Rhythm Ride

From award-winning author Andrea Davis Pinkney comes the story of the music that defined a generation and a movement that changed the world. Berry Gordy began Motown in 1959 with an $800 loan from his family. He converted the garage of a residential house into a studio and recruited teenagers from the neighborhood-like Smokey Robinson, Mary Wells, Marvin Gaye, Stevie Wonder, and Diana Ross-to sing for his new label. Meanwhile, the country was on the brink of a cultural revolution, and one of the most powerful agents of change in the following decade would be this group of young black performers from urban Detroit. From Berry Gordy and his remarkable vision to the Civil Rights movement, from the behind-the-scenes musicians, choreographers, and song writers to the most famous recording artists of the century, Andrea Davis Pinkney takes readers on a Rhythm Ride through the story of Motown.

This is the third book in a three volume series celebrating and examining about the work of 11 of the most prominent African American authors since 2000. The eleven identified authors are Andrea Davis Pinkney, Coe Booth, Sheila P. Moses, Kwame Alexander, Kekla Magoon, Jason Reynolds, Varian Johnson, Renee Watson, Tiffany D. Jackson, Nnedi Okorafor, and Lamar Giles. These authors build on the work of the authors in books two and three. The chapter authors—librarians and established and emerging scholars in the field of young adult literature--survey the work of each author, their accolades, and how audiences responded to their work. Each chapter highlights a single work and discusses how it might be taught in a classroom with a focus on introductory, during, and concluding activities for individuals, small groups and the whole class. This volume is a resource for classroom teachers, teacher educators, reading specialists, librarians, and other educators who study, research, and read young adult literature. Even more importantly it can be resource for students who read and study these authors at the secondary and collegiate level. This is especially true when the current moment in the U. S. shows facing anew concerns of voting rights and discussion of how and when Critical Race Theory or any discussion of Race might take place in a classroom.

A complete drumset method with dexterity studies to develop hand and foot independence for rock drumming. In addition to standard rock drumming, this book studies Latin-American, West Coast, and Chelsea rock rhythms.

Dictionary of Music and Staff Notation is about the various definitions of musical terms. Many of them are very difficult to find since they are not available in all music dictionaries. In staff notation section the notation is described in a very simple way and different topics related to music are covered in it. The book will be helpful for students as well as teachers.

Blues Drums, within the School of the Blues Lesson Series, contains over 250 examples of blues drum patterns and technique-building exercises! Subjects covered in this book are: The History of Blues Drumming; Choosing YourInstrument and Getting Your Sound; Exercises for Development of Technique (Sticking and foot patterns specific to playing blues); Blues Shuffles & Swing Beats, Slow Blues, Ballads and the Triplet Groove (12/8 Time); Blues Rhumba, Calypso Beats and Samba Feel; Two-Beat/Cut Time; Early Rock 'n' Roll and Surf Beats; New Orleans, Soul and Funk Influences; and Build-ups & Fills. This book is accompanied by an online audio recording of all examples played on the drums with the backing of the School of the Blues All-Star Band. It is recommended that you also purchase Blues Drums Play-Along Trax to have full- length play-along trax for you to apply what you learn in this book. Includes access to online audio

For years, veteran Houston photographer Ray Viator has followed the trail rides that lead up to the Houston Livestock Show and Rodeo and has captured the color, the camaraderie, and the flavor of this popular annual event. In All Trails Lead to Houston: Riding to the Rodeo, which opens with a foreword from Houston Livestock Show and Rodeo COO Emeritus M. Leroy “Shafe” Shafer, Viator’s stunning photographs are accompanied by brief narratives and informative sidebars that provide insight into life on a trail—from sunrise to sunset. The trail rides began in January 1952 when Brenham rancher Reese Lockett and five friends were having lunch in Houston. The conversation turned to the joys of riding horses and its place in the Texas ranching tradition. Ultimately, the discussion sparked a challenge and an idea: stage a trail ride from Brenham to Houston as a way of publicizing and promoting the annual Houston Livestock Show and Rodeo. That first Salt Grass Trail Ride—named after the predominant source of grazing for cattle ranchers on the Texas Coastal Plain—started with Lockett, his friend and fellow rancher Emil H. Marks, and two others. By 1959, participation had soared to more than 90 wagons and 2,000 riders. In the years since, more rides, each covering a different route to Houston, have been organized with thousands of riders from all over Texas. While the Salt Grass Trail Ride claims pride as “the grandaddy of ’em all,” the movement also spread to other Texas cities and even other countries. Viator provides readers with colorful descriptions of the riders, horses, wagons, and western traditions celebrated each day on each of the twelve rides. All Trails Lead to Houston is a celebration of Texas, western ranching heritage, and culture.

What makes hundreds of listeners cheer ecstatically at the same instant during a live concert by Egyptian diva Umm Kulthum? What is the unspoken language behind a taqsim (traditional instrumental improvisation) that performers and listeners implicitly know? How can Arabic music be so rich and diverse without resorting to harmony? Why is it so challenging to transcribe Arabic music from a recording? Inside Arabic Music answers these and many other questions from the perspective of two "insiders" to the practice of Arabic music, by documenting a performance culture and a know-how that is largely passed on orally. Arabic music has spread across the globe, influencing music from Greece all the way to India in the mid-20th century through radio and musical cinema, and global popular culture through Raqs Sharqi, known as "Bellydance" in the West. Yet despite its popularity and influence, Arabic music, and the maqam scale system at its heart, remain widely misunderstood. Inside Arabic Music de-mystifies maqam with an approach that draws theory directly from practice, and presents theoretical insights that will be useful to practitioners, from the beginner to the expert - as well as those interested in the related Persian, Central Asian, and Turkish makam traditions. Inside Arabic Music's discussion of maqam and improvisation widens general understanding of music as well, by bringing in ideas from Saussurean linguistics, network theory, and Lakoff and Johnson's theory of cognition as metaphor, with an approach parallel to Gjerdingen's analysis of Galant-period music - offering a lens into the deeper relationships among music, culture, and human community.