Richard Mallinson S Fast Fiction

At only a page each in length, Richard Mallinson's elegantly structured short stories are a pithy fast fiction for a modern multi-media age. A rapid succession of carefully worked observations, the stories read like a dynamic anthology of life's collisions and interactions; its projected plans and unexpected rotations. There is a great joy in the subverted (the interviewer becomes the interviewee; the private detective becomes the conspirator) as well as an interest in the open-ended. Possibility abounds for these are always tales of the present; the past is unclear and the future unwritten. Adhering to the strict one-page format, the writing is marvelously precise: it is highly disciplined, but infinitely rich, conjuring the most unique and sharply observed characters with remarkably few words. If indeed, 'we read fiction... in order to meet individuals' as the character Tolson declares in Mallinson's, Tolson's Creed, then in this anthology we are introduced to a plethora of distinct personalities, rendered all the more compelling by their relentless unpredictability.

At only a page each in length, Richard Mallinsons elegantly structured short stories are a pithy fast fiction for a modern multimedia age. A rapid succession of carefully worked observations, the stories read like a dynamic anthology of lifes collisions and interactions, its projected plans and unexpected rotations. There is a great joy in the subverted (the interviewer becomes the interviewee; the private detective becomes the conspirator) as well as an interest in the open-ended. Possibility abounds, for these are always tales of the present; the past is unclear and the future unwritten. Adhering to the strict one-page format, the writing is marvelously precise: it is highly disciplined, but infinitely rich, conjuring the most unique and sharply observed characters with remarkably few words. If indeed we read fiction . . . in order to meet individuals as the character Tolson declares in Mallinsons Tolsons Creed, then in this anthology we are introduced to a plethora of distinct personalities, rendered all the more compelling by their relentless unpredictability.

At only a page each in length, Richard Mallinson's elegantly structured short stories are a pithy fast fiction for a modern multimedia age. A rapid succession of carefully worked observations, the stories read like a dynamic anthology of life's collisions and interactions, its projected plans and unexpected rotations. There is a great joy in the subverted (the interviewer becomes the interviewee; the private detective becomes the conspirator) as well as an interest in the open-ended. Possibility abounds, for these are always tales of the present; the past is unclear and the future unwritten. Adhering to the strict one-page format, the writing is marvelously precise: it is highly disciplined, but infinitely rich, conjuring the most unique and sharply observed characters with remarkably few words. If indeed "we read fiction . . . in order to meet individuals" as the character Tolson declares in Mallinson's "Tolson's Creed," then in this anthology we are introduced to a plethora of distinct personalities, rendered all the more compelling by their relentless unpredictability.

January 1829: George IV is on the throne, Wellington is England's prime-minister, and snow is falling thickly on the London streets as Lieutenant-Colonel Matthew Hervey is summoned to the Horse Guards in the expectation of command of his regiment, the 6th Light Dragoons. But the benefits of long-term peace at home mean cuts in the army.

In this sweeping historical series debut, a fallen French aristocrat must prove himself in the furnace of Napoleon’s army. France, 1795: Confusion and fear reign in the Republic. With her troops facing starvation and annihilation on three fronts, France is killing her patriots. Alain Lausard, an aristocrat whose family were massacred in The Terror, now rots in prison. His one chance at freedom is to serve in the faltering Italian campaign, now commanded by a young Napoleon Bonaparte. Trained as a soldier, Lausard commands respect for turning his ragged miscreants into ruthless cavalry. Yet tensions remain. As the unit falls under the command of the despotic Cezar, a hazardous mission behind enemy lines threatens everything . . .

The Eastern Frontier, Cape Colony, 1828. Xhosa tribesmen are making incursions across the border, threatening the stability of the eastern frontier. When Matthew Hervey is recalled to South Africa, he and his troop of mounted rifles come into conflict with Shaka, legendary warrior-king of the Zulu. It is an unfamiliar and deadly world.

Faculties, publications and doctoral theses in departments or divisions of chemistry, chemical engineering, biochemistry and pharmaceutical and/or medicinal chemistry at universities in the United States and Canada.

Ripping sea yarns from the creator of Mutiny on the Bounty. James Norman Hall is best known as the co-author of the classic Bounty trilogy. In his later years, his favorite work was writing the tales spun by Dr. Dogbody, a peg-legged old salt who never lets the truth get in the way of a good story. Doctor Dogbody's tales vividly recreate the Napoleonic Wars, and delight with broad comedy, rollicking naval adventure, and characters that will live on in the reader's memory.