Richard Rolle

This volume includes a translation of the major prose works, several of the ascribed lyrics and a selection of the commentaries written in English by this fourteenth-century (c. 1300-1349) English mystical writer and hermit.

The author argues that in these devotional works (which appealed to a broad readership in late medieval England) Rolle successfully refines traditional affective strategies to develop an implied reader-identity, the individual soul seeking the love of God, which empowers each and every reader in his or her own spiritual journey."--Jacket.

This book explores the fifteenth-century translations of Richard Rolle's Latin and English writings into English and Latin, respectively, raising questions about the impact of translation on an author's legacy through the editorial activity of his translators. The volume also discusses Rolle's sensory mysticism--which was criticized by the ensuing generation of mystics--whilst looking into the ways in which translations of his work create a fifteenth-century version of Rolle. While the fifteenth-century translations did not represent the standard means of shaping Rolle's authority, this study illustrates individual encounters with Rolle's writings in which interpretation was much more overt than in the devotional reuse of untranslated Rollean material. The volume asks if alternative and perhaps controversial portraits of the same author arise from the translations. Richard Rolle has received many, often conflicting, labels in scholarship: the father of English prose, the first medieval English author, the first known mystic of English literature, the runaway Oxford man, the non-conformist hermit, and the misogynist. This book is located in the context of the late medieval censorship culture which inevitably impacted the translators' treatment of authority, revelatory writing, and theological speculations. The analysis of Rolle in translation highlights the various meanings, practices, and implications of translation in the fifteenth century.

This collection of papers examine the continuity of English prose. The volume begins with an investigation of word order in the Ancrene Wisse and Richard Rolle's English epistles, followed by studies of prose rhythm in Wulfstan's De Falsis Dies; the relationship between punctuation and rhythmical unit markers and syntax in Late Old English orally-delivered prose; Scandinavian elements in Rolle's Form of Living and the texts of Be Cynestole in Wulfstan's Institutes of Polity; and the problem of word order in the Ancrene Wisse is then reconsidered. The text concludes with papers discussing manuscript punctuation as evidence for linguistic change and an electronic corpus of diplomatic parallel manuscript texts as a research tool for Early English scholars.

This book examines three aspects of Rolle’s thinking used throughout this work: his ontology, phenomenology, and sound ecology. These facets of his work invoke both a way of understanding being in the world, an opening up of the body in queer ways to experience the divine, and a way to consider divine contemplation in terms of singing the body. Queering Richard Rolle considers how Rolle navigates queer, eremitic conduct in order to create an identity always in process

No detailed description available for "The influence of Richard Rolle and of Julian of Norwich on the middle English lyrics".