Revelations Of A Lady Detective

Written in 1864, this novel set in London depicts Victorian women under a new light thanks to "the initiative in works of progress" of the times, that challenged what was considered not to be "a woman's work". In this novel the English police started employing women in their task force as undercover detectives. Here in the Victorian London we meet Mrs. Paschal, a widow in financial trouble, who "verging upon forty" reinvented herself and "became one of the much-dreaded, but little-known people called Female Detectives". Under cover she bravely chases thieves to secret vaults full of gold, spies on an Italian secret society, solves crimes and rescues the day.

In nineteenth-century London, middle-class women did not engage in what were seen as "unladylike activities." There were many jobs that a woman simply could not be expected to do because they were viewed as unsuitable for finer female sensibilities. The idea of a woman being involved in the murkiness of criminal detection must have seemed a radical and adventurous one in Victorian times: women simply did not do that sort of thing. And yet, in 1864, to the delight of men and women alike, two male authors published novels starring a female detective. William Stephens Hayward published Revelations of a Lady Detective just six months after Andrew Forrester's The Female Detective (republished by the British Library in 2012), making Hayward's the second novel ever published to feature a female detective. Hayward's heroine, Mrs. Paschal, is a very different character from her predecessor, Forrester's G. For a start, Mrs. Paschal is shown smoking on the front cover--an activity considered very modern and daring for women, even in the late nineteenth century. She is a widow, left close to financial ruin by the death of her husband, and supports herself through her detective work. This much racier female detective is however equally inventive, intuitive, and insightful, and with a Colt revolver in hand she works her way through a variety of cases involving theft, murder, and kidnapping. This very rare novel will be welcomed by all fans of Victorian crime fiction.

Kathleen Gregory Klein traces female paid, professional private investigators in British, Canadian, and American novels, revealing that the detective novel is both a reflection of and potential barrier to social change for women. This edition adds sixty new female private eyes to the roster and includes an afterword that assesses the current state of the genre's new and old novels. A comprehensive bibliography and a character list update the field through mid-1994.

Edgar Award-winning editor Otto Penzler's new anthology brings together the most cunning, resourceful, and brilliant female sleuths in mystery fiction. A Vintage Crime/Black Lizard Original. For the first time ever, Otto Penzler gathers the most iconic women of the detective canon over the past 150 years, captivating and surprising readers in equal measure. The 74 handpicked stories in this collection introduce us to the most determined of gumshoe gals, from debutant detectives like Anna Katharine Green's Violet Strange to spinster sleuths like Mary Roberts Rinehart's Hilda Adams, from groundbreaking female cops like Baroness Orczy's Lady Molly to contemporary crime-fighting P.I.s like Sue Grafton's Kinsey Millhone, and include indelible tales from Agatha Christie, Carolyn Wells, Edgar Wallace, L. T. Meade and Robert Eustace, Sara Paretsky, Nevada Barr, Linda Barnes, Laura Lippman, and many more.