Rhymes Reasons

In that Rhymes and Reasons are songs, not poems, I’ve left them in the accepted patterns necessary to set them to music. There may be some repetition but rare is the song sang in its entirety without repeating verses or choruses especially, what is now considered the chorus. The earlier songs were primarily AABA or ABAC patterns which were the norm back then. As patterns evolved into the more contemporary verse-chorus mode, I’d suspect that happened because repetition of the chorus allows for more rousing concert finales in which audience might be tempted to sing along.

Rhymes & Reasons is a smart, up-to-date, all-in-one guide to phonological awareness-what it is, what it isn't, and the best practices for teaching it.

Rhymes and Reasons is a collection of counterpointed prose reflections and poems by New Zealand author Yvonne Dinkelbach. Wide ranging in its subject matter and locality, Dinkelbach's work is thought-provoking and always accessible.

A book for children of all shapes and sizes "Life is Good & Other Reasons For Rhyme" is the first of the "Life Is" series; with two additional titles "Life Is Weird & Other Rhyme For No Reasons" and "Life Is Crazy & More Rhymes For No Reason" to follow. Dave is a member of The Society of Children's Books Writers and Illustrators.

Seventy-three classic nursery rhymes and the "reasons" behind them.

The author of such global bestsellers as Lolita and Pale Fire, Vladimir Nabokov (1899-1977) is also one of the most controversial literary translators and translation theorists of modern time. In Between Rhyme and Reason, Stanislav Shvabrin discloses the complexity, nuance, and contradictions behind Nabokov's theory and practice of literalism to reveal how and why translation came to matter to Nabokov so much. Drawing on familiar as well as unknown materials, Shvabrin traces the surprising and largely unknown trajectory of Nabokov's lifelong fascination with translation to demonstrate that, for Nabokov, translation was a form of intellectual communion with his peers across no fewer than six languages. Empowered by Mikhail Bakhtin's insights into the interactive roots of literary creativity, Shvabrin's interpretative chronicle of Nabokov's involvement with translation shows how his dialogic encounters with others in the medium of translation left verbal vestiges on his own creations. Refusing to regard translation as a form of individual expression, Nabokov translated to communicate with his interlocutors, whose words and images continue to reverberate throughout his allusion-rich texts.