Resonating Sacralities

In The Netherlands, the arts have gained a sacralized status, while religion is increasingly viewed through the lens of heritage. The dynamic resonance of sacred forms this results in, is exemplary for the postsecular. Exploring this resonance, this book offers a strong counterweight to the popular trope of the arts having replaced religion in secularized societies. Instead it approaches artistic performance, religion, and its heritage as mutually engaging sacred forms. Lieke Wijnia thoroughly connects theoretical perspectives on the sacred with ethnographic research at the annual festival Musica Sacra Maastricht. She explores the continued relevance of a broad conceptual approach to the sacred, as well as the practical side to negotiating the sacred at the festival. The resulting analyses shed new light on topics like musical performance as generator of the sacred, how art and heritage impact the continuity of religion in secularized societies, and the fragility of artistic performance in the contemporary fragmented framework of the sacred. This book offers an innovative and interdisciplinary interpretation of the continuing significant role of art and religion in postsecular societies.

Religion and Contemporary Art sets the theoretical frameworks and interpretive strategies for exploring the re-emergence of religion in the making, exhibiting, and discussion of contemporary art. Featuring essays from both established and emerging scholars, critics, and artists, the book reflects on what might be termed an "accord" between contemporary art and religion. It explores the common strategies contemporary artists employ in the interface between religion and contemporary art practice. It also includes case studies to provide more in-depth treatments of specific artists grappling with themes such as ritual, abstraction, mythology, the body, popular culture, science, liturgy, and social justice, among other themes. It is a must-read resource for working artists, critics, and scholars in this field, and an invitation to new voices "curious" about its promises and possibilities.

Through a bold and historically rooted vision for the future of philosophy of religion, The Sacrality of the Secular maps new and compelling possibilities for a nonsecularist secularity. In recent decades, philosophers in the continental tradition have taken a notable interest in the return of religion, a departure from the supposed hegemony of the secular age that began with the Enlightenment. At the same time, anthropologists and sociologists have begun to reject the once-dominant secularization thesis, which both prescribed and described the demise of religion in modern societies. In The Sacrality of the Secular, Bradley B. Onishi reconsiders the role of religion at a time when secularity is more tenuous than it might seem. He demonstrates that philosophy’s entanglement with religion led, perhaps counterintuitively, to vibrant reconceptions of the secular well before the unraveling of the secularization thesis or the turn to religion. Through rich readings of Heidegger, Bataille, Weber, and others, Onishi rethinks what philosophy can contribute to our understanding of religion and the wider social and cultural world.

From the 1960s until his death in 2013, Robert N. Bellah was the preeminent figure in the study of religion and society. He broke new ground in mapping the religious dimensions of human experience, from the great breakthroughs of the first millennium BCE to the paradoxes of American civic life. In three final essays, published here for the first time, Bellah grapples with the contradictions of modernity, and seven leading thinkers respond with profound, exhilarating new perspectives on our present predicament. Challenging Modernity critically assesses the modern project to shed light on the tensions between its transcendent aspirations and the perils we now face. Its contributors analyze the roots of the collapse of the political, economic, and cultural institutions that promised perpetual progress but now threaten global catastrophe. Reflecting the range of Bellah’s scholarship, they span the disciplines of history, sociology, anthropology, and philosophy. They extend Bellah’s insight that only deep historical, cultural, and religious understanding can help us meet modernity’s harrowing challenges by sharing responsibility for the global interdependence of our common fate.

In The Netherlands, the arts have gained a sacralized status, while religion is increasingly viewed through the lens of heritage. The dynamic resonance of sacred forms this results in, is exemplary for the postsecular. Exploring this resonance, this book offers a strong counterweight to the popular trope of the arts having replaced religion in secularized societies. Instead it approaches artistic performance, religion, and its heritage as mutually engaging sacred forms. Lieke Wijnia thoroughly connects theoretical perspectives on the sacred with ethnographic research at the annual festival Musica Sacra Maastricht. She explores the continued relevance of a broad conceptual approach to the sacred, as well as the practical side to negotiating the sacred at the festival. The resulting analyses shed new light on topics like musical performance as generator of the sacred, how art and heritage impact the continuity of religion in secularized societies, and the fragility of artistic performance in the contemporary fragmented framework of the sacred. This book offers an innovative and interdisciplinary interpretation of the continuing significant role of art and religion in postsecular societies.

Divided into four parts-Earth, Air, Fire, and Water-this book takes an elemental approach to the study of religion and ecology. It reflects recent theoretical and methodological developments in this field which seek to understand the ways that ideas and matter, minds and bodies exist together within an immanent frame of reference. The Bloomsbury Handbook of Religion and Nature focuses on how these matters materialize in the world around us, thereby addressing key topics in this area of study. The editors provide an extensive introduction to the book, as well as useful introductions to each of its parts. The volume's international contributors are drawn from the USA, South Africa, Netherlands, Norway, Indonesia, and South Korea, and offer a variety of perspectives, voices, cultural settings, and geographical locales. This handbook shows that human concern and engagement with material existence is present in all sectors of the global community, regardless of religious tradition. It challenges the traditional methodological approach of comparative religion, and argues that globalization renders a comparative religious approach to the environment insufficient.

'Thealogy and Embodiment' both analyses and contributes to spiritural feminism's postmodern construction of the female body as a metaphor and medium of divine generativity. Addressing religious studies and women's studies students and all those interested in contemporary spirituality, Raphael counters reformist feminism's recurrent criticism of goddess feminism as naively essentialist and sub-political. She presents spiritual feminism as a set of religio-political manoeuvres that powerfully resist such patriarchal degradations of female/natural generativity as environmental destruction, weight-reducing diets, and menstrual taboos.