Ridgerunner

Writers’ Trust Fiction Prize Winner Scotiabank Giller Prize Finalist Part literary Western and part historical mystery, Writers’ Trust Fiction Prize winner Ridgerunner is now available as a paperback. November 1917. William Moreland is in mid-flight. After nearly twenty years, the notorious thief, known as the Ridgerunner, has returned. Moving through the Rocky Mountains and across the border to Montana, the solitary drifter, impoverished in means and aged beyond his years, is also a widower and a father. And he is determined to steal enough money to secure his son’s future. Twelve-year-old Jack Boulton has been left in the care of Sister Beatrice, a formidable nun who keeps him in cloistered seclusion in her grand old house. Though he knows his father is coming for him, the boy longs to return to his family’s cabin, deep in the woods. When Jack finally breaks free, he takes with him something the nun is determined to get back — at any cost. Set against the backdrop of a distant war raging in Europe and a rapidly changing landscape in the West, Gil Adamson’s follow-up to her award-winning debut, The Outlander, is a vivid historical novel that draws from the epic tradition and a literary Western brimming with a cast of unforgettable characters touched with humour and loss, and steeped in the wild of the natural world.

A brooding, compelling, fugitive-on-the-run story: shortlisted for the Commonwealth Writers' Prize, winner of the International Association of Crime Writers Dashiell Hammett Prize, nominated for the IMPAC Dublin Literary Award. 'A remarkable first novel, full of verve, beautifully written, and with all the panache of a great adventure' Michael Ondaatje 'A superb adventure story' The Times On a moonlit night in 1903, a mysterious young woman flees alone across the Canadian wilderness, one quick step ahead of her pursuers. Mary Boulton is nineteen years old, half mad, and widowed - by her own hand. Tearing through the forest with dogs howling in the distance, she is desperate, her nerves burning, and she is certain of one thing only - that her every move is being traced. Two red-headed brothers, rifles across their backs, lurch close behind her: monstrous figures, identical in every way, with the predatory look of hyenas. She has murdered their brother, and their cold lust for vengeance is unswerving. As the widow scrambles to stay ahead of them, the burden of her existence disintegrates into a battle in which the dangers of her own mind become more menacing than the dangers of the night. Along the way, the steely outlaw encounters a changing cast of misfits and eccentrics. Some, like the recluse known as 'The Ridgerunner', provide a brief respite from her solitude; others, like the Reverend Bonnycastle, offer support only to reveal that they too have their own demons raging inside. As she is plunged further away from civilisation, her path from retribution to redemption slowly unfurls. A startling transformation of the classic western narrative, The Outlander is the haunting tale of one young woman's deliberate journey deep into the wild.

Collects traditional legends, proverbs, tall tales, jokes, social customs, and ghost stories from the northern counties of Pennsylvania

Hazel is only a toddler when she sails back to Canada with her parents to begin a new life. As the boat dips and dives across the ocean and sends her bed crashing against the walls, Hazel wakes up to the tragic reality of the world around her. From then on, life seems a constant struggle as Hazel juggles with the miseries of childhood, while attempting to make sense of the odd bunch of grown-ups around her. After all, how much help can you expect from an uncle who collects only white animals, or a grandfather who drives around with a dead dog on the back seat of his convertible, when you have to confront your first day at school, the arrival of a baby brother or your parents' divorce? Still, life could be worse, thinks Hazel, she could be in the chess club, or have a name like Bogdana or Flower... In this haunting and extremely funny account of the world according to Hazel, Gil Adamson's first work of fiction, written twn years ago and published now for the first time in the UK, reminds us that although growing up is about sorting out life as it is, from life as it should be, stories will always be there to help us pretend.

SHORTLISTED FOR THE 2020 SCOTIABANK GILLER PRIZE • A NEW YORK TIMES NEW & NOTEWORTHY BOOK • A GLOBE AND MAIL TOP 100 BOOK FOR 2020 • A CBC BEST FICTION BOOK FOR 2020 • "His third appearance on the Giller shortlist ... affirms Bergen among Canada's most powerful writers. His pages light up; all around falls into darkness."—2020 Scotiabank Giller Prize Jury • “David Bergen’s command is breathtaking ... His work belongs to the world, and to all time. He is one of our living greats.”—Matthew Thomas, New York Times-bestselling author of We Are Not Ourselves From the streets of Danang, Vietnam, where a boy falls in with a young American missionary, to fishermen lost off the islands of Honduras, to the Canadian prairies, where a teenage boy’s infatuation reveals his naiveté and an aging rancher finds himself smitten, the short stories in Here the Dark explore the spaces between doubt and belief, evil and good, obscurity and light. Following men and boys bewildered by their circumstances and swayed by desire, surprised by love and by their capacity for both tenderness and violence, and featuring a novella about a young woman who rejects the laws of her cloistered Mennonite community, Scotiabank Giller Prize-winner David Bergen’s latest deftly renders complex moral ambiguities and asks what it means to be lost—and how we might be found.

Finalist, 2023 Trillium Book Award Finalist, Writers Union of Canada 2023 Daunta Gleed Literary Award Finalist, 2023 ReLit Award for Short Fiction Twelve exquisitely written stories depicting the search for human connection and the attempt to fit in far from home. All the Shining People explores migration, diaspora, and belonging within Toronto’s Jewish South African community, as individuals come to terms with the oppressive hierarchies that separate, and the connections that bind. Seeking a place to belong, the book’s characters — including a life-drawing model searching the streets for her lover; a woman confronting secrets from her past in the new South Africa; and a man grappling with the legacy of his father, a former political prisoner — crave authentic relationships that replicate the lost feeling of home. With its focus on family, culture, and identity, All the Shining People captures the experiences of immigrants and outsiders with honesty, subtlety, and deep sympathy.