Resistance And Coexistence In Some Of Leila Abuolela S Fictional Works

This book examines three fictional works by the writer Laila Abu Al-Ela, including two novels: “The Translator,” and “The Generosity of the Enemies,” and the other is a short story: the Ostrich. The research proposes the hypothesis that the selected fictional works present a balanced map of human relations through a perspective that calls for coexistence between cultures of multiple races and origins, and does not contradict the concept of resistance to a dominant mono-Western culture. This thesis is divided into an introduction, three chapters, and a conclusion. In the introduction, a simplified presentation of some of the theories influencing the writing of literature, such as the theory of the clash of civilizations by Samuel Huntington, the clash of cultures by Mehdi El-Mandjara and the difference between them are presented. The introduction refers to some examples of individuals and groups recorded in history, in which cultural difference has exposed them to religious and racial discrimination. The conflict in the second half of the twentieth century also led to the redrawing of the cultural conflict, which cast its shadow over the literature industry, thus contributing to the emergence of new types of literature Such as what is called the literature of resistance and the literature of immigrants. The introduction briefly discusses the possibility of finding alternatives to accommodate the differences that resulted from the sharp polarizations, especially in societies that witnessed the largest rate of immigration to them, and the role of Lily Abul-Ela literary works in this field.

I am introducing the kind reader to a sample selection of studies on the contemporary novel. Egyptian, Ghanaian, British, Portuguese, Sudanese, and Canadian, the novels, short stories, and film-adaptation of novels discussed range also from ones grappling with man’s plight in an ever traumatized and traumatizing world to national and international politics, ecocritical issues, critical, cinematic and translational concerns, the anxiety of resistance and coexistence, geocritical horizons, and third-culture parameters. Table of Contents Dedication. Preface. Chapter One: Scatology in the Postcolonial Ghanaian and Egyptian Novel Chapter Two: A Geocritical Reading of Some of Alice Munro’s Short Stories Chapter Three: A Cixousian Reading of Alice Munro’s and Mohja Kahf’s Short Stories Chapter Four: The Anxiety of Resistance and Coexistence in Leila Aboulela’s The Translator. Error! Bookmark not defined. Chapter Five: A Reading of Jose Saramago’s Blindness in the Context of Ecocriticism Chapter Six: The Problematics of Translating Literary Criticism Chapter Seven: The Poetry of Science Writing: the Panacea of the Third Culture in Ian McEwan’s Saturday. Works Cited

A New York Times Notable Book: “Aboulela’s lovely, brief story encompasses worlds of melancholy and gulfs between cultures” (Kirkus Reviews, starred review). American readers were introduced to the award-winning Sudanese author Leila Aboulela with Minaret, a delicate tale of a privileged young African Muslim woman adjusting to her new life as a maid in London. Now, for the first time in North America, we step back to her extraordinarily assured debut about a widowed Muslim mother living in Aberdeen who falls in love with a Scottish secular academic. Sammar is a Sudanese widow working as an Arabic translator at a Scottish university. Since the sudden death of her husband, her young son has gone to live with family in Khartoum, leaving Sammar alone in cold, gray Aberdeen, grieving and isolated. But when she begins to translate for Rae, a Scottish Islamic scholar, the two develop a deep friendship that awakens in Sammar all the longing for life she has repressed. As Rae and Sammar fall in love, she knows they will have to address his lack of faith in all that Sammar holds sacred. An exquisitely crafted meditation on love, both human and divine, The Translator is ultimately the story of one woman’s courage to stay true to her beliefs, herself, and her newfound love. “A story of love and faith all the more moving for the restraint with which it is written.” —J. M. Coetzee

The new novel from three times Orange Prize longlisted Leila Aboulela Natasha Wilson knows how difficult it is to fit in. Born to a Russian mother and a Muslim father, she feels adrift in Scotland and longs for a place which really feels like home. Then she meets Oz, a charismatic and passionate student at the university where Natasha teaches. As their bond deepens, stories from Natasha's research come to life - tales of forbidden love and intrigue in the court of the Tsar. But when Oz is suspected of radicalism, Natasha's own work and background suddenly come under the spotlight. As suspicions grow around her, and friends and colleagues back away, Natasha stands to lose the life she has fought to build.

Three Muslim women search for freedom and happiness in the Scottish Highlands in this novel of “psychological acuity [and] rich characterization” (Washington Post). When Salma, Moni, and Iman—friends and active members of their local Muslim Women’s group—decide to take a road trip together to the Scottish Highlands, they leave behind lives often dominated by obligation, frustrated desire, and dull predictability. Each wants something more out of life, but fears the cost of taking it. Salma is successful and happily married, but tempted to risk it all when she’s contacted by her first love back in Egypt; Moni gave up a career in banking to care for her disabled son without the help of her indifferent husband; and Iman, in her twenties and already on her third marriage, longs for the freedom and autonomy she’s never known. When these women are visited by the Hoopoe, a sacred bird from Muslim and Celtic literature, they are compelled to question their relationships to faith and femininity, love, loyalty, and sacrifice.

From the author of the New York Times Notable Book, The Translator: a novel of the “rich and complex world of a Sudanese patriarch in the 1950s” (Sarah Blake, author of The Postmistress). Lyrics Alley is the evocative story of an affluent Sudanese family shaken by the shifting powers in their country and the near-tragedy that threatens the legacy they’ve built for decades. In 1950s Sudan, the powerful Abuzeid dynasty has amassed a fortune through their trading firm. With Mahmoud Bey at its helm, they can do no wrong. But when Mahmoud’s son, Nur, the brilliant, handsome heir to the business empire, suffers a debilitating accident, the family stands divided in the face of an uncertain future. As British rule nears its end, the country is torn between modernizing influences and the call of traditions past—a conflict reflected in the growing tensions between Mahmoud’s two wives: the younger, Nabilah, longs to return to Egypt and escape “backward-looking” Sudan; while Waheeba lives traditionally behind veils and closed doors. It’s not until Nur asserts himself outside the cultural limits of his parents that his own spirit and the frayed bonds of his family begin to mend. Moving from Sudanese alleys to cosmopolitan Cairo and a decimated postcolonial Britain, this sweeping tale of desire, loss, despair, and reconciliation is one of the most accomplished portraits ever written about Sudanese society at the time of independence. “Highly recommended for readers who enjoy family sagas set against a political backdrop, such as Chinua Achebe’s Things Fall Apart and Chimamanda Ngozi Adichie’s Half a Yellow Sun.” —Library Journal, starred review

Arab Voices in Diaspora offers a wide-ranging overview and an insightful study of the field of anglophone Arab literature produced across the world. The first of its kind, it chronicles the development of this literature from its inception at the turn of the past century until the post 9/11 era. The book sheds light not only on the historical but also on the cultural and aesthetic value of this literary production, which has so far received little scholarly attention. It also seeks to place anglophone Arab literary works within the larger nomenclature of postcolonial, emerging, and ethnic literature, as it finds that the authors are haunted by the same ‘hybrid’, ‘exilic’, and ‘diasporic’ questions that have dogged their fellow postcolonialists. Issues of belonging, loyalty, and affinity are recognized and dealt with in the various essays, as are the various concerns involved in cultural and relational identification. The contributors to this volume come from different national backgrounds and share in examining the nuances of this emerging literature. Authors discussed include Elmaz Abinader, Diana Abu-Jaber, Leila Aboulela, Leila Ahmed, Rabih Alameddine, Edward Atiyah, Shaw Dallal, Ibrahim Fawal, Fadia Faqir, Khalil Gibran, Suheir Hammad, Loubna Haikal, Nada Awar Jarrar, Jad El Hage, Lawrence Joseph, Mohja Kahf, Jamal Mahjoub, Hisham Matar, Dunya Mikhail, Samia Serageldine, Naomi Shihab Nye, Ameen Rihani, Mona Simpson, Ahdaf Soueif, and Cecile Yazbak. Contributors: Victoria M. Abboud, Diya M. Abdo, Samaa Abdurraqib, Marta Cariello, Carol Fadda–Conrey, Cristina Garrigós, Lamia Hammad, Yasmeen Hanoosh, Waïl S. Hassan, Richard E. Hishmeh, Syrine Hout, Layla Al Maleh, Brinda J. Mehta, Dawn Mirapuri, Geoffrey P. Nash, Boulus Sarru, Fadia Fayez Suyoufie

“[A] wickedly funny Philadelphia picaresque about a secular Muslim’s identity crisis in a country waging a never-ending war on terror.” —O, The Oprah Magazine Ali Eteraz’s much-anticipated debut novel is the story of M., a supportive husband, adventureless dandy, lapsed believer, and second-generation immigrant who wants nothing more than to host parties and bring children into the world as full-fledged Americans. As M.’s life gradually fragments around him—a wife with a chronic illness, a best friend stricken with grief, a boss jeopardizing a respectable career—M. spins out into the pulsating underbelly of Philadelphia, where he encounters others grappling with fallout from the war on terror. Among the pornographers and converts to Islam, punks and wrestlers, M. confronts his existential degradation and the life of a second-class citizen. Darkly comic, provocative, and insightful, Native Believer is a startling vision of the contemporary American experience and the human capacity to shape identity and belonging at all costs. “Native Believer stands as an important contribution to American literary culture: a book quite unlike any I’ve read in recent memory, which uses its characters to explore questions vital to our continuing national discourse around Islam.” —The New York Times Book Review “A page-turning contemporary fiction that addresses burning issues about the very essence of identity, and without question Ali Eteraz is a writer’s writer, one whose ear for the English language is just as acute as fellow naturalized Americans Vladimir Nabokov (born in Russia) or Viet Thanh Nguyen (Vietnam).” —Los Angeles Review of Books