Richard Wright The Library Of America Unexpurgated Edition Native Son Uncle Tom S Children Black Boy And More

For the first time in a deluxe boxed set, the definitive edition of Richard Wright's landmark works in the form in which he intended them to be read. Here, in authoritative texts based on the author's original typescripts and proofs, is the Library of America's acclaimed edition of Richard Wright's major works. Wright's first novel, Lawd Today!, published posthumously in 1963 and here presented for the first time in its original form, interweaves news bulletins, songs, exuberant wordplay, and scenes of confrontation and celebration into a kaleidoscopic chronicle of the events of one day in the life of a black Chicago postal worker. Uncle Tom's Children first brought Wright to national attention. The characters in these five stories struggle to survive the cruelty of racism in the South, as Wright asks what quality of will must a Negro possess to live and die with dignity in a country that denied his humanity. Wright's masterpiece, Native Son, exploded on the American literary scene in 1940. The story of Bigger Thomas, a young black man living in the raw, noisy, crowded slums of Chicago's South Side, captured the hopes and yearnings, the pain and rage of black Americans with an unprecedented intensity and vividness. The text printed in this volume restores the changes and cuts--including the replacement of an entire scene--that Wright was forced to make by book club editors who feared offending their readers. Wright's wrenching memoir Black Boy, an eloquent account of his struggle to escape a life of poverty, ignorance and fear in his native South, was an immediate bestseller when it appeared in 1945. But Wright's complete autobiography, published for the first time in this volume as Black Boy (American Hunger), is a far more complex and probing work, chronicaling his encounter with racism in the North, his apprenticeship as a writer, and his disillusionment with the Communist Party. Wright's 1953 novel The Outsider appears here in a text that restores the many stylistic changes and long cuts made by his editors without his knowledge. When Cross Damon is mistakenly believed to have died in a subway accident, he seizes the opportunity to invent a new life for himself. The text here, based on Wright's final, corrected typescript, casts new light on his development of the style he called poetic realism. Boxed set contains Richard Wright: Early Works, 936 pp., and Richard Wright: Later Works, 887 pp., volumes #55 and #56 in the Library of America series.

Includes Native Son, now an HBO original movie by Rashid Johnson, with a screenplay by Suzan-Lori Parks and starring Ashton Sanders. Native Son exploded on the American literary scene in 1940. The story of Bigger Thomas, a young black man living in the raw, noisy, crowded slums of Chicago’s South Side, captured the hopes and yearnings, the pain and rage of black Americans with an unprecedented intensity and vividness. The text printed in this volume restores the changes and cuts—including the replacement of an entire scene—that Wright was forced to make by book club editors who feared offending their readers. The unexpurgated version of Wright’s electrifying novel shows his determination to write honestly about his controversial protagonist. As he wrote in the essay “How ‘Bigger’ Was Born,” which accompanies the novel: “I became convinced that if I did not write Bigger as I saw and felt him, I’d be acting out of fear.” This volume also contains Wright’s first novel, Lawd Today!, published posthumously in 1963, and his collection of stories, Uncle Tom’s Children, which appeared in 1938. Lawd Today! interweaves news bulletins, songs, exuberant wordplay, and scenes of confrontation and celebration into a kaleidoscopic chronicle of the events of one day—February 12—in the life of a black Chicago postal worker. The text for this edition reinstates Wright’s stylistic experiments, and the novel emerges as a far livelier work of the imagination. Uncle Tom’s Children first brought Wright to national attention when it received the Story Prize for the best work submitted to the Federal Writers’ Project. The characters in these tales struggle to survive the cruelty of racism in the South, as Wright asks “what quality of will must a Negro possess to live and die with dignity in a country that denied his humanity.” All five stories Wright included in the 1940 second edition are published in this volume, along with his sardonic autobiographical essay “The Ethics of Living Jim Crow.” Richard Wright was “forged in injustice as a sword is forged,” wrote Ernest Hemingway. With passionate honesty and courage, he confronted the terrible effects of prejudice and intolerance and created works that explore the deepest conflicts of the human heart. This Library of America edition presents for the first time Wright’s works in the form in which he intended them to be read. The authoritative new texts, based on Wright’s original typescripts and proofs, reveal the full range and power of his achievement as an experimental stylist and as a fiery prophet of the tragic consequences of racism in American society. The volume includes notes on significant changes in Wright’s text and a detailed chronology of his life. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

Hailed by the Chicago Tribune as an “utterly irresistible heroine,” Darlene O’Hara—the brilliant, hard-living, obsessive, and somewhat self-destructive detective introduced in Peter de Jonge’s acclaimed crime fiction masterwork Shadows Still Remain—returns in Buried on Avenue B. An edgy and suspenseful noir thriller, Buried on Avenue B traverses the gritty landscape of New York’s Lower East Side and the more sordid corners of Sarasota, Florida, as a gruesome and unexpected discovery in a makeshift Alphabet City grave heats up a 17-year-old cold case. James Patterson calls Darlene O’Hara “one of the freshest, hippest detective creations in many a year,” and the New York Times has described Peter de Jonge’s writing as “in the noirish, character-driven vein of Dennis Lehane or Michael Connelly.” For fans of serious crime fiction, Peter de Jonge is a must-read, and Detective Darlene O’Hara is cop to be reckoned with.

9.30am on 22 January 1993. The moment in crime history that one of Britain's most audacious thefts ever took place and the legend of 'Fast Eddie' was created. This is the story of how Securicor guard Eddie Maher managed to pull off a £1.2 million heist, fled the country despite every port being closed, spawned an international manhunt, and managed to evade capture for 20 years. As Britain's Most Wanted Man, he led 30 detectives, FBI and Interpol on a wild goose chase across the USA. Dubbed 'Fast Eddie' by the press, he was always one step ahead and after two decades on the run with his family using a series of of aliases and identities, Eddie began to think he'd committed the perfect crime until a cruel and dramatic betrayal proved otherwise... Like a Hollywood movie script and told in full for the first time, Fast Eddie is the compelling story of how an ordinary British man became America's most notorious fugitive.

A special 75th anniversary edition of Richard Wright's powerful and unforgettable memoir, with a new foreword by John Edgar Wideman and an afterword by Malcolm Wright, the author’s grandson. When it exploded onto the literary scene in 1945, Black Boy was both praised and condemned. Orville Prescott of the New York Times wrote that “if enough such books are written, if enough millions of people read them maybe, someday, in the fullness of time, there will be a greater understanding and a more true democracy.” Yet from 1975 to 1978, Black Boy was banned in schools throughout the United States for “obscenity” and “instigating hatred between the races.” Wright’s once controversial, now celebrated autobiography measures the raw brutality of the Jim Crow South against the sheer desperate will it took to survive as a Black boy. Enduring poverty, hunger, fear, abuse, and hatred while growing up in the woods of Mississippi, Wright lied, stole, and raged at those around him—whites indifferent, pitying, or cruel and Blacks resentful of anyone trying to rise above their circumstances. Desperate for a different way of life, he headed north, eventually arriving in Chicago, where he forged a new path and began his career as a writer. At the end of Black Boy, Wright sits poised with pencil in hand, determined to “hurl words into this darkness and wait for an echo.” Seventy-five years later, his words continue to reverberate. “To read Black Boy is to stare into the heart of darkness,” John Edgar Wideman writes in his foreword. “Not the dark heart Conrad searched for in Congo jungles but the beating heart I bear.” One of the great American memoirs, Wright’s account is a poignant record of struggle and endurance—a seminal literary work that illuminates our own time.

It's official: Dads need a rebrand. The Father Hood celebrates the rapidly-growing tribe of hands-on dads who are discovering that fatherhood is the making of them. "The most important thing about being a dad is to be an example." Mark Wahlberg Welcome to The Father Hood. Where we celebrate the growing tribe of hands-on dads who are discovering that becoming a father is the greatest opportunity a man can have to be better than he's ever been before; stronger, wiser and more compassionate. But there is no instruction manual or benchmark for modern dads aside from one golden rule: keep showing up. With a mix of celebrity interviews - from Hugh Jackman, David Beckham, Osher Gunsberg and many more - as well as quotes and stats that capture the rise of the hands-on dad, The Father Hood is the guide to helping modern dads thrive and survive in the only job that really counts.

Nineteenth-century psychologist and pragmatist philosopher William James is rarely considered a political theorist. Renowned as the author of The Principles of Psychology and The Varieties of Religious Experience, James is often viewed as a radical individualist with no interest in politics; yet he was a critic of imperialism and absolutism and an advocate of tolerance, and his writing includes a penetrating analysis of political psychology. This first book by a political theorist devoted exclusively to James's theory argues that political concerns were in fact central to his intellectual work. Joshua Miller links James to the contemporary public dialogue by treating him as a theorist of action and exploring the complexities of that theory. He also relates the philosopher's thought to his own political experiences and observations and-by explicating, criticizing, and meditating on James-develops provocative new ideas about issues facing democracy today. At the heart of the book is James's description of the "democratic temperament," which comprises a willingness to act, the placing of public good ahead of private comfort, generosity toward one's opponents, and mutual respect among citizens of different viewpoints, races, genders, classes, and religions. Miller sees this temperament as a healthy corrective to the meanspiritedness that characterizes so much current political discourse, which is precisely what makes James's insights so relevant to today's political environment. By revealing how James speaks to the paradoxical condition of modern political existence—withdrawal from public life combined with fanatical action—Miller shows how James's views apply to the possibility and problems of reviving participatory democracy in our era. Scholars who have never considered the political aspects of James's work will find in this study a new way of approaching him and of reconsidering radical democracy, while readers unfamiliar with James will find it a highly accessible introduction to a significant aspect of his thought. Democratic Temperament clearly shows that James deserves to be read not only for his recognized genius but also for his fresh and unexpected insights into the possibilities and paradoxes of American democratic political consciousness.