem lie, and to what extent could these be taken into account after Mozart's death?' This question is rich in implications, central to the uniqueness of the work, and virtually undiscussed in the Mozart literature."—Thomas Bauman, co-author of Mozart's Operas

A fresh evaluation of Mozart's Requiem which focuses on historical and current understandings in fiction, drama, film, criticism and performance.