Manifestations Of Masculine Magnificence

Manifestations of Masculine Magnificence: Divinity in Africana Life, Lyrics, and Literature is a remarkable study and the first of its kind. Teresa N. Washington eschews popular culture’s pimp myths and thug sagas and traces the Africana man’s power, creativity, and consciousness to his inherent divinity. Manifestations of Masculine Magnificence takes the reader to the source of power with an analysis of African Divinities and divine technologies. Washington explores the permanence and proliferation of African Gods from oppressive plantations to the empowering proclamations of such leaders as W. D. Fard, Marcus Garvey, Father Divine, and Allah, the Father. Washington analyzes the summonses to and from the Gods that resonate in the music of such artists as Erykah Badu, The RZA, Sun Ra, X Clan, and Rakim. Using literary analysis as a prism to display the diversity of Africana divinity, Washington reveals the literature of such writers as August Wilson, Walter Mosley, Toni Morrison, Ngugi wa Thiong’o, and Ishmael Reed to be three-way mirrors that eternally reflect and project the Gods, their myriad powers, and their weighty responsibilities. Manifestations of Masculine Magnificence will prove indispensable to independent scholars as well as scholars of Comparative Literature, Hip Hop Studies, Gender Studies, Africana Studies, Literary Criticism, and Religious Studies.

The African World in Dialogue: An Appeal to Action! is a probing and politically timely collection of essays, interviews, speeches, poetry, short stories, and proposals. These rich works illuminate the struggles, dreams, triumphs, impediments, and diversity of the contemporary African world. The African World in Dialogue contains five sections: "Listen: The Ink Speaks"; "Restitutions, Resolutions, Revolutions"; "Africanity, Education, and Technology"; "Life Lines from the Front Lines"; and "Gender, Power, and Infinite Promise." Each section brims with provocative and compelling insights from elder-warriors, wordsmiths, journalists, and academics, many of whom are also activists. The volume's contributors include Tunde Adegbola, Muhammad Ibn Bashir, Jacqueline Bediako, Charlie Braxton, Alieu Bundu, Baba A. O. Buntu, Chinweizu, Ricardo Cortez Cruz, Oyinlola Longe, Jumbe Kweku Lumumba, Morgan Miller, Asiri Odu, Chinwe Ezinna Oriji, Kevin Powell, Blair Marcus Proctor, Ishola Akindele Salami, Aseret Sin, Teresa N. Washington, and Ayoka Wiles. The book also features interviews with Hilary La Force, Mandingo, Kambale Musavili, and Prince Kuma N’dumbe. With selections designed to critique and in many cases upend conventional political thought, educational norms, fantasies of social progress, and gender myths, The African World in Dialogue challenges its audience. The book’s “Appeal to Action” is literal: Rather than offering eloquent elaborations of African world woes, The African World in Dialogue offers detailed plans and paths for emancipation and elevation that readers are urged to implement. Activists and scholars of African studies, African American studies, Pan-Africanism, criminal justice, Black revolutionary thought and action, gender studies, sociology, and political science will find this book to be both inspirational and indispensable.

“Blazes a new trail in Africana literary criticism by providing an insight into the soul and spirit of Africana womanhood.” --Anthonia Kalu, The Ohio State University, author of Women, Literature, and Development in Africa This is the revised and expanded edition of Teresa N. Washington's groundbreaking book Our Mothers, Our Powers, Our Texts: Manifestations of Aje in Africana Literature. In Yoruba language and culture, Aje signifies both a phenomenal spiritual power and the human beings who exercise that power. Aje is the birthright of Africana women who are revered as the Gods of Society. While Africana men can have Aje, its owners and controllers are Africana women. Because it is an African female power, and due to its invisibility, ubiquity, and profundity, Aje is often maligned as witchcraft. However, as Teresa N. Washington reveals in Our Mothers, Our Powers, Our Texts, Aje is central to the Yoruba ethos, worldview, and cosmology. Not only is it essential to human creation and artistic creativity, but as a force of justice and retribution, Aje is vital to social harmony and balance. Washington analyzes forms, figures, and forces of Aje in the Yoruba world, in the Caribbean Islands, in Latin America, and in African America. Washington's research reveals that with the exile and enslavement of millions of Africans, Aje became a global force and an essential ally in organizing insurrections, soothing shattered souls, and reminding the dispossessed of their inherent divinity. From her in-depth exploration of Aje in Pan-African history and orature, Washington guides readers through rich analyses of the symbolic, methodological, and spiritual manifestations of Aje that are central to important works by Africana writers but are rarely elucidated by Western criticism. Our Mothers, Our Powers, Our Texts includes innovative readings of works by many Africana writers, including Zora Neale Hurston, Toni Morrison, Ben Okri, Wole Soyinka, Jamaica Kincaid, and Ntozake Shange. This revised and expanded edition of Our Mothers, Our Powers, Our Texts will appeal to scholars of Africana literature, African religion and philosophy, gender studies, and comparative literature. Devotees of Africana spiritual systems will find this book to be indispensable.

New Criticism and Pedagogical Directions for Contemporary Black Women Writers spans the contemporary era into the AfroFuture. It begins with Ann Petry, who has been forcibly mashed into masculinized critical paradigms, and ends by introducing audiences to Black speculative and Science Fiction writers.

Oral Forms of Nigerian Autobiography and Life Stories discusses the oral life stories and poems that Africans, particularly the Yoruba people, have told about the self and community over hundreds of years. Disproving the Eurocentric argument that Africans didn’t produce stories about themselves, the author showcases a vibrant literary tradition of oral autobiographies in Africa and the diaspora. The oral auto/biographies studied in this book show that stories and poems about individuals and their communities have always existed in various African societies and they were used to record, teach, and document history, culture, tradition, identity, and resistance. Genres covered in the book include the panegyric, witches’ and wizards’ narratives, the epithalamium tradition, the hunter’s chant, and Udje of the Urhobo. Providing an important showcase for oral narrative traditions this book will be of interest to students, scholars, and researchers in African and Africana studies, literature and auto/biographical studies.

Bridges theory, art, and practice to discuss emerging issues in transnational religious movements in Latina/o and African diasporas. This is the first collection of essays to analyze intersectional religious and cultural practices surrounding the deity Yemoja. In Afro-Atlantic traditions, Yemoja is associated with motherhood, women, the arts, and the family. This book reveals how Yemoja traditions are negotiating gender, sexuality, and cultural identities in bold ways that emphasize the shifting beliefs and cultural practices of contemporary times. Contributors come from a wide range of fields—religious studies, art history, literature, and anthropology—and focus on the central concern of how different religious communities explore issues of race, gender, and sexuality through religious practice and discourse. The volume adds the voices of religious practitioners and artists to those of scholars to engage in conversations about how Latino/a and African diaspora religions respond creatively to a history of colonization.

Ah Jubah! A PleaPrayerPromise is a revolution in ink. This rich curvilinear novel chronicles the emergence of six collectives who unite through time and space for the liberation and elevation the Pan African world. Ah Jubah! features Kandace and Cynthia who open a soul food restaurant that specializes in the culinary culling of racist oppressors; Azure and Alteveze who unite warring gangs, convert projects into quilombos, and introduce local authorities to the precision of divine retribution; and Orisa Oya and the Egbe Aje who preside over Edan’s global tribunal for the prosecution of crimes against humanity. These are only three examples of the liberatory works enacted by warriors who revolutionize the concept of revolution. Ah Jubah! offers a dynamic reconceptualization and resuscitation of such revolutionary Black organizations as Ogboni Ibile, the Deacons for Defense, and the Black Liberation Army. The novel also builds on and expands the literary revolutionary impetus of Sam Greenlee’s The Spook Who Sat By The Door, the Seven Days of Toni Morrison’s Song of Solomon, and the society of the ankh of Ayi Kwei Armah’s Osiris Rising. Asiri Odu’s stunning debut novel spans from the dawn of time to the immediate future to offer its audience a blueprint for holistic empowerment for nearly every era, condition, and dilemma.