Righteous Demagogues

How do we understand the nature and diversity of populist politics, in developed and developing countries? Righteous Demagogues provides a novel approach grounded in democratic theory, inequality, and party competition. It argues that populists are successful when they evoke the moral contract--that states are obligated to redress certain types of inequality--and promise its restoration, in ways that resonate across the normal lines of social division and partisanship. These changes in political competition can spur confrontations with the opposition and state institutions, leading to populist rejection or authoritarian governance.

In September 1740, New England experienced a social earthquake. It arrived not in the form of a great natural disaster or an act of violence, but with the figure of a twenty-year-old preacher. People were abuzz with his stunning oratory, his colorful theatrics, and his almost ungodly sense of power and presence.When George Whitfield arrived in the American colonies, his reputation and growing legend had been built on his brilliant speeches and frightening tirades, and his fame exploded. He demanded his listeners repent their sins and follow the true word of God—his. He had knowledge that only he could unlock for the American people. Whitefield's message also carried a threat, and he brooked no dissent. Whitefield's power over his listeners grew, and New England was in the uproar of a social revolution. This period became known as The Great Awakening, and it would weave its way into the very fabric of what American would eventually become. Soon after Whitefield reached his zenith, things began to fall apart. The puritanical utopia that once seemed so certain vanished like a dream. American Demagogue is the story of this rapid rise and equally steep fall, which would be echoed by authoritarian populists in later centuries and American demagogues yet to come.

LUPUS OF THE UNDERWORLD and Revelation Now is a novel followed by an essay. The novel is about a large gray wolf that becomes possessed by the four most powerful demons of Satans hell and is transformed into a man (reverse Lycanthropy). As a man, he he becomes an evil international crime syndicate Kingpin, and develops into the antichrist. God dispatches four archangels who take on the human vessels of FBI agents, exorcise the demons, and engage them in combat precipitating the Apocalypse.

Manifestations of Masculine Magnificence: Divinity in Africana Life, Lyrics, and Literature is a remarkable study and the first of its kind. Teresa N. Washington eschews popular culture’s pimp myths and thug sagas and traces the Africana man’s power, creativity, and consciousness to his inherent divinity. Manifestations of Masculine Magnificence takes the reader to the source of power with an analysis of African Divinities and divine technologies. Washington explores the permanence and proliferation of African Gods from oppressive plantations to the empowering proclamations of such leaders as W. D. Fard, Marcus Garvey, Father Divine, and Allah, the Father. Washington analyzes the summonses to and from the Gods that resonate in the music of such artists as Erykah Badu, The RZA, Sun Ra, X Clan, and Rakim. Using literary analysis as a prism to display the diversity of Africana divinity, Washington reveals the literature of such writers as August Wilson, Walter Mosley, Toni Morrison, Ngugi wa Thiong’o, and Ishmael Reed to be three-way mirrors that eternally reflect and project the Gods, their myriad powers, and their weighty responsibilities. Manifestations of Masculine Magnificence will prove indispensable to independent scholars as well as scholars of Comparative Literature, Hip Hop Studies, Gender Studies, Africana Studies, Literary Criticism, and Religious Studies.

SHAWN ALEXANDER a detective with the police department shocked by the unleashing of pets given passage of a law that outlaws pets. Packs of dogs attack people to obtain food. He escapes to the mountains in Nevada to an out-and-back hike to the glacier alpine lakes and an old mining settlement. VI raised by wolves in an abandoned mine in the mountains encounters Shawn as he investigates the mineshaft. She has the ability to communicate with the wolves. Her parents lost her at an early age. Vi provides Shawn with a solution to the disastrous freeing of pets. Given the wolves cooperation the dog packs may be battled. Her influence over the wolves thereby brings to Nevada the force of good against the forces of evil. With the power of God, Vi and Shawn combat the spread of evil; worldwide that includes Southeast Asia, given encounters with demons, exorcism, and hope for the future. To battle the pandemic they travel to Germany to encounter Aryan dog packs, Tsunami effects in Asia, and demons with the power to raise the dead.

Anyone Th at Works for a Living and Votes Republican Is an Idiot provides an overview of the political plight of the U.S. worker, primarily over the last century. It is intended for those citizens of the United States who work for a living in times of peace and war and who wear a uniform and bear arms to support the nations war efforts in times of peace and distress. The worker has little or no power individually. Because so much time must be spent earning a living and trying to survive, there is little time for investigating the big picture when it is so obscured by the media, charades, and the truth of the claims, counterclaims and professionally drafted hype disseminated during political and policy campaigns. One of the only powers remaining for workers is collective action through organizations such as unions or their own political party or their votes at the polls. Discover how the capitalist pigs and their PPP (Pig Party Prostitutes) took over the U.S. for the benefi t of the small, wealthy, worldwide aristocracy. We need a progressive workers party to salvage or restore an independent, viable American democracy and establish the middle class for We the People as intended.

From the refreshingly quirky to the humorous, poignant and erotic; from politics to philosophy to the playfully perverse, through sonnet forms, the villanelle and prose poems, Frank’s oeuvre is a treasure chest of nursed musings framed in verse. These are the measured scribblings of a person confronting an unfolding world as he assesses it with literary flair. In these poems there’s love, loss, birth, pique and reconciliation. There’re bawdy fancies and vexing ones. There’re pop culture ruminations, cultural allusions and emotional contusions. He’s got the whole whirlwind of feelings in his writer’s hand as he presents us with a smorgasbord of imagistic fruits. There are lords and swords and bawds in his vocabulary of interests, as well as quotidian encounters. We find a dialectic between a lump in his throat, as Frost has put it, and the written word. A very agreeable way to spend your spare afternoons.

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